The Arrival: Reflections

Wow….

What can I say? this work of art was beautiful in many ways. It was beautifully drawn, “written” (if you can even say that), and thought out. In my eyes, there was even more beauty in the interpretation. The book can be interpreted so many different ways that even plot points are left up to the reader. The Story is so ‘open” that one must search for explanations themselves.

Tan, who has history writing children’s books, was able to create something much more powerful than words. But i was left with one major question: is this a children’s book? I asked one of my music professors that question and he had to think for a second… but then i realized that it could be. Imagine the level of imagination that a 5 or 10 year old would put into the graphic novel. Their innocence and general inability to synthesis what is being given to them in the form of pictures will make for a completely alien interpretation to us.

I read this book as soon as i got it (about 3 weeks ago) and the first thing that popped into my head was a melody. Now, i plan to compose a Cello duet based on this book for my end of the semester composition project. The piece will consist of 6 movements, for each chapter, and the texture and style of the playing will emulate the tones and events in the work. I am very excited to begin to work on the piece and, with Professor Rutkoski’s permission, would love to have it performed for the class.

-John W. Cleary

“We Are All Made Of Stars”

Perhaps the most unique aspect of Shaun Tan’s book The Arrival, other than its obvious use of solely pictures to tell a story, is its ability to put the reader in the perspective of a new immigrant.  Rather than merely relay stories of a journey to a new land, Tan directly immerses you into the mindset of confusion in coping with the norms of a different world.

I noticed several references to New York City from a bizarre, complicated transportation system (symbolizing the subway) to street fairs, passport confirmations and laborious jobs similar to those available at the turn of the century.  I also observed the foreign language, which also aids in putting the uncertainty into perspective and helping the reader sympathize with the main character.

The book reminded me of a story I read long ago in which a variety of seemingly strange rituals were ornately described.  At the end of the story, it is revealed that the rituals illustrated were all typical American habits, like brushing one’s teeth.  I think this relates because both force you examine what you find most familiar and consider the possibility of this being unusual to those who simply have not had the same experiences or cultural upbringing.

I think Tan’s purpose is to highlight that we all have similarities in this sense, which he exemplifies with the pictures of a myriad of beautifully diverse people in the front and back of the book.

-Jacqui Larsen

Abstract art at its finest.

These days, when people are asked to go look at museums or artistic places around the boroughs, they use the excuse: “I just don’t have the time!” “The Arrival,” designed by Shaun Tan, is the perfect source of art and culture for those people who are too busy to get outside and immerse themselves in the cultural side of our fine city.

At first, I was a little confused about why we were assigned a “picture book” for a college-level seminar, but after the first five pages I knew exactly why. “The Arrival” is no children’s book, even though that’s the section it’s categorized under in the Queens Library system. It’s an exploration of immigration, cultures of the world, life, death, good, evil and a long list of other topics. The first time I saw a strong example of one of these topics was on the fifth page. The image found there depicts the family the story centers on walking away from their home as the shadow of a tail (of what I believe to be a dragon) hovers above them. This image can be interpreted in numerous ways, but I take it to mean the family has an evil force or encounter lurking ominously in their past (as well as the father’s future).

The strong immigration story involves the father traveling to countries unknown and attempting to settle in there for work and to start life anew. The situation the father was in really makes one think about other immigrant families. Fathers are usually the first members of families to travel to other countries, and the spouse and / or children follow. Such is the cue in “The Arrival.”

One other image that remained in my mind after “reading” the book was the image that showed the progression of a plant through the four seasons. It’s on the fifth and sixth pages in Part V of the book. The reason I like these two pages is because they remind of a picture that hangs in my father’s dental office. It’s entitled “Change” and shows a tree at different times during a year when viewed from different angles. It’s sort of a 3-dimensional photo because you really have to move to see each stage of the tree. “The Arrival” links the cycle of a plant or tree during the year perfectly with stages of life. As the tree began as a lone plant, the father began life anew in another country. As the tree lost it’s leaves only to become whole again in time, the father’s family meets him in the new country in time.

The four seasons of a tree as seen in Part V of "The Arrival."

The book ends with an image showing the daughter of the man who came to the new country helping guide a newcomer to the country. The girl was once a newcomer who needed help finding her way, and now she can help show others the way around her new home.

A Picture is Worth 1,000 Words

The illustrations presented in Shaun Tan’s The Arrival may create confusion, but isn’t this exactly how the immigrants felt as they came to the strange new world for the first time? We invariably hear stories of people who migrated to America in History channel documentaries such as Pane Amaro and from our grandparents, but it’s almost impossible to actually know what it was like. Many of my friends have experience difficulty dorming in college and fending for themselves, but imagine moving to a new country where the language is foreign, the area is unfamiliar, and you have to fight your way from the ground up to survive. I felt like that’s what the images in The Arrival are trying to portray. The recurring image of the man in every other image signifies distress, confusion, and a perpetual state of angst.

We see images of children crying, people waiting in long lines for trains, husbands and wives parting, ships sailing, clouds of pollution emanating from smokestacks, clusters of people on ships – looking weak, tired, fatigued, miserable. I feel like Tan uses pictures to delineate the difficulty of immigration because a picture can say more than a thousand words ever could. We see intermittent images of the “new world,” a world of industry, pollution, and ceaseless competition.

More importantly, we are constantly reminded of the loss of contact between the immigrants and their families back in their respective countries. We see pictures of men writing and mailing letters, placing stamps on the letters, and sending them out. In the documentary, Pane Amaro, Italian immigration is illustrated as abject and morose – yet it was necessary for people to make money and survive. The Arrival is a poignant graphic novel that manages to express more than words ever could. The weird creature on the cover underscores the unfamiliarity thrown in the face of every immigrant and how they had to cope with each new facet of society standing in their path to success.

The Arrival: A Story Of Immigration

Shaun Tan’s “The Arrival” tells a story that is familiar to all Americans: that of immigration and coming into a new world, not knowing what to expect. However, it is the way that the story is told that makes this graphic novel so compelling.

The story revolves around a man who tearfully leaves his behind his wife and young daughter in order to look for a better life in a faraway land. Once he gets there, he is thrust into this strange, foreign world with a different alphabet, odd creatures, and fantastic, whimsical architecture and technology. Of course, our hero is quite lost and confused at first, but throughout his stay he meets other people who describe their immigration stories to him, and he also befriends a strange white tadpole-like critter who helps him out along the way. In the end, his wife and daughter come to live with him, and the story ends with his daughter helping out another immigrant get their start in the strange land, just like her own father got help from those around him.

Of course, the most striking aspect of this book is that it contains absolutely no words. The story is told entirely through pictures. I believe that this is Tan’s way of showing that the story of immigration is everyone’s story (especially immigration to New York, since the strange land in his story seems to symbolize Ellis Island) . It was experienced by at least one person in our families, and shapes our culture and personalities. The main character is an Everyman figure, representing all immigrants. It doesn’t matter what language we speak; we are all bound by this common thread of a history of immigration and starting a new life in a new land. The pictures also help the reader to immerse themselves more in the book and relate to the main character on a deeper level. Since we have to decipher the meaning of the pictures, we are more attuned to the moods and feelings of the main character as we follow him on his adventure. Didn’t you feel lost and frightened with him when he encountered the spiky fruits and couldn’t read the picture language of that land?

The story also seems to have no sense of a time period. The style and dress of the characters hearken back to the late nineteenth/early twentieth century, and the artwork in the book is either black and white or sepia-toned. However, the technology and machinery that are central to life in the strange land are so advanced they seem straight from a fantasy. This shows how the central idea of immigration will always remain the same, regardless of the passage of time.

“The Arrival” is a unique read that presents an old story in an entirely different, more meaningful way.

Story Time

Why are there so many animals?… Just wondering.

Immigration seems to be one of the main themes this semester because the autobiography in English class, Brother I’m Dying,  discusses the similar difficulty of the transition immigrants suffer through.

This new land, most likely New York, is depicted as a refuge for people who have to escape the horrors from their own country.  The main character, with the intention of bringing his wife and daughter over, leaves home because he and his family are being oppressed.  These feelings are evident from their fear-ridden facial expressions, the deserted streets, and the lurking shadows of scary-looking claws.  We can sense that there is something dark and evil present although, we might not be able to pinpoint exactly what, or who, it is.

Every person the main character engages with talks about his past and the horrors his country possessed, which were, surprisingly, all different.  The first man faced mass genocide in his country, which possibly depicted the Holocaust.  The old man escaped the damages of war in his country.  All here now working with a huge smile on their face did nothing but encourage the main character to achieve this kind of life too.  The “American Dream” being not the riches of the world on your doorstep but being the chance of peace and safety.  With this fact, one can lead a happy, mostly mediocre financial, life.

A “Unique” Reading Experience

When I first opened Shaun Tan’s “The Arrival” I was surprised to find that the book had no words, besides a brief description in the beginning, and a page at the end thanking all the people who helped and sources of information. The last time I read a picture book was so long ago that i can’t even distinctly remember it. But even then the picture book had words, sentences, and a general story line no matter how simple. However, this book was still different than any book i have experienced in my memory. Usually a book can paint a scene in my mind, but this book was the painted scene, and I was the narrator.

This creates a unique feeling when you “read” the book. You could read it multiple times, and each time create a new story to be told by the pictures. I write read in apostrophes because technically you are not reading. Technically you are also not watching as you would television. This adds another unique perspective only found in a radical book such as “The Arrival.” You are not reading, watching, but rather looking at pictures and creating a storyboard in your head.

Although everyone who reads this book perceives it differently, the concept behind the story is still the same. Immigration, is something extremely unique to a big city such as New York. Most inhabitants of New York City come from families who immigrated decades ago, and prospered in a vastly different world. Likewise, my family immigrated to New York searching for opportunities beyond their farming and fishing way of life in the Italian island of Sicily. The hieroglyphic like symbols express the difficulty of learning a new language, and the confusion created by maps and these unknown symbols. Similar to the type of book, the theme of the book, immigration, is a general experience with millions of unique perspectives which can be shown through the different faces that line the insides of the cover of the book.

The Arrival by Shaun Tan

My eyes have been opened, all preconceived notions altered. I always understood the basics of immigration- the people and their bundles tossed onto a ship and deposited on new soil for a new lease on life. I’d heard of grueling journeys and difficulty assimilating to new cultures. Never before, however, had I seen it so clearly.

Shaun Tan’s illustrations in The Arrival speak volumes- more than words themselves could. The faded sepia tone takes the mind into the past, as do stylistic touches like old fashion and luggage. The anonymous subject, a middle-aged man leaving his wife and child to await them in a new country. After a long trip overseas (illustrated with many different images of clouds) he sets foot in his new (nameless) home.

For the first time I understood the confusion and fear felt by immigrants. There was a large hall in which the immigrants were inspected and issued their papers. All of the text was foreign- strange squiggles, lines, dots, and shapes- and it was everywhere. The main character was left nothing but gestures for communication. The landscape of the new city was like no city any of us have seen. It is almost as if Tan wanted us to be the immigrants as well- seeing floating ships, independent elevators, and strange machinery, plants, maps, animals, and buildings. Everything that the main character encounters for the first time has the same effect on the observer. We see him gradually assimilating to his new home, securing an apartment, finding food and employment, meeting other immigrants, and mailing money to his family. In the book we also see illustrated the stories of the other newcomers that the main character comes across. They show the different paths, some more perilous than others, that bring different people together in one place. No matter their origins, they were all in this one city now, all adapting and learning to live a new life. Finally, towards the end of the book, we see him reunited with his family. The final image is of his daughter talking to a new immigrant and showing her the way.

The book teaches us about the hardships and experiences of immigration. By ridding the observer of all written (familiar) word, Tan takes the experience to another level, making it foreign for both the characters involved and for us. I was moved by The Arrival and it’s beautiful poignant images. It shows us how unified we are just in being part of one city together.

The Familiar in Unfamiliar Surroundings

When I bought The Arrival by Shaun Tan, I was surprised to see that there were no words. After I finished “reading” the book, I was surprised to note how poignantly a story could be told solely through pictures. In fact, it may be the most effective method of communicating an idea. Where words can sometimes become awkward or complicate an idea, a picture succintly represents all the emotion in a single glance.

What struck me most about the pictures was that even though the images were of strange, unfamiliar things, they were still recognizable in some ways. For example, when the man the story revolves around is on the ship sailing to this new land, the city skyline and welcoming statue are reminiscent to that of New York, even if the particular buildings and said statue are not. Also, the building in which all the immigrants are gathered and examined looks very much like Ellis Island.

Furthermore, the story of immigration is a familiar one to all of us. In our collective histories, I’m sure every one of us has a story of someone they know, or maybe even themselves, who has gone through this frightening process of immigrating to a new country, for whatever reason. This fact serves to connect us together, much like it connects the characters featured in this book. This common thread unites them, and by the end of the book the man that the story revolves around is included in this community, and in turn helps newer immigrants also to find their way.

Appreciation of Architectural Beauty

Shaun Tan’s The Arrival is a beautiful tale yet also a familiar one – who hasn’t heard or read about an immigrant who traveled to a foreign land and assimilated? Perhaps what is so gorgeous about the story is the way in which it was told, with stunning paintings and strange creatures lurking in the background.

Part one deals with the protagonist of the story, a young husband and father, leaving his country to another land.  Strange dragon tail-like shadows snake alongside the buildings and enshroud the city, perhaps symbolizing the fumes and pollution of the industrial revolution.

What caught my eye about this picture book were the bizarre white animals that seemed to pop up wherever the protagonist went. The fact that the first of these creatures appeared after the man wrote and folded a letter to his family into an origami crane suggests that we are looking at the story from the man’s point of view, where his imagination brought these creatures to life. These animals are able to walk around because the man spilled so much of his soul into his writing, in a sense breathing life into words.

While looking through the pictures I started to wonder if they pertained to an industrialized city or a fantasyland. The images were presented in a right brain point of view; what were obviously buildings did not occur in the rectangular shape that we usually associate with edifices. Instead, they are molded into round tower-like structures that influence our emotions and creative eye.

Unrelatedly, perhaps this strange way the city was drawn alludes to  what the immigrants wished they saw instead of what they had actually seen, as in the way of a coping mechanism. Either way, the architecture was stunning.

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Beautiful…