Macaulay Honors College, Fall 2014

Author: Mohammed Arafa

Subway Murals

Report

            Subway Art is one of the greatest forms of art that the city of New York has to offer. As one of the major art centers of the world, New York City is bound to attract some of the best artists in the world. It is also bound to attract some of the most talented artists who don’t display their art in a museum or gallery. Some artists want to show their work to people who don’t have a great interest in art and, where better to do that then in the subway. Also, while subway murals attract great artists, they can also attract talented amateurs, who have only a hobby in art and want to share it with the world. As an outsider to this new community, I believe that outsiders have a greater appreciation for this art than natives to the community. For example, natives to New York City, who take the subway everyday, might take for granted the art they walk by everyday as a mundane event that can be seen everywhere and at any time, while a tourist or an outsider who has not seen many of these “mundane” art pieces might find them extraordinary. As an outsider, not to the degree of a tourist from another state or country, I tried to view each new artwork as someone who has never seen art on the subway or even been on the subway. Although, I do plan to live in NYC in the future, I would still consider myself an outsider since I am not part of the community there. To do this project, my partner and I went online and found guides to all the subway murals we could find. Then, we tried to narrow down the lists to the ones we were really interested in and focus on those. After that, we actually visited all the ones we listed and discovered many things. Although we tried to determine what the creator’s intention was and why he/she put the piece in that specific location; we also noted different people’s reaction to the different art works. For example, when we saw natives of New York City, they ignored the artwork and were more worried about the subway itself. While the tourists, who obviously have never been in NYC before, were amazed by the murals. For example, we spotted a whole group of tourists just standing around a mural, photographing it and enjoying it. After that, we took a look at the murals themselves and how each one represented specific landmarks of that community. For example, communities near central park depicted more natural settings, while communities near the water incorporated that water element into their murals. Also, we noted that the most diverse and abstract art were near crowded centers. One example of this is 86th street, which was extremely crowded, housed the abstract mural “Happy City” by Peter Sis. Also Grand Central Station, which is almost like the heart of the subway system, housed “Arches, Towers and, Pyramid” by Jackie Ferrara. Although we noted this strange occurrence, we could not tell why this happened. After we examined the murals, we wrote down our first impressions of each mural without discussing it. Later we discussed what we wrote and what we thought of each piece. Some of the limitations we faced during this project are the amount of murals we saw in each community was not as much as we would have hoped. Another limitation we faced was that we didn’t have a lot of time to discuss how we each felt about every single piece.

  • One of the most brutal wars of the 19th century
  • It was a gorilla war “war that was not fought traditionally”
  • It was fought using hit and run tactics and traps
  • Also the first televised war.
  • South Vietnam civilian casualties- 195,000-450,000
  • North Vietnam and Vietcong civilian casualties 50,000-65,000
  • Both sides had 1,000,000 + military casualties
  • War lasted officially 19 years (1955-1975)
  • Because this war was televised and at this time many people had televisions they experienced the horror of actual war
  • This had a lasting effect on society at that time now that everyone could see what really happens during war.
  • Now that teenagers could see the realities of war they decided to protest it instead of joining the war effort.
  • The movement against the involvement of the United States in the Vietnam War began in the U.S. with demonstrations in 1964 and grew in strength in later years. The U.S. became polarized between those who advocated continued involvement in Vietnam and those who wanted peace.
  • Many in the peace movement were students, mothers, or anti-establishment hippies. Opposition grew with participation by the African-American civil rights workers. Additional involvement came from many other groups, including educators, clergy, academics, journalists, lawyers, physicians, civil Rights Movement leaders and military veterans.
  • American opposition to the Vietnam War fell into several main categories: opposition to the draft; moral, legal, and pragmatic arguments against U.S. intervention; and reaction to the media portrayal of the devastation in Southeast Asia.

Gallay Review

Beverly Buchanan, Ferry Road Shacks, 1988 Oil

 

At first glance, it looks cartoonish and childish, something a kid would draw for his parents or for art class, not a professional painting. When I looked at it at first, all I could think was who would pay for such a painting and who would hang this up in a gallery? However the longer I looked at the painting, the more and more it began to impact me. Firstly, I began to imagine the story behind the painting. For example, who lived in these shacks and what was the quality of life. I pictured a large family gathering around a small table crowded and cramped, but full of love. I also imagined the love and affection the family members felt and how living in such close quarters has brought them closer together. Also, I imagined how hard it must have been living there and how I struggle sharing a bedroom with my brother. The longer I looked at the photo, the more I noticed how each part of the painting serves a purpose in influencing your perception of the story behind it. For example, the color signifies the passion that people living in these “shacks” feel for each other and how the childish style of the painting signifies the innocence of the people living there. After doing some research, I found out that the painter of this painting was Beverly Buchanan. On her way home from a vacation, her parents made a wrong turn and got lost. There she saw what looked like shacks and thought about who lived there and what they grew up to be. Pleasantly surprised, she found out that many of the residents of these shacks turned out to be doctors, lawyers, and businessmen. When I did the research and found out that this was true, that extremely successful people grew up in shakes smaller than some rooms in some houses, I couldn’t believe what I was reading. However, the more I thought about it the more it made sense living so closely with so many family members, these people had so much support growing up. As you can see even though this image is amateurish and even childish, it has a dramatic impact on the person looking at it if they take the time to look closely and really think about what they are looking at.

The Fall for Dance

  • Short and very well rehearsed while the dancers interact perfectly to the rhythm of the music
  • Illustrates a story of early 1900’s party, the dance included mostly male dancers as backup dancers with the female as the lead
  • The costume lighting and props were all set up to draw attention to the female lead.
  • The music had a jazz feel with the dance perfectly in sync with the lyrics and music.
  • Not many props

The Magic Flute: Acting

  • The use of body language to express mood of the scene is very prominent
  • I didn’t have to look at the subtitles to understand the plot of the story and the roles of each character.
  • Papageno served as the comic release and you could tell his mood in each scene without even listing to the words because of his use of body language and his acting.
  • You could also tell the difference between the characters based solely on their acting. For example, you could tell Tamino is very disciplined and comes from a prominent home because he doesn’t move around a lot and just by listening to his voice you can tell that is the voice of a noble man. On the other hand Papageno was always running around looking like a fool while everyone laughed at him, you could tell that he came from a common family not concerned with how others viewed him
  • Another example of how the acting displays the qualities of a character is in Sarastro and the Queen of the Night. While Sarastro was calm and collected throughout the play the Queen of the Night was angry and emotional but you could tell they both maintained a sense of superiority and both seemed powerful.
  • The acting also enhances the emotion of the play. For example, Tamino’s love for Pamina and Pamina’s love for Tamino radiate whenever they look at each other. The acting is so good you actually believe that they are truly and deeply in love.

The Valley of Astonishment: Stagging

  • Not a high budget production
  • 3 wooden chairs set up around a table
  • Doctors coats and the information that look to be brain wave patterns
  • Very simple stage with few instruments and props
  • The use of different color lighting to emphasize the emotion felt during that time
  • Also the use of only 3 actors makes very good use of limited spacing
  • Over all the use of the stage and the props is effective in conveying the message of the author
  • Most of the scenery you had to imagine for example when the character was describing how she stored all the information “ on a street, the street I grew up on” and describing the house as being the starting point and putting everything she remembers on to those streets until she fill up the entire city. Although this is not shown on the stage the description is so accurate it is almost like you are actually there.
  • Also the music used worked as scenery showing what was happening more clearly than any prop. For example as the character was describing how she remembered things the music got more and more intense as she was describing how the room in her mind was filling up. This didn’t need to be shown just hearing the music you could see streets of a city filled with objects of the characters memory