The Statue-Emily Suh

I loved going to my mother’s office.  There was something about getting up before dawn on a day where I didn’t have school and the anticipation of the train ride that made me love it so much.  Seeing the larger than life buildings and masses of people, and smelling the oh-so-wonderful subway station smell we all know too well, was all part of my mother’s world that was foreign to me when I was a child.

My favorite part about these city trips with my mother was always looking out the window at the other huge buildings, the tiny taxis that resembled my brother’s toy cars, and the Statue of Liberty. She works on the 36th floor of a building on Wall Street, so to my 8-year old self, it was as though I was looking down from the highest building.  It was astounding to think that my mother saw this every day.  I asked her about it, but she replied saying that she never noticed it that often.  I didn’t understand how she didn’t, it was just so amazing to me at that age.

The Statue of Liberty was something I knew about from school.  I knew that it used to be copper, but turned green because of oxidation.  I knew that the tablet the woman held had the date July 4, 1776 inscribed.  I knew that it was a gift from France. I knew that it was a symbol of freedom and opportunity for many immigrants back in our nation’s history.  I knew from television that it was a famous attraction, like the Empire State Building.

I visit my mother every week at work, and I don’t remember the last time I ran to the window and clung to the windowsill to peek at the Statue of Liberty. I live steps from the Empire State building, but I don’t know when the last time I really looked at it or gave it much thought.  I’ve never visited either, and I don’t want to.  However, thinking back on all those times staring at the Statue, and hearing the history of it in school, I can’t help but imagine myself staring at the Statue from the deck of a boat, after weeks of traveling from my home, about to enter a foreign country instead of a window, holding a hot chocolate from Dunkin’ Donuts.

Thinking about all those people, who sacrificed so much, I feel incredibly fortunate. Even my grandparents, who came to America much later, sacrificed a lot when they moved to America, just so my parents, my siblings and I and our potential children would have a better life. If they could do something as bold as move to a country with little English and money, I know I can do that too. I can make them proud of me, and their obstacles worth it.

The Statue reminds me of all the hardships those immigrants endured, but also the diversity of the population, and how everyone I meet has a different ethnic background, and story.  There are few places in the world where so many cultures from all over the world are seen, and I am so lucky to live in one of them.

Many of the immigrants faced discrimination and rejection, but remained hopeful for the future.  That Statue was their beacon of hope, and over time its symbolism has dwindled, but its history remains the same and holds the legacy of thousands. The Statue of Liberty doesn’t mean the same as it did, it has become a mere tourist attraction, but it still holds a special place in my heart.

 

 

My “Memoir”

Soul in Bondage, Elihu Vedder

 

How much control do we have over our lives in a complicated world?

 

The question that Vedder illustrates in this painting is one that I find extremely pertinent to my life. He used generally dark colors to depict the environment in which the angel or “soul” finds itself in, which is an accurate depiction of my observances of the world around me. Ever since I was little, I could tell that my family and I weren’t as well off as others: we live comfortably, which I am extremely grateful for, but we are not without our darkness. The swirls and the light behind the angel give the impression of a mixture of light and darkness in any given person’s life, and some may relate to one color more than the other.

Another thing to notice in the painting is how loose the ropes are on the angel. One can break free of their bonds at any time, to escape any darkness they may detect in their light. However, once free, a person has a choice: to follow the path of good, or follow the path of evil, as Vedder depicts with the butterfly and the snake, which the angel holds, one in each hand. This aspect of the painting in particular relates to me most because this is the basis of not just mine, but everyone’s life. Everyone’s life is composed of decisions, and each and every one of these decisions leads us down a different path, either darkening our surroundings or making them lighter.

In my own life, I would like to think that the majority of my choices have been ones of good rather than evil; I am grateful for the many good opportunities that have been offered to me so that I may try and brighten up my surroundings. I know that although I do not live the most comfortably in respect to others who are more well off, I am aware that there are people who are in a similar socioeconomic status that I am with my family, but do not live the same way we do. It’s families like these that I can attribute most to the following scenario: A family is offered two jobs separately, one legitimate and one illegitimate. The legitimate one may be the smart idea, but the illegitimate one undoubtedly comes with more money at a faster rate, which is much more favorable to a population in which many work paycheck to paycheck, with no guarantee that they will still be employed the next day. I am saddened to say that I have witnessed good families choose the “evil” path to benefit themselves, because they either had no available “good” path, or were too desperate to refuse the former. I knew a boy, not even old enough to vote, and watched him choose the “evil” path. I saw him again just a couple of days ago, chains brighter and bigger than necessary, a Rolex as big as his face, and on a motorcycle twice his size. No doubt that he’s reaping the benefits of his decision, but who knows what he had to do to get there…

 

Two nights ago, blue and red lights flooded the streets, from in front of his apartment building.

 

Ode to the Sea assigment

Choose a work on display in any museum or gallery space, or one of the works here (from an exhibit, Ode to the Sea, which will open 10/2 in the President’s Gallery, 6th Floor of Haaren Hall). One exhibit to think about visiting is just downstairs: http://shivagallery.org/portfolio/i-have-no-enemies-and-no-hatred-contemporary-chinese-dissident-art/. Imagine that the work you choose is illustrating a page in your forthcoming memoir, and write that page (500-word minimum).