What I found ironic was how Richard II plotted against Gloucester and then how many people including Bolingbroke plot against Richard II. This could also be regarded as foreshadowing because what happens to Gloucester seems to happens to Richard II. Again, as with Don Juan, I am not sure whether to classify Richard II as a hero or as a villain. They both have attributable qualities; however, their main roles in the plays are not reputable. This quality of their character makes their role classification hazy and it is up to the reader to determine whether the main character is a hero or a villain.
Category Archives: Richard II
Richard II An Unfit King?
Gaunt and Edward, Richard’s father, were claimed to have proved themselves as men of their country from their efforts in wars, while Richard II is said to have seen more peace, indicating his inexperience with war, as well as questioning his qualifications as King. It seems ironic that at the end of Act II King Richard is thought to have died in his wars in Ireland, just as Bolingbroke returns to reclaim what is rightfully his. There seems to be a power shift toward Bolingbroke, where he is feared by some of the characters more than they fear the King.
Richard-Related Ramblings
As for the story, I think I like it. Richard’s sneaky plot with the banishment and Gaunt’s wealth surprised me and increased my interest. As in media, if it bleeds it leads. The story catches your attention first with the pending duel (for honor? really?) and then with the money scheme. The Duke of York was greatly opposed to seizing the wealth, saying: “You pluck a thousand dangers on your head,/ You lose a thousand well-disposed hearts.” This, as well as the Queen’s premonitions, is major foreshadowing indicating the downfall of Richard II.
I also want to put in as a light side note that in the heat of their argument, Bolingbroke and Mowbray threw down their hoods to invite a fight, as opposed to the traditional glove-smack. I would like to see a film in which they throw down their hoods. I think it would be an interesting sight. They also say ‘spake’ instead of ‘spoke’. Thought you ought to know.
Richard II and Macbeth
Both Richard II and Macbeth contain the character of a power-hungry king. King Richard seems similar to King Macbeth in that both do anything to assert their authority (even murder) yet are essentially weak. Richard uses the theory of divine right to justify his actions, much like Macbeth tries to use the witches’ prophecy to justify his actions. Both characters also rashly invade other lands and do things without thinking them through. Richard also banishes his enemies and spends extravangantly, just like Macbeth.
John of Gaunt reminded me of Banquo. He is Richard’s friend and uncle, and tries to to correct Richard when he commits a rash act, but Richard doesn’t listen and inadvertently causes Gaunt’s death. Like Banquo in Macbeth, it seems as though Gaunt (and his son, Bolingbroke, who was banished by Richard in the beginning of the play) will indirectly get his revenge later on in the play.
Also like Macbeth, Richard has his dissenters, those who plan to rebel against him. Bolingbroke, along with the the Earl of Northumberland, Lord Ross, and Lord Willoughby, plan to stage a royal coup in England as soon as Richard leaves to invade Ireland. This mirrors the invasion of MacDuff and his army in Macbeth. At the end of Act II, Richard is cornered by the Welsh army. It seems that nothing but ominous things are in store for Richard…
Confusion
Act I, scene iii made no sense to me because, after taking so much time to formally set up the duel, King Richard II stops it before either combatant can make a single move. “Sound, trumpets; and set forward, combatants. / A charge sounded / Stay, the king hath thrown his warder down.” The king then announces his decision to banish both Mowbray and Bolingbroke. If he was going to banish them both in the first place, why didn’t he do so earlier? Why didn’t he let the duel go on so he could at least pretend to make a conclusion from the duel? The king later decides to reduce Bolingbroke’s banishment period by four years so that he is now banished for six years instead. He says it’s because exiling Bolingbroke saddens his uncle, but this shorter sentence means nothing if his uncle will die before Bolingbroke returns.
In Act I, scene iii, the king reveals that he doesn’t expect Bolingbroke to return even after his time in exile expires. “He is our cousin, cousin; but ’tis doubt, / When time shall call him home from banishment, / Whether our kinsman come to see his friends.” He then goes on to explain how Bolingbroke is a threat to the king because all the commoners love him and he acts as if he’s next in line to be king. If this is true, why not banish Bolingbroke for eternity. Mowbray was banished for eternity. Why not have let the duel go on so that perhaps Bolingbroke would be slain? That would have been one way to prevent Bolingbroke from staging his coup.
Richard: Hero or Villain?
It’s only after this scene that we see Richard’s true nature. We learn of his plan to fund Irish wars using the money from Gaunt’s estate after his death, even though the money rightfully belongs to Bullingbrook. Not even Gaunt’s deathbed accusations and insults can guilt Richard into doing the right thing. He’s almost Machiavellian in the respect that he will do what he sees fit for his country whether or not it’s morally sound. This sort of hubris usually leads to some formidable tragedies in drama, so it will be interesting to see what troubles come to King Richard.
Richard II: Re-Acclimating to Shakespeare
Additionally, I think it is an important point in King Richard’s character that he stopped the dual from occurring. Instead of allowing petty squabbles to tear apart his kingdom, instead he fought to ensure the prosperity of his rule. However, this prosperity soon comes to be challenged by the dying Gaunt. I also find it interesting that Gaunt can so blatantly disrespect the king with no subsequent outburst. This may be a result of his coming death. However, Richard does not seem to assert his importance over Gaunt, nor over York when he is challenged later in that very same scene. I think this may be an important thing to keep an eye on throughout the development of the play.