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Henry IV Reflection

Where to start…where to start…Let’s start at the beginning.

Before the play, I was incredibly excited. I had no idea what Henry IV was about but knowing it was set in an all women’s prison made me think of Orange Is The New Black, which is a show I love, so I was very excited to see the play. Later, I actually read what Henry IV was about and have to admit, was a bit confused by the summary (too many names) but I got the gist of it. The location of the warehouse was hard to find but luckily I didn’t get too lost. When they brought the “prisoners” in through the front, I got excited, I thought that was a cool idea and very informal (but in this case it worked).

I took my seat and I was F-301 right at the top, all the way at the edge (this would become important later as you already know). The guards locked everyone in, and one again this was a nice touch and got me excited to see the play. Then the play started and I got lost. I do not understand Shakespeare. If I got it to read, I could suffer through it and understand after I have read the passages about twice (and very slowly, if I may add), but to hear them once, quickly, and with an accent, oh boy! I did not understand a word they were saying for a good 15 minutes. While everyone was laughing I was just looking from side to side trying to figure out what was going on. I think I understood about 25% of what was said in the play. Since I knew I wasn’t going to understand a word, I payed more attention to other things such as movements and the actors acting. As I mentioned in class, I found it to be too-much, over-dramatized and the sad parts made me laugh because it was so blatantly over-the-top.

As I mentioned in class, I had one of the weirdest experiences at my life during the play. The actress was right next to me on the steps, less than a foot of distance. It was so odd because it is not expected in a play, but the weirdest part was that she was a stone and pretended I wasn’t there, didn’t even blink. Creepy.

The comedy of the play (from the bits and pieces I could gather) was not bad. I did laugh at some moments. Although there were gimmicky moments such as the bear and the car, and the chair crown, I did laugh for a moment. This was informal and may have worked to make me laugh a bit, it did take away from the play as a whole.

The play was long, and felt longer that the opera. I think the reason was not that there was no intermission but because it was Shakespeare and its difficult to watch something for 2 hours and 15 minutes that you can barely understand.

I’m not sure if I liked the stage (or lack there-of) or not. It did create a sense of intimacy in the atmosphere but at the same time it took away from the experience. In class, everyone was talking about how powerful the Henry IV deathbed scene was and I can’t say that it was because his back was to me during most of it. I didn’t understand a word and I could even see the movements or facial expression so I actually tuned out. The same can be said for the woman crying and running away after being insulted bit. I didn’t see the woman so I had no idea how she was feeling until the end and had no idea what was going on.

But on a more positive note, I thought that the actors did a good job and obviously took there role seriously so shout out to them (although they will most likely never read this response). The person that I thought did the best job was Falstaff because he (she) was very comical in her actions.

All in all, for me is goes: ballet, opera, then play. But, I do like plays and usually would put them higher. The only reason it is lower, as stated before was that is was in the original Shakespearean words so I did not understand it.

 

Henry IV Play Reflection

I really enjoyed watching the Henry IV play. I loved the humor of the play, which made me laugh a lot throughout the play. I also loved the props that were used such as a teddy bear, a toy car, and many other children toys. The actresses played their roles so well that the play felt so real to me. They allowed the audience and I to be drawn to the play based on how well they were able to portray  their characters with such great emotions. For example, when the father mourned for the death of his son, I was touched emotionally and felt remorse for the father. The actresses also focused more on their roles in the play rather than the audience, which made the play feel more real as well. My favorite actress from the play was Karen Dunbar, who played Vernon and Bardolph. Whenever she spoke during the play, I would always die of laughter because of how she said her lines in a goofy and silly way. Overall, I truly love this play and loved how well the actresses played their roles.

Henry IV Play

When I walked inside, I immediately saw the half court line, the cameras up above, and realized that this warehouse used to be a basketball court. I thought it was funny that a court used for coaches to make basketball plays was where new actors and writers would make plays. I thought the mise en scene was very interesting and very hip. It felt very chill and I thought it was interesting how they had the steel drums and a dj on the side to add to the play. In regards to the actual play, until the end, I was fearing whether the actors were actual prisoners or not. Then, when I looked in the cast and saw the guards were actors, I found it very interesting. I found it interesting first that the guards were sort of “patriarchal” in my head, always watching over these women as they were acting, watching over them making sure no one did anything. In a play of all women, the only men were guards. That may have been by accident but nothing ever is. I think it was a symbol of patriarchy, if anything, unless this was completely by accident. Also, the fact that they were acting Henry IV in the prison made me wonder if the “accidents” were on purpose or not. They were very good but I wondered if the actors’ slips were purposeful or if they were just actual slip-ups. The actual slip-ups happened when Hal called the mistress lady a “cunt” and was insulting her for being their “whore” in the play and when Hal and King Henry were having a father-son talk until Falstaff came in playing something in a comedic manner.   I feel like they were intentional, however, to take us out of the play and bring us back to the reality of the prison. Especially with the ending scene of lockdown, I think the play is supposed to bridge the two to show that the prisoners can put on a show as such but also, they are prisoners and Lloyd always reminds of as such.

Towards the actual plot and the writing, I thought it was brilliantly written. I thought it was interesting how in the beginning scene, Clare Dunne (Hal) exclaims that she is being released in 3 weeks with a lot of energy. She is almost about to be released, as her character Hal is the heir to the throne. It brings forth how she is always going to leave so in the end, she reigns on top of the other characters as the king and as the next one to leave prison. Also, although it is supposed to be a Shakespearian play, there are a lot of modern twists. For example, instead of battling with swords or even an old gun, they have nerf guns/fake guns and a fake knife and fake money. This takes us out of the play’s false reality and brings us back to the reality of the prison, to further convey that these are props on a set for a prison play. Also, when they draw out the maps to split land between Henry Percy, Glendower, and the other character they were dividing land with, they used spray cans and string to divvy up the lands instead of having an actual map, which again brings us back to the reality that they are in prison. To bridge the gap between prison life and this Shakespearian play takes a brilliant writer and I think Lloyd wrote this beautifully.

 

My last point is in regards to the overarching fact that the play is of all woman characters. These women portray the men and women of the play. However, the only real women that were played by women were treated so poorly. The play Henry IV’s main women are Lady Percy and the hostess lady. Lady Percy is, domestically, treated poorly and abused verbally frequently by Hotspur when all she wants is his love and affection. Lady Percy stays at home with their kids while Hotspur goes out trying to be king but he shows no affection to his wife or children when he’s at home. In the play, Lady Percy says that Hotspur hasn’t slept well, hasn’t eaten well, and they haven’t had sex in a while. He’s neglecting her and when she tries to confront him and ask questions about his whereabouts and what he has been doing, he ignores her and just asks for their maid to get the horse. Even when threatening to hurt his penis, he just attacks her verbally saying he doesn’t love her and his true ambition is to be king. He says only when he is king, he will love her. He only treats his wife as if she is second to his true ambitions, or even third if you may. He doesn’t trust her at all and he doesn’t want to satisfy her obvious sexual needs. In regards to the hostess, she is basically Falstaff and Hal’s whore in their household and is treated only as if she is a whore just there to clean, cook, and fulfill their sexual desires. I feel that when she stormed off stage in tears, it showed not just her offense to Falstaff’s comments, but it showed how she really felt being their whore and servant as a woman. The only two women in the play were treated as almost less than human, unable to do anything except be subservient to their male master/husband. This displays the role of women in the Renaissance and in England. That was the most important theme to me; that even in a play of women, they were still subservient and forced to comply to the orders of men, even though the men were women. That made the play even more powerful to me and it showed the real power of patriarchy in one of Shakespeare’s most famous plays. It further displays how opinionated Shakespeare was, how ahead of his time he was, and how brilliant of a writer he was.

In closing, even though I wasn’t supposed to write an essay, I think this play was very interesting to me. I won’t lie but it’s the only show we’ve been to that I could stay awake for the whole thing so I didn’t miss a single beat. Every line, punchline/joke, and every metaphor was deeply understood by me, even though it went by very fast. I didn’t always understand their English but I understood quite a bit. I really loved this and this play, so far, was my favorite seminar production that I’ve ever been to. It was so amazing, well-written, and powerful. The only thing I would change is add more prison scenes to bring us even further into the reality of them being in prison. Also, although she was ill, Susan Wakoma’s script in hand took away a bit for me. However, I will forever love when she threw the script away so passionately and spoke the rest of her lines in the Hotspur/Lady Percy scene. I give this play 8.99/10 fake guns for it’s amazing writing and wonderful acting. I thoroughly enjoyed this play.

Henry IV

Seeing Henry IV was a very interesting experience. While waiting in the (very chic) lobby for the performance to start, I noticed a chain gang of women walking in and wondered if they were actual prisoners coming to see the show. Once we got to our seats, I learned that they were not. It took me about halfway into the performance to realize that it was taking place in a women’s prison, hence the matching outfits and children’s toys props.  The performers were phenomenal, and I LOVED the way the women channeled their masculine energy. The actress who played the Prince of Norway was my absolute favorite. She was so masculine and confident and I think was the best actress. I enjoyed when the seriousness would cut and the women would cry or make fun of each other or sing. It was a great twist and I thought the director was so creative to think of something like that. Overall I really loved the performance and would definitely see something like it again.

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Action shot

View from our seats

View from our seats

Panoramic view of the entire set up

Panoramic view of the entire setup

Tosca!!

Overall, I’m very glad I saw Tosca!  Having read the story beforehand, I was very excited to see it in action. As a theatre fan, I know how hard it is for singers as performers and I was looking forward to seeing the talent, and I was not disappointed. From the first note to the last the vocals were just impeccable and awe-inspiring. The first act was a bit slow for me, and the intermission could not come soon enough. I thought the jealousy tale was dragged out a bit too much considering its insignificance to the overall plot. In the second act, however, things really picked up. I loved all the drama, and the character who played Scarpia was phenomenal. It was particularly interesting how the torture was not shown on stage, something we are so accustomed to seeing in the digital era. The final act was good, but the second was still my favorite. I felt my heart swell with love as Cavaradossi and Tosca sung about how they would be free at last to live and love. I was not as upset when Cavaradossi died as I was when Tosca died. Cavaradossi died in happiness, thinking he would be free with his loved one. Tosca, contrastingly, died in vain. She died with a broken heart and a murderer. After all, it is a drama.

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View from our seats

View from our seats

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Chandelier in the lobby

Chandelier in the lobby

Henry IV

Henry IV at St. Ann’s Warehouse was a distinctly different experience than the opera and the ballet. While both the opera and the ballet had a highly formal atmosphere and followed past formulas quite closely,  this performance of Henry IV deviated significantly from the expectations of a Shakespeare play. I appreciated the all-women cast (after all, Shakespeare used to be performed only by men, so why not let women have a turn?) but the setting, a women’s prison, seemed a shaky premise to me.  Besides the fact that this premise did not provide any additional substance to the overall plot, it was not evenly maintained throughout the show. Large intervals would pass until the guards would intercede in some altercation, reminding the audience that it was a prison after all.

Although I saw no reason why the play had to take place in a women’s prison, I did find the overall performance to be engaging and pleasantly offbeat. The austere environment (especially in contrast to the opulence of Lincoln Center) and smaller theater provided an intimacy to the show that was not present at Lincoln Center. Adding to this intimacy were the moments in which the actors directly interacted with audience members which also provided comic relief.

“Tosca! Opera” Reflection

I know this is a bit late, but I had a lot on my mind. Anyway, Tosca takes place in Rome during the Napoleonic Invasion of Italy in 1800. It is known for depictions of murder, torture, and suicide, and tells the tale of a painter who secretly supports Napoleon (thinking that he will institute a republic in Rome), attempting to hide one of Napoleon’s supporters (who escaped from prison) from the authorities while avoiding the suspicions of his lover, Tosca, who believes him to be unfaithful for reasons that won’t go into. It is an extremely dark opera, where every major character dies, onscreen or offscreen, and the protagonists almost completely fail. It was still an interesting show, however. To my untrained ear, each and every singer sounded extremely talented, though an opera connoisseur might be able to prove otherwise. I was very entertained, overall.

Tosca Review

          Tosca had all the elements of a Shakespearean play – drama, a dark seriousness diffused by brief periods of humor, and, most importantly, a tragic ending that no one could have foreseen.  The drama and the seriousness of the play stems from the fact that the play takes place in a post-Napoleonic France deeply wounded by the tyranny of Napoleon and threatened by the fear of the dangerous populace.  On top of that, Cavaradossi attempts to escape from the secret police while maintaining a relationship with Tosca.  Although the humor was mostly found in the fact that Tosca got incredibly envious after thinking that Cavaradossi loved another woman, the play featured little comedy.

My favorite part was the unforeseen plot twist that characterized the last act of the play.  Tosca, after proclaiming that both lovers will live happily ever after, is driven to suicide after the death of Cavaradossi.  As Tosca jumped to her death, she proclaimed that she will meet her love again in heaven, thus ending the show with a bang.  The lights turned off just as she was about to make contact with the ground, making the audience believe that she died.  Tosca’s acting was phenomenal in these scenes in that she was not only the main character in the play but also invested all her emotions into her character.

All in all, the play was not what I expected.  For one thing, I initially believed that the opera would be in Shakespearean English, making comprehension very difficult.  However, I was able to understand every line of the play because of the subtitles in the screens.  I also learned that opera is watched mostly by “high class” people, seeing as how everyone came in fancy dresses and drank champagne (I think it was champagne).  I am hoping to go to the opera during either my winter break or summer because I enjoyed this play.

Tosca Opera Reflection

I had a really exciting time at the performance of Tosca at the Metropolitan Opera theatre last Thursday.  This performance appealed to me more than the ballet because of its’ compelling story. As we discussed in class, there are different ways of delivering a story to the audience. I think that the opera’s singing was able to get the message of the story across more effectively than the dancing in the ballet. Actual words, for me, are a key element in conveying the plot. For the most part, I was able to follow and understand what was going on, where as in the ballet I would find myself getting lost at times in the complexity of the dance moves.

My favorite part of the opera was during act II, where Scarpia, the chief of secret police, interrogates Cavaradossi, the painter. I was amazed at Cavaradossi’s defiant attitude toward Scarpia. Despite all of the torture and verbal harassment, Cavaradossi refuses to give up the location where his friend, Angelotti, an escaped political prisoner, is hiding. This audacity and bravery proves how reliable and loyal a friend Cavaradossi is.

The only part of the opera that I disliked was the length of the intermissions. The intermissions ranged from 30 to 40 minutes. Small breaks in between acts are important for me so that I do not lose interest in the performance. However, I do not think the intermissions should be as long if not almost as long as the acts themselves. Not only does it make the show unnecessarily long, but it also makes it difficult for people in audience to remember what happened in the previous act when the intermission ends.

All in all, I enjoyed the experience very much.

A Reflection of the Opera

During Thursday’s opera, we went to see Tosca. Although I always believed that watching someone sing for two hours would not be very entertaining, I was proven wrong. Partially because of the added story line which came along with the opera, I can successfully say that I found it enjoyable. The only critiques I have is that the seats were literally almost touching the ceiling. There is a plus to this, in that I was able to clearly see what was going on. If I were sitting at the very bottom, I would not see as much, and the set would seem less elaborate. The other critique I have towards this opera is that it was in Italian. Sure, the screen below provided translations, but I found it hard to choose whether to look at the stage or at that screen. Furthermore, you were not able to adjust the screen angle whatsoever, making it somewhat difficult to read. Ironically, there were also Italian subtitles, because as seen when Amanda Hick sang for the class, it is at times difficult to understand something, even though it is in your language. As for the things I especially liked, the detail was one of them. From the blood on the door, to the water and sink on the set in the very beginning, these seemingly trivial details totaled up to make the play more realistic. A line in particular which I liked in the play was when Tosca killed Scorpio and said, “…you are now choking on the blood of those you have killed…” Because of this line, a greater emotional effect was transferred to the viewer. Finally, although I had a feeling Mario might die in the end, I did not expect Tosca to jump off the cliff. If an additional act was to be added to the opera, I would want it to be her revenge plot against the secret police.

Attached below are pictures of some of the major parts of the play.

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