The Impressionist movement began in Paris, France, in the late 19th century. Many are familiar with Claude Monet, who was a major force in garnering public attention and acceptance of impressionism. The artists were originally derided for not adhering to the style of painting approved by the Salon de Paris, considered one of the greatest art exhibitions in the world. After banding together and exhibiting their art themselves, the Impressionists carved a niche in the art world that would go on to influence painters such as the Fauvists and Cubists. The style is characterized by thick brush strokes that are often applied very thickly, giving a three dimensional texture to the painting. Colors are not mixed, and are applied side by side, creating a vibrant contrast that creates spectacular visual effects. The accuracy of light is also emphasized, as the paintings were often done outdoors, something that was also considered revolutionary at the time. Here is a self portrait done by Vincent Van Gogh, where his brush strokes can be clearly defined and color mixing appears in the eyes of the viewer.
Resources for online research
- Alvin Ailey
- Art History Resources on the Web
- Classical Music Link
- Culture NOW
- Image Collections and Online Art
- Met Museum online resources
- Metropolitan Opera
- New York Times – Arts
- SmART History
- The WWW Virtual Library: History of Art
- Thirteen – Sunday Arts
- UC Berkeley – Art History Resources
- Voices of the Shuttle
- WNYC – Arts and Ideas
Impressionists idiom is light. Light that is both a dot and a blur. Hoping to capture time, they abundant the object in favor of the light reflection.
You might find it amusing to know that Van Gogh’s coloring might have been a result of his drinking of Kerosene and turpentine making him see stronger and stranger hellos’ around objects. (p. 101 Lehrer, “Proust was a Neuroscientist” 2008)