Nosferatu Mood Diary

When I first searched up Nosferatu, I was extremely pleased to learn that it was a horror vampire film — two of my favorite things. I didn’t expect it to be as scary as the horror movies today, but that’s to be expected since this came out in the 1900s. And not surprisingly, I wasn’t scared one bit, and I’m a pretty timid girl. Although this film was ~84 minutes, the time went by much faster than I anticipated. Before I knew it, I was one-third, then halfway through the movie.

I don’t know why, but Count Orlok reminded me a lot of Count Olaf from A Series of Unfortunate Events:

6xrk1hMaybe it was the bald-ish head, or the hair sticking out from the sides, or that they both had “Count” in their name, but they just seemed really similar to me.

Some points were rather confusing for me. I forgot who the crazy guy was (it was Knock) and thought it was Hutter for quite some time, so I had to do some research to get myself back on track.

I read through some of the comments on YouTube before watching the film, and one person asked if Nina (the wife) was played by a guy. I could not get that thought out of my mind, since the more I looked at Nina, the more she looked like she was played by a male actor.

I felt the ending was kind of rushed, what with Nina all of a sudden reading her husband’s book and deciding to be the hero, and then Count Orlok dying so easily and quickly. All in all, I didn’t think this was such a bad movie. Maybe I’m biased since I love horror (albeit it wasn’t all too scary) and vampires, but I wasn’t dragging myself to watch it.

 

Nosferatu Mood Diary

 Nosferatu had to be one of the best horror flicks that I have ever seen.  I was skeptical because of its age and its silent film style, but I could not even deny that this movie is a classic.  Max Shreck is convincing in his role as Count Orlok.  Like Metamorphosis and The Nose, some things did come to my mind as I watched the film.

The very first thing that came to my mind while watching this was this episode of Spongebob Squarepants.  In the episode, Spongebob and Squidward work the night shift at the Krusty Krab and witness some very creepy visuals; Count Orlok was the one who was apparently flickering the lights.  I was hoping that I would see similar humor from Shreck’s character in the film, but I was sadly disappointed.

image005

The disgusting rat-like teeth of Count Orlok was one of the most noticable traits of his character.  Count Orlok’s association with the plague made me understand why they made Orlok look like a rat.

In The Hall of The Mountain King from Peer Gynt by Edvard Grieg

If there is any ridiculously cliche piece of classical music associated with horror and Halloween, it would be Edvard Grieg’s In The Hall of the Mountain King from Peer Gynt.  It is often played in many trailers for Halloween-themed movies along with many kids movies.  In the case of Nosferatu, the song fits in well with Count Orlok and all of the spooky scenes the movie has.

Sunshine

I find that Count Orlok’s death reminds us about how evil can be defeated by goodness and sacrifice.  Ellen Hutter had to give her life to rid the world of Orlok and the coming of light shows us the return of goodness and righteousness in a movie conquered by Count Orlok and the morbid.  The coming of light is an embrace that the characters welcome as it gives them safety from Count Orlok’s terror.

Mood Diary – Nosferatu

Because I have an extremely low tolerance for fear and horror, when we were assigned a black and white movie of based on Dracula, Nosferatu, I was not excited to put it mildly.  I have been unable to watch scary movies my entire life, but I was nonetheless anticipatory for an all-time classic story to be portrayed in a colorless, speechless movie for an overall haunting experience.

The first thing that came to my mind when viewing this film was the haunting music.  Right from the opening credits through the final frame, the music effectively enhances each scene to extract a reaction from the viewer.  The chilling music begets the chilling imagery.  A comparison from the opposite spectrum would be when sporting events pump up the audience before the game.  With the Knicks starting their season in two days, I could not help but get excited all over again from their pump up music.

Another aspect of the movie that I found fascinating was use of the shadow of the Count.  The iconic picture of him ascending the stairs made me think about other scary iconic images, such as Hannibal Lecter in Silence of The Lambs.

Classic Image in Nosferatu

Classic Image in Nosferatu

 

 

 

 

 

 

Classic Image in Silence of The Lambs

Classic Image in Silence of The Lambs

 

 

 

 

 

 

The last component I appreciated in the story was the body language of the characters.  As discussed in the group session, because it was a speechless film, the body language had to be a little more exaggerated.  Nothing like a little over the top acting to supplement the silence:

The Artist

The Artist

 

 

 

 

Nosferatu Mood Diary

Looking a lot like Nosferatu… Excellent…

Looking at the description for Nosferatu, I looked forward to an epic horror thriller. However, I was greatly disappointed.

The music did not do the film justice. Yes, it gave the silent film a voice and fitted most scenes well, but I felt that there were many discrepancies. For instance, when Counter Orlok entered Hutter’s room, the music jumped back and forth from eerie screech sounds to resonating saxophone toots. I found that this shift in music rendered the ominous setting null. Rather, the situation appeared slightly laughable and tedious. Also, the background music throughout the film gave the impression of sluggishness.

Speaking of tedium, I was extremely bothered by the texts’ screen times. They were so lengthy that I considered them major interruptions which ruined the pacing of the film. Horribly distracting!

The music and pacing remind me of a bumbling duckling.

But the film wasn’t entirely bad.

The actors and actresses’ effort in showing exaggerated emotions was supreme. It certainly compensated for the lack of dialogue. I especially enjoyed the performances of Count Orlok and Knock. The other characters were great as well, but those two really shone by fully engaging themselves into the characters. Count Orlok’s rigidity and slimness formed the perfect inhuman vampire. Knock’s volatility and trickery formed the perfect insane underling.

Oh, and look at Count Orlok’s nose! I bet even Kovaloff would have been impressed!

Mood Diary – Nosferatu

As I was watching Nosferatu I couldn’t help but think of how my grandparents would have reacted when watching it as children when it first came out in 1922. I kept on wondering if they were actually frightened by the movie and if it actually scared them. To me the lack of speech in the movie made it quite difficult to watch, I am so used to being able to do a million things while watching a movie, but without talking that proved quite difficult. It bothered me that I wasn’t actually scared by something that would have been viewed as a “horror film” when it first came out. I think it proves how perverted our society has become to horrific things. I think these days it is quite difficult to actually scare the audience because they have been so exposed to scary movies and scenes from a very young age. I also found it fascinating how similar Nosferatu was to Dracula, until I found out it was actually an exact copy and they were sued for copyright infringement. I also began thinking of Twilight and Harry Potter, other fictitious and unrealistic tails of our error. When push comes to shove I found Nosferatu a little boring, tedious and slow moving, with that being said I am excited to see Dracula brought to life on Thursday night.

dracula-2 images imagesCA87VQ0Y NosferatuShadow

Mood Diary Noseferatu

Initially when I saw that it was a silent film, I thought that it would be boring. However, I thoroughly enjoyed watching Noseferatu, simply because the expressions that the actors used were so exaggerated that they got the point across. I found myself laughing several times at the faces that they made.

One aspect of Noseferatu that automatically stuck out to me was the scene where Knock receives the letter from Count Orlock. The inscriptions looked really familiar. We all know that the story of Dracula originally stems from Transylvania which is part of the Old Hungary. Well, the inscriptions on the letter had some basis to them. The old Hungarian alphabet looks very similar to how the letter was written; it is something that I know how to read and write. I even paused the video and tried to distinguish a couple of the letters, and found that while not all of them, some of them were the exact same letters. This form of writing is called rovásírás. 

 

rovasiras_nagy

 

So I really enjoyed that aspect of the movie. I also loved the music. While the Symphony itself seemed to be on a loop, it seemed like the perfect fit for the movie and the story that was being conveyed.

The people in the restaurant/ pub also looked like old Hungarians did back in the day. Hungarians dressed in very similar outfits at the time.

regi ruhaAn old Hungarian couple.

As for Nosferatu himself, I really enjoyed his appearance. For the movie being made in such an early part of movie history, I think that the makeup and effects were great. The last scene, where Nosferatu is killed by the sun- he fades away slowly. I don’t know how they managed to do that, but I was pleasantly surprised by the way they managed to include several effects.

Also, back to Hungarians- They love love LOVE violins. In fact all of the folksongs are accompanied by violins. So the symphony was wonderful to listen to.

Overall, I was happy with the film, seeing as I made so many connections to my own culture and traditions.

Mood Diary 3: Noseferatu

The first thing I noticed about F.W. Murnau’s silent film Noseferatu is that the audio and acting and separated. The actors and actresses heavily emphasize facial emotion but speak no words. I found going back and forth from reading words to watching the film a little tedious. This reminded me of the Dracula clips that I had to analyze in my creative writing class in high school. The way the clips were presented was very similar to that of Noseferatu: black, white, and antique though there was audio in Dracula.

Even though most of the characters look creepy, the dramatic facial expressions make the whole movie quite comical. When Count Orlok was sneaking up on people, his wide-eyed expression and wiggly long nails made him look more funny than scary. This adds to how much cinema has changed because what was considered scary back then turned into something amusing today. In terms of cinematic techniques, I liked the use of dimming each scene change in the shape of a circle, creating a mysterious aura. I also liked how they switched up the writing on the screen by changing the font when Hutter was reading his book or when he was writing a letter to his wife. This brightness of the font also dims and brightens corresponding to the day of time. For example, the whiteness of the font becomes dimmer towards the night, similar to how we lose our vision during the night.

I found Hutter’s reaction to the creepiness of Transylvania the most believable of the three pieces we had to watch. Gregor was overly calm while Kovaloff and Jakovlevitch and his wife were overly dramatic. Hutter had the right amount of fear and confusion that ultimately led to his fleeing from Transylvania. The element of the supernatural was intriguing in that his wife, Ellen, was able to sense when Hutter was in danger while Knock was also able to sense when his master, Count Orlok was about to die. While I found Ellen’s bravery to serve as a sacrifice for the town admirable, the way Count Orlok lost track of time draining her blood was unbelievable. He turned into a ball of fire and disappeared off the corner of the screen, which I found cliché. However, the ending successfully made me feel pitiful towards Hutter. He rushed home to protect his wife all to have her die in his arms in a matter of seconds.

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Ordinary Weirdness – an inspired collage

ordinary-GIF

The theme I gleaned from my mood diary for “The Nose” is ordinary weirdness. I’m trying to focus on the vibe I got from reading the short story rather than focusing on any central theme pertinent to the story.  We begin with a simple yet dynamic photo of a bold-looking caucasian female in the foreground. This is meant to convey ordinariness with a hint of something that’s out of place. Then:

1. A seemingly mismatched, barely-clad couple appear at bottom right.

2. A young boy looks lost and confused in a sea of butts (or people bent over); a reference (perhaps) to my mood diary for “The Nose” and the idea that Kovalyov could’ve been missing his butt as far as I am and the relevance of what’s missing is concerned.

3. A uniformed soldier sticks out his tongue for the camera amid other grim looking soldiers.

4. An ordinary New York scenery comes into view (in the center of which stands a funny looking guy on a scooter).

The final collage is seen half-way through the gif when it “pauses” for two seconds.

Between 3 and 4, no subtraction of things have taken place. I merely exported images as I hidden layer by layer until the only the last added image is left, which is the image with the taxi, the bus, and the guy on the scooter.

I’m not sure what I’m trying to convey but I think “ordinary weirdness” pretty much covers it. You guys can make what you will of this.

Creative Project: “The Nose” Image Collage

In my image collage, I chose to focus on Gogol’s criticism of early 1800s Russian society in The Nose. While many of the characters in the story are flawed, I chose to focus on the main character’s superficiality. By making Kovalyov act disrespectfully in changing his interest in Grigorievna’s daughter based on his appearance, Gogol illustrates how shallow people of his society were. Kovalyov values his rank and appearance and is initially not serious about his relationship with the daughter. However, he places himself in a more inferior position when he loses his valuable appearance. This is shown by his need to hide his face as to not embarrass himself. Yet, when he regains his appearance, and this, his power, he once again decides that he is too good to marry Grigorievna’s daughter. Appearances are equated with power in Gogol’s society.

I used images of the moon and sun to show the sudden change of time in which Kovalyov’s nose disappears and reappears; this alludes to the randomness and bizarreness of the story. My use of memes also references the story’s silly character. At the end of The Nose, Kovalyov’s inconsiderate actions towards the daughter made him seem like a troll to me, hence his trollface head.

Sound Sculpture (The Week) : Michelle Shneyder, Josh Hirth, Ralph Schneider

Our Sound Sculpture depicts a typical week in the life of a career-oriented person or a student.

In both cases, the Sunday woes occur (the crying sound) when one realizes that the weekend is coming to a close and the rigid weekly routine is about to begin again.

There are some deadlines/due dates to be met as the week progresses and the fast paced lifestyle picks up again.  There is a shroud of confusion and a sense of unknowing as the struggle becomes evident in hopes of motoring through to the weekend once more.

As the week progresses and Thursday and Friday comes along, they are more optimistic and look forward to the relaxation and partying that the weekend brings.

The crying again ensues as Sunday comes along (the day when you realize work still has to be done and the whole cycle is to be repeated).

“The Weeknd – The Birds (Part 2).” YouTube. YouTube, 19 Aug. 2011. Web. 27 Oct. 2013. <http://www.youtube.com/watch?v=9FE-Pwm2cyc>

 

 “The Weeknd – Till Dawn (Here Comes The Sun).” N.d. Youtube. 18 Nov. 2012. Web. <http://www.youtube.com/watch?v=do7u7fYHEQQ>

 

 “Three Days Grace – World So Cold [Lyrics & HQ Audio].” YouTube. YouTube, 21 Nov. 2009. Web. 27 Oct. 2013. < http://www.youtube.com/watch?v=0DQimvlEpjY>

 

 “Slipknot – Vermillion Pt. 2.” YouTube. YouTube, 26 Oct. 2009. Web. 27 Oct. 2013. http://www.youtube.com/watch?v=LvetJ9U_tVY

 

 “Hotel California The Eagles 1976.” YouTube. YouTube, 05 Aug. 2013. Web. 27 Oct. 2013. < http://www.youtube.com/watch?v=KaQHsWFSiao>

 

 “Empire Of The Sun – Standing On The Shore.” Youtube. N.p., 6 Oct. 2008. Web. 27 Oct. 2013. < http://www.youtube.com/watch?v=JgR5HiJlJd8>

 

 “Coasts – Oceans.” Youtube. N.p., 7 Jan. 2013. Web. 27 Oct. 2013. <http://www.youtube.com/watch?v=wiLlx6T471A>

 

 “La Bouche- Be My Lover.” YouTube. YouTube, 12 June 2007. Web. 27 Oct. 2013. <http://www.youtube.com/watch?v=5P0_v__IOrE>

 

 “Weezer – Island In The Sun.” YouTube. YouTube, 16 June 2009. Web. 27 Oct. 2013. <http://www.youtube.com/watch?v=erG5rgNYSdk>

 

 “The Weeknd – The Party & The After Party.” YouTube. YouTube, 20 Mar. 2011. Web. 27 Oct. 2013 <http://www.youtube.com/watch?v=yI-zb_aP0So>