Tag: Alexis Carrozza

Paris is Burning, Social Explorer, and tracking changes to the neighborhood: 1990 vs. 2014

My previous post mentioned the documentary Paris is Burning, which filmed drag balls taking place at the Elk’s Lodge at 160 W. 129th Street. Here is a description of the Elk’s Lodge from NY Mag’s 2009 Summer Guide:

Imperial Lodge of Elks (160 W. 129th St.)
Home to the drag balls that evolved into the competing drag “houses” portrayed in the 1990 documentary Paris Is Burning, which was mostly filmed here. Balls were held late at night because the rent was cheaper and drag queens were safer than on Harlem streets, where black-nationalist militancy had cramped the quasi tolerance of gay culture common in the neighborhood in prior decades.

To track changes in the neighborhood, I used the address of Elk’s Lodge and created five maps using Social Explorer to track demographic changes in the neighborhood using census data. I specifically picked the categories of race, education, and housing valued at $100,000 because a) the population represented in Paris is Burning was largely minority and b) a working thesis that the neighborhood may have gentrified – specifically, an increase in the neighborhood population’s education levels and housing values. These maps are by no means comprehensive nor have I checked my methods. These maps are for demonstration purposes only! 

Anyways, here are my maps: the 1990 map is left and colored green and the 2014 map is on the right colored blue – move the slider to see the changes:

To learn how to use Social Explorer, check out this great Youtube tutorial made by fellow ITF, Andrew Lucchesi with his then-colleague Darren Kwong: Exploring Social Explorer: Interactive Maps and Data Visualization for the Classroom. You can use the Pro version of Social Explorer by accessing it through the Brooklyn College Library Website > Databases > Social Explorer > create account with your .edu email address. 

Thinking about the future of New York: Queer and minority culture

Above is the trailer for the 1990 documentary Paris is Burning (released August 1991) that introduced the world to New York’s drag ball culture taking place at the intersection of Black, Latino, gay, and trans cultures and against the backdrop of growing panic and awareness about the HIV/AIDS crisis. The film has since been criticized by a number of people in and outside of academia, and I’ve embedded two examples below: the seminal critique by bell hooks in Black Looks: Race and Representation, and the article “Paris is Burning: How Society’s Stratification Systems Make Drag Queens of Us All.”

How does Paris is Burning relate to the topic of inequality and its role in shaping the future of New York? In his book There Goes the Gayborhood, Amin Ghaziani analyzes changes in populations in seminal “gayborhoods” like the West Village in New York. While the Brooklyn College Library doesn’t have a copy of Ghaziani’s book, it is available to borrow from a number of other CUNY libraries. An excerpt from a review in The New Yorker:

Ghaziani argues that the rise of post-gay culture has introduced a new turmoil in gay neighborhoods: more gay men and women are leaving for suburbs and smaller cities, and more straight people are moving in. According to the “index of dissimilarity,” which demographers use to measure the spatial segregation of minority groups, census data show that both male and female same-sex households became “less segregated and less spatially isolated across the United States from 2000 to 2010,” Ghaziani writes. Same-sex couples reported living in ninety-three per cent of all counties in the United States in 2010, prompting Ghaziani to conclude that, “gays, in other words, really are everywhere.” Ghaziani doesn’t think that this has wiped gayborhoods off the map—hence the question mark in his book’s title. But he documents a transformation that mimics that of earlier immigrant enclaves, triggered largely, he says, by the acceptance of gay men and women in the mainstream.

As the review notes, Ghaziani’s book uses Chicago as his case study rather than San Francisco or New York. Perhaps your research could explore the topic of inequality in New York by looking at the data of queer populations in New York – looking at the historic “gayborhoods” – and looking for changes in income, queer populations, and/or minority populations using the online tool Social Explorer. What kind of impact does Ghaziani’s argument have on populations like the people documented in Paris is Burning? What kind of information does the census data reveal and what kinds of trends might the data predict? Have demographic and neighborhood changes mean that Paris is Burning couldn’t be filmed in New York’s future?

https://files.eportfolios.macaulay.cuny.edu/wp-content/uploads/sites/5381/2016/06/16101213/hooks_paris-is-burning.pdf

https://files.eportfolios.macaulay.cuny.edu/wp-content/uploads/sites/5381/2016/06/16101213/Schacht_Paris-is-Burning_2000.pdf

Artist Mary Miss calls for artists and scientists to work together to communicate environmental issues to the broader public

 

Mary Miss’s South Cove (1984-87), Battery Park City, NY. Photo source: “Mary Miss’s South Cove” at scupturenature.com.

The Brooklyn Rail’s November 2015 issue is dedicated to the intersections between art and ecology! Guest editor Greg Lindquist poses some of the same questions discussed in Science Forward though specifically focuses on the question of whether or not art can play any role in communicating the impact of environmental damage to the general public:

“What function, then, should art serve in the context of the current environment and social concerns, and to what degree of efficacy? Should it solely problematize, polemicize or theorize? Or can art provide an aesthetic, emotional, and beautiful experience while empowering direct environmental action and policy change? Can beauty infiltrate and influence public opinion?”

Click here for the rest of his Editor’s Message column titled “Social Ecologies.”

This issue contains a piece titled “Remixing Messages: A Call for Collaboration Between Artists and Scientists” written by the artist Mary Miss:

The environmental issues facing us as a result of climate change are daunting. Scientists are doing important research to address the complex topics such as water supply, food access, air quality, and temperature rise that accompany global warming. Artists are in a unique position to reflect on these topics and engage people with issues that are hard to imagine because they are happening someplace else or in the future. How can these disciplines begin working together to get the interest and attention of a broad public audience? … As we have entered the 21st century, it has become clear that we need to redefine how we live our lives, use our resources, communicate, educate, work, and collaborate. It is a time when the imagination and the ability to envision alternatives are our greatest resources. In recent years a number of questions have arisen for many artists: how is it possible to have a more central role in shaping or bringing attention to the important issues of our times? How can the imagination, the prime territory of artists, be used to engage the broader public? How can artists participate in communicating the importance of global ecological awareness? The task is to create new bonds and reconfigure the old ones—between the built environment and the natural world, between various communities, and between our history and current needs. However, change cannot happen without the support, understanding, and participation of the individual citizens that make up our communities. Individuals are key to creating a new paradigm for a sustainable future.

Originally trained as a sculptor, Miss has been creating works using the land and surrounding environment for several decades – definitely take the time to view her works at marymiss.com. Because she creates public works of art, she has a unique perspective and tremendous amounts of experience in conveying complex issues both aesthetic and environmental to a general audience – definitely something we’ve discussed all semester. She recently proposed a collaborative district for artists, scientists, and urbanists called “City as Living Laboratory” in Long Island City. Miss lives in New York.

Two articles from The Atlantic about communicating research to the general public

Given the recent posts about mainstream media as the conduit between scientific research and the general public, I thought these two articles might be of interest to our class. “The Needless Complexity of Academic Writing” by Victoria Clayton adds another layer to the class discussions about science literacy among the general public: not only is there a lack of understanding of scientific vocabulary or certain topics but how academics (and not just scientists!) write about their work adds to the barriers to the publics’ understanding of research. The second article, “Where Science Meets Magic” by Julie Beck, contains an interview with science journalist Matt Kaplan about his book published this week, Science of the Magical: From the Holy Grail to Love Potions to Super Powers.

These two articles address two central issues explored in Science Forward: how does the general public get access to scientific research? What are some of the barriers to their understanding of scientific research? 

Clayton’s article describes the problem of “needlessly complex writing” in academia that has “become something of a protected tradition.” She quotes several academics and discusses various initiatives intended to rectify this problem. One particularly interesting issue that her article raises is the conflict between open-access resources and academics’ language – while the former grants public access to the materials (usually behind paywalls) it is researchers’ language acting as as a linguistic paywall that prevents people from understanding their work:

“Some research funders, such as National Institutes of Health and The Wellcome Trust, have mandated in recent years that studies they finance be published in open-access journals, but they’ve given little attention to ensuring those studies include accessible writing. “NIH has no policies for grantees that dictate the style of writing they use in their research publications,” a spokesperson told me in an emailed statement. “We do advise applicants about the importance of using plain language in sections of the application that, if funded, will become public on theRePORT website.”

So even if the general public has access to the latest research, how can they understand it? Is it the job of the NIH to edit submissions for more accessible language or should that be the responsibility of the researchers? 

In the interview with Matt Kaplan about his book, Julie Beck highlights his source for quotes, The Lord of the Rings rather than scientists. Kaplan’s choice serves as a rhetorical framing device for the book’s overall argument: science and magic aren’t so far apart. While Kaplan’s book seems to be more about science history than scientific research, his approach seems like an effective means to increase the general public’s interest in scientific research. Here is an excerpt from their interview:

Beck: A number of the different things that you talk about in the book I kind of thought about as “close but no cigar,” where people kind of got the effects of something right, but got the causes wrong. Like with the Egyptians’ eyeliner, which they thought had healing powers bestowed by the god Horus, and it turned out it was helping activate their immune system, but they didn’t know why. In that way, can magic kind of be a step towards scientific understanding?

….

Another example of what I was thinking about from the book is how in the 13th century, people knew that breathing in the breath of a sick person would make you sick, and so then there were the old men who were like, “Let me just breathe the breath of young girls and it’ll make me young again.” It’s a step, but just the wrong step.

Kaplan: That’s the problem with magic, because when you use mythology and magic to explain the inexplicable, you end up in situations where you do things like that.

Beck: Right, that surprises me zero percent.

Kaplan: And to some extent you do have these things giving birth to science. I think a lot of the fascination with the philosopher’s stone, this stone of immortality, and seeking to find it and distilling it from different compounds, in many ways gave birth to what eventually became chemistry.

Do books like Kaplan’s serve as an important “middle step,” translating scientific research into more accessible language for the general public? If so, would a book like Kaplan’s be more likely to stimulate interest in the history of science rather than scientific disciplines like geology, biology, and chemistry?