Appreciation of Architectural Beauty

Shaun Tan’s The Arrival is a beautiful tale yet also a familiar one – who hasn’t heard or read about an immigrant who traveled to a foreign land and assimilated? Perhaps what is so gorgeous about the story is the way in which it was told, with stunning paintings and strange creatures lurking in the background.

Part one deals with the protagonist of the story, a young husband and father, leaving his country to another land.  Strange dragon tail-like shadows snake alongside the buildings and enshroud the city, perhaps symbolizing the fumes and pollution of the industrial revolution.

What caught my eye about this picture book were the bizarre white animals that seemed to pop up wherever the protagonist went. The fact that the first of these creatures appeared after the man wrote and folded a letter to his family into an origami crane suggests that we are looking at the story from the man’s point of view, where his imagination brought these creatures to life. These animals are able to walk around because the man spilled so much of his soul into his writing, in a sense breathing life into words.

While looking through the pictures I started to wonder if they pertained to an industrialized city or a fantasyland. The images were presented in a right brain point of view; what were obviously buildings did not occur in the rectangular shape that we usually associate with edifices. Instead, they are molded into round tower-like structures that influence our emotions and creative eye.

Unrelatedly, perhaps this strange way the city was drawn alludes to  what the immigrants wished they saw instead of what they had actually seen, as in the way of a coping mechanism. Either way, the architecture was stunning.

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Beautiful…

A Picture is Worth a Thousand Words

A picture is worth a thousand words.

No, this book has shown me that this is an extreme understatement. The pictures in Shaun Tan’s The Arrival hold so much power and emotion that words could never convey. I am lucky to be able to say I did not have to face the hardships that the main character of this graphic novel did. Nevertheless, as I “read” through the pages, I was overwhelmed with a feeling that I could somehow relate to him.

The images are frank and comprehensible.  The emotions the characters displayed were blatant, but still moving to the point of sympathy. The minute details throughout the pages, like the scratches on a wooden table and the crinkle of a piece of paper, added to the realistic nature of the work. I was able to get lost in the story just as I would have for any movie or novel.

I guess its funny that I consider the drawings realistic, because the pictures of monsters and strange creatures and the peculiar depiction of the city surely are not realistic. Tan uses these motifs to add perspective to the story. For example, Tan uses distorted characters instead of real English letters to share with the reader a sensation of foreignness and unfamiliarity. Likewise, the odd city to us is what this new place was to the main character.

This story could not have been told better through any way other than images. We are not given words to be told the story the same way the main character did not have the language he needed as he lived through it. We, like the main character, desperately try to read lips and faces to be able to tell what is going on and what is to happen next. Tan brilliantly crafted these parallels in emotion, creating this remarkable piece.