Les Contes D’Hoffman

It was definitely a magical night. The sets and inhumanly, beautiful voices captivated me.

Looking back, there was this extremely apparent build up to the exuberant feeling I felt when the show ended. At first when the opera began, I had to adjust to reading the translation and paying attention to the story and the scenes and the voices. Les Contes D’Hoffman was a lot to take in. But by the second act I found my rhythm. I think that is maybe why I connected most to the second act. I was adjusted to what was going on around me, and my eyes and ears were able to work harmoniously to appreciate the sound and sights taking place. I also really enjoyed the performance by the woman who played Antonia. I have a thing for subtleties and that is what her performance and the whole second act were about. In deep contrast to act I, act II was a simple set and it created eerie and melancholy feeling for the audience. I love simplistic feel of the screens with delicately branched trees on them, and the fabric on the ground that created the illusion of snow. The scenes in act II put an emphasis on silhouettes.  For instance, there was the black outline of the horse and carriage and the haunting images of people pacing behind the tree, both so beautiful. There were moments when Antonia’s voice and the music flowing from the ground beneath her were so in sync. I cannot even describe the feeling I had during those moments. It was completely out of body.

The last scene, when Hoffman and his muse were back in the bar, and the muse is wearing her brightly nude gown again, really brought the entire production together. The harmony and sadness of that moment was intensely apparent. I forgot the exact words, but they were singing something about how basically you can learn from sorrows and failed love. The muse tells Hoffman to extract genius from his sorrows. This concept of life experiences and troubles breeding enlightenment has recently been floating in my head and following me around. In philosophy, I read a quote by John Dewey where he says, “Experience is primarily a process of undergoing: a process of standing something; of suffering and passion, of affection…The organism has to endure, to undergo, the consequences of its own actions.”  And along with all the joy and grandeur of this opera I really felt this underlying theme. This idea also reminds me of the character Tobin writing “The Metal Children” as a relief for his broken heart. Something else I have taken from this opera is that lots of beer in a German pub is the real solution to life’s complexities. 🙂 (Just kidding…)

When I was younger my parents would always take my family to Broadway shows. We would all put on cute outfits and drive into the city. The feeling I felt in a Broadway theatre was anticipation and excitement. Sitting in a plush seat in a large, ornately decorated theatre can do that to you.

But Tuesday night the Metropolitan Opera gave me a completely new feeling. I could literally taste the energy in the air.  It was like a million different particles were zooming around the theatre waiting for the show to begin. Looking around at the audience, I had this realization that I was part of something great. It is not just the performance that creates an overall experience; it is the audience as well.

Unlike when I was a kid, sitting in Lincoln Center among an older crowd of opera patrons made me like I was part of history.  It actually really brought me back in time. I know this idea is a little over the top, but there were actual moments where I felt like I was an actress in a period piece. The decorated theatre, the box seats, audience members with gold binoculars, to me it was all part of an elaborate historical set.

To people who go to operas all the time this feeling may seem absurd. But to me, part of the enchantment of the performance was the place it took me to. America today is not classy and grand like the opera is. Our society has shifted from that grandeur and is now focused on technology and celebrity and making everything bigger and better.

Perhaps that is what makes the Opera so pertinent and important for younger generations. It is a taste of the culture and atmosphere of the past. It is a way for us to experience and hold on to a tradition that seems so out of place in America today. It is simply magical.

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Before you even step out of the house, have you ever woken up thinking, “oh man, today is really going to suck!” Well, that was my first impressions of opera. I imagined fat people in elaborate gowns reaching glass-shattering notes in a performance I could not at all relate to. My view immediately changed after reading what would be part of Act I in Contes D’Hoffman. The story was fantastic, and the opera was just as amazing.

I loved it.

I adored it.

The music was beautiful.

The music was one of my favorite parts, since I could not understand the words (which was not as big of a problem as I thought it would be) the instruments and singing blended together in my ears, creating a harmony that was always varied. Sometimes the music was merry and sometimes it was as dramatic as the actions taking place.

In addition to the music, I found the costumes very interesting. The first act had more modern costumes than those in acts II and III, which were large, intricate gowns. The latter costumes reminded me again of my view of traditional opera.

I think this different in costume was important because it highlighted the difference between traditional opera and emerging ideas of opera. The first act itself felt more modern than the songs and dress of acts II and III. There was also less movement in the later acts and more of a focus on singing. Even though I really liked it, I felt that I related more to the first act and the prologue. It was cute, fun, and even the colorful scenery caught my eye and added to this impression.

The opera itself did a good job relating to a young audience. After having my longest day of classes and not even close to a satisfying amount of sleep, I was able to stay awake and fully engaged the entire time. And, as far as I know, the rest of the class stayed awake. That really means a lot. For such an old art form, I find it can easily relate to young generations. The story itself is something many people can relate to, it narrates a man’s experience in finding love. There are times when we think he is foolish, times when we pity him and times that we do not understand. We can connect to Hoffman.

As for the performance itself, I can see how younger audience members would not connect as much. There are so many aspects of the performance: reading the subtitles and correlating them to the actions, listening to the singing and music, and just understanding a confusing part (like stealing the reflection, what was all that about??). In other words, there becomes so much to observe that it may be overwhelming. But at the same time I find it very enjoyable. If one does not like classical music they can focus on the costumes of the play, or the scenery, or one of a bunch of other aspects.

Even though it is in another language it can easily speak to a younger generation because it is a beautiful work of art. However, I must point out that in order for me to enjoy the opera, I could not be daring and shut off the translation. I needed it to understand and enjoy the performance. Perhaps someone who does not like reading subtitles would not enjoy the opera as much as I did. Either way, I look forward to my next opportunity to go to the opera. Hopefully I will be fully energized and I can wear a fancy gown like all the older women we saw there, wouldn’t that be exciting?

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No Longer an (Opera) Virgin: Les Contes D’Hoffmann

Parlez-vous français? . . . I didn’t think so.  In fact, I’m sure even someone who spoke perfect French would have a little trouble understanding the singers from the opera Les Contes D’Hoffmann.  But even with a language barrier, one has to appreciate fine music and incredible voices (subtitles help too).  I’ll admit, I had a predetermined image in my mind what that night was going to be like: a big fancy theatre (which was correct), over priced food and drink (again correct), lots of well dressed (if not over the top in some cases) richer people (correct once more), and a group of over weight, big voiced singers who spouted classical sounding music from their over worked lungs and throat.  That’s where I was proven wrong completely.  Not only were some of them skinny (gasp!) but also, they sounded incredible, and the music was much better than I expected.

So Les Contes D’Hoffmann isn’t the big, bad, boring thing I thought it was going to be.  I enjoyed it, and I’d love to go again (with better seats though, I think my vision decreased again…).  Opera has been given a bad name and is considered the “old rich people’s entertainment,” especially by younger audiences who stick to movies, TV, and the occasionally rare play or musical.  What these “opera virgins” don’t know is that opera is an incredible experience, its something so unique, that a big time Broadway musical cannot be compared on the same level.

This production spoke volumes to me (albeit in a foreign language) and everything about it-the music, the characters, the plot-provided an entertaining and memorable experience.  The music was something I didn’t expect at all; it was both meaningful and serious, or romantic or even comical, like when Hoffmann told the story of Kleinzach the dwarf (klick klack, klick klack!).  I’m sure I’m not the only one of our group that enjoyed the performance; despite the fact that I could swear I saw one or two heads droop down from time to time.

What I found so intriguing about the plot was that each act contained some of the same actors playing different parts, obviously Hoffmann was present throughout, but the use of the same person to play the nemesis in all four parts really placed emphasis on the different incarnations of evil.  And the three “loves” representing the three faucets of Stella, the prima donna, the woman he falls for, was brilliant.  The character of the Muse and Nicklausse was especially interesting to watch, because the ways in which “Nicklausse” tries to warn Hoffmann show the character’s sympathy and patience.  However, everyone has a point of frustration, which was met during every act; but watching the Muse walk off to one side and watch with a face of disappointment and aggravation really made her relatable.

So even though “Je ne comprends pas le français,” I can appreciate the beauty and poetry of the songs in the performance.  Maybe it was a fluke that I enjoyed it, or maybe I should start to consider the opera in a more positive light.  I won’t be sure ‘til I hear the fat lady sing (again).

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Contes D’Hoffman

If you want to see a spectacular, entertaining, enjoyable performance, then Contes D’Hoffman is definitely the performance to see. The stage was an unbelievable sight during all three acts of the opera. I especially loved the stage design and costumes at the end of the first act, when Olympia was dancing for the patrons of Spalazzi’s. The bright colors and glittery set were absolutely amazing. Additionally, the singing and dancing made the opera even more enjoyable.

As my first opera, I had no idea what to expect. I am happy, however, that Contes D’Hoffman was the first opera I saw. I love to see performances that are loves stories, and this performance had three. Since we read about it in advance, I understood the main themes in the opera, and was able to better understand the story line as it was unfolding during the performance. The first act was easiest to follow, especially since we read the specific story of Olympia before we saw the performance. I didn’t particularly like looking back and forth from the stage to the subtitles on the seat in front of me, so I ended up mostly watching only the stage during the performance.

Although at times it was difficult to follow the opera, mainly because it was in French, it still appealed to people of our generation. I thought some of the costumes were a bit too revealing, but this was mainly a result of the director’s aim to please a younger audience. During the scenes in the bar, when the women came out practically naked, I was wondering if Offenbach pictured these costumes (or lack thereof) when he wrote the opera. Throughout the rest of the show, the women wore beautiful dresses and gowns, very different from the old fashioned, conservative costumes I had envisioned for operas. At certain times during the performance, the costumes even started to remind me of a Broadway show, mainly due to the loud, vibrant colors.

Antonia, Hoffman’s lover in the second act, had a soft, beautiful voice, and a gentle costume to match. Its neutral, light color displayed her innocence and soft nature. This was a wonderful contrast to the character of Olympia who was a robot. The character of Antonia sang from her heart and wanted to pursue her passion even though her father would not allow her too. On the contrary, Olympia did exactly what her father told her to do, since her father programmed her and she had no mind of her own.

We learned in class that different people enjoy different aspects of the opera, and I personally liked looking at the stage and listening to the music, even if I didn’t always know what the performers were singing. I still find myself singing Klick, Klack. Klick Klack.

I thought every single performer was incredibly talented. The singer who played Hoffman carried the entire performance. I was happy that most of the singers acted and moved around as they were singing, and were not just blocked and doing the “park and bark.” I remember distinctly waiting outside for the opera to start and saying that I wanted to see a performance at the ballet. I’m happy to say that I was able to see the dance performance I had been hoping to see. I couldn’t help but smile when the characters performing the part of Olympia came onto the stage on pointe. The dancing performed by the main Olympia at the end of the first act could have been a dance performance all on its own.

Overall, I am happy that I had the opportunity to see this opera and am looking forward to returning to Lincoln Center to see another opera.

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September 25th- Too many fruit :}

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Metal Children/ Taxi Driver

Okay, so it’s been a while since I’ve enjoyed a book I’m required to read for class, in fact, it’s been several years.  When a teacher assigns a book, I look at it with a mixture of dread and revulsion, because honestly? They are the length of a Harry Potter book, and only about a third as interesting.  But this book, The Metal Children, by Adam Rapp, actually kept me intrigued.  Maybe it was the length, maybe it was the characters, or perhaps it was simply the very controversial topic of teen pregnancy that allowed me to finish the book so quickly.  The book I loved, it was too good to put down.  Now, along with the book, we were supposed to watch the movie Taxi Driver, which, as the title hints, is about a taxi driver named Travis.  Now, this movie was interesting but lost me at times.

The two protagonists of The Metal Children and Taxi Driver, Tobin and Travis are two uniquely eclectic people.  Both characters life an isolated and lonely life, Tobin, a writer lives in a messy apartment by himself after his wife left him, and Travis, and army veteran also lives alone.  Both characters desire a connection with another person, specifically love, which they lack throughout the book and movie.   The two characters presented personalities that were on opposite ends of the spectrum, Travis was all about anger, resentment and violence, while Tobin was more passive, letting everyone dictate what he should do, in short his life sucked.

I wouldn’t like to meet a person who resembled either of these characters, especially Travis, whose violent nature scares me a little.  He strikes me as the kind of person who doesn’t fit into any kind of specific category, he’s a war veteran but his past is a little obscure after that.  He works as a cab driver because of insomnia, and he seems to be unsure of how to interact with people on a social level, which we see when he took his date Betsy to a porn flick.  Tobin also doesn’t know how to interact with people that well, he spends a lot of his time alone being a slob and pining over his ex-wife.  Both characters disregard authority, (although Tobin sleeping with a minor was a little disturbing) and in doing so they evolve a little, or perhaps devolving and embracing their nature more, which could be seen when Travis attempted to kill the senator.  The two characters were definitely memorable, each a little disturbing in their own way.   Maybe they’ll inspire me to do required readings with a little more enthusiasm.

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Metal Children vs Taxi Driver

Oh my gosh! I don’t think there have ever been two more powerful and emotional works of art than The Metal Children and “Taxi Driver.” In both, the protagonists are harmed emotionally by society, in ways unimaginable to most. Tobin and Travis, although they react differently, are both are brought down into depression by society.

In The Metal Children, Tobin’s bodyguard nearly had to force him to go to the town where his book was being banned. Tobin really didn’t care much. I mean, his wife had just left him for another man…who cares much about life after that? After being forced to go to Midlothia to fight the ban on his book, he is abused, beaten, and pretty much torn to pieces. But then again, he does nothing to stop it. He’s just a lonely man, desperate to find his way in life again. He is sad and pathetic, not only because his marriage fall to ruin, but also because he lacks the confidence to do anything about it. He is too calm to stand up to the challenges life throws in his face, and he just sits back and watches everything going on around him. He has no control over anything that happens. He lets his wife leave without a fight, calling her only to sound desperate and foolish…he lets Vera undress in front of him, and then succumbs to the temptations…he lets the town ban his book, not bothering to put up a fight…and finally at the end of the book, he lets Vera have her way once again, by giving her the money she needs and letting her keep their baby with a non-committal agreement to visit one day.

Unlike Tobin, Travis in “Taxi Driver” stood up to the establishments of his society. Although he was like Tobin in that he was a lonely, sad man, he was different in that he took action when things didn’t go his way. Because Betsy didn’t accept his invitations out after one little mistake he made, he decided to take away what was important to her: Palantine. Travis felt that rather than being with him, Betsy had decided to support Palantine instead, and this hurt Travis because it felt like betrayal. Rather than sit back and watch her choose another man the way Tobin watched his wife leave with another man, Travis plots to assassinate Palantine. His attempt, however, is thwarted, and he instead decides to go after another girl. Not in an emotional-relationship way, but instead in a friendly and caring way. So he tries to help Iris escape the brutal environment she is “working” in. He eventually succeeds in his assassination of her pimp, Sport, finally overtaking society’s limitations and becoming a proclaimed “hero.”

Throughout both works, the protagonists are shot down by society like a deer during hunting season. Neither really stood a chance against what they were faced with. Tobin realized that, and didn’t bother trying to change it. He accepted his defeat, and let things collapse around him. Travis on the other hand, also knew things weren’t going well for him, but rather than sit back like Tobin and be miserable about it, he decided that if things were going to be horrible anyway, he might as well continue the trend and get rid of the man that was causing him pain. By assassinating Palantine, he would have hurt Betsy, which would have made him feel better, but he also would have been sent to jail. But he was nearly caught in his attempt. Instead, he went after Sport. With all his pent up anger and rage, Travis was able to take out Sport as well as a few other men who were a part of the prostitution chain. It was for a good cause, he knew, and for that reason, he didn’t care that it was illegal. What an unexpected shock it was when he was hailed a national hero for ridding society of these evil men.

The only thing shared between the two men is that they both gave into the sad lives they were living, but whereas Tobin did nothing to either fix or worsen it, Travis reacted in his own way, knowing that he could make it worse, but knowing that it wouldn’t matter, because without the girl he wanted, life would be miserable anyway. So although he ended up being a hero, he only did what he did to make himself feel better about his nearly non-existent position in society. Travis and Tobin were both in the same life situation, although under obviously different circumstances, but each reacted in their own way, doing what they thought was fitting for their specific situation. In the end, we can see which man came out on top, with a better life, and which is still sitting at home, moping.

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The Metal Driver and Taxi Children

When I first saw the cover of The Metal Children, I have to say it didn’t really draw me in. And then, after watching the trailer for Taxi Driver I didn’t even really want to watch it. Two assignments I had to complete but thought that I would dread. I was dead wrong. Although I didn’t fall completely in love with the play and the movie, I did enjoy them.I believe that Tobin and Travis shared more differences than similarities and to tell you the truth I really liked Travis and kind of hated Tobin.

Both protagonists are lonely characters who seem to be searching for a purpose or meaning to their life. Tobin is so devastated over his wife leaving him that he starts to sort of self destruct in his messy apartment. Thankfully his editor and friend, Bruno, is there to help him pick up the pieces. I believe that when Tobin was first told to go to Midlothia he was just sort of going there to please Bruno but as he learned about the controversy his book started and then also learned that the girls were forming a pregnancy pact he started to become more interested. I have to admit that I was so disgusted when Tobin slept with Vera. I couldn’t believe it and that is also when I started to hate Tobin’s character. I think because Tobin was desperately looking for a purpose to his life he, like Travis, went to the extremist side and decided to sleep with Vera knowing that that might lead to him fathering a child with a minor. Where Tobin differs with Travis is that I don’t think he really is reacting much to the established authority, which in this case would be everyone against his book. To me he seems a little nonchalant about the whole thing. Travis on the other hand stands up against the established authority and takes matters into his own hands.

Like Tobin, Travis also felt extremely alone and simply wanted to feel alive and find someone to spend the rest of his life with. I love Travi’s character because he is so naive. Even though he took Betsy to a pornographic movie, I felt so bad for him when he was apologizing to her and sending flowers and she coldheartedly turned him down. Another reason why I like Travis more than Tobin, is that when he is confronted in a room with a young girl trying to make moves on him, just like Tobin and Vera, Travis is actually disgusted by it and turns her down multiple times. He understands why it’s wrong on so many levels, and vows to help her escape from all of this. He is not afraid to take matters into his own hands and stand up against the authoritative figures. Even though he did murder the Pimp I think that in these situations the ends justify the means. In the NYC that Travis lived in, the cops were not much help so if Travis had not taken matters into his own hands there really wasn’t anyone who could have saved Iris.

A common theme that I noticed between these two pieces is loneliness. As we see in the end both protagonists are left alone even though Vera and Betsy both go to see them. Although both women had their own selfish reasons for going. Vera needed money and Betsy only started liking Travis again because of his fame. Where was she when he was calling her and sending her flowers?

“… I’m waiting for the sun to shine.”-Travis Bickle

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Metal Children/Taxi Driver

By the time I finished watching Taxi Driver and reading The Metal Children, I decided, these two main characters are hardly noble. If they have anything in common, it’s that they are both instigators who are borderline crazy. I found Travis to actually be more interesting as a character because he was so psychotic; throughout the whole movie he was searching for an identity. I can actually see the rhyme to Travis’ madness; he spent the whole movie searching for romance and a way to affirm his masculinity. Around him though, the decaying city showed everything around him being tainted. Sex was tainted by prostitution, and he was part of a relationship tainted by Palantine who was condescending towards Travis. He came home from Vietnam a war hero, but of an unheroic war. He dressed as a cowboy vigilante and posed as a CIA agent, but none of them seemed to fit his persona. He was is affect a lost soul. He takes the fate of the city in his own hands by finally standing up and being active, though in his deranged ways.

Tobin, on the other hand, is so passive that it’s painful. He is nothing more than a disgruntled man upset about his circumstances with regard to his wife. She left him for the editor, so he copes with this by writing a book venting his anger, letting his smoking and drinking habits get out of control, and letting his apartment become a mess. What kind of way of coping is this? (I’ll admit it’s better than killing gangsters, but it’s still a shame.) He was a good writer, he could possibly have had a promising future, but instead decided to let his problems gain control of him. Then instead of being happy that he had achieved controversy through the medium of art, he was passive and uninspiring when he addressed the students of the high school who had supported him. He also takes no accountability for the repercussions of his book in his community and basically sweeps them under the carpet. He bottoms out by sleeping with Vera; it seems as though he was confused at the time.

Tobin and Travis hardly evolve as characters, they are stuck in the past, and unwilling to move forward. Travis looks in the mirror and asks, “Are you talking to me?” in the memorable moment that shows the ambiguity of his identity. His mind is shattered, and we don’t even know if he’s questioning and reflecting inward or showing his anger to the perversity that surrounds him. Tobin’s mind is shattered too. He does not know what his role in society seems to be anymore, is he for what the girls in the small community, or does he have disdain for them?

Thematically though, we see this ambiguous feminine theme throughout the movie and the book. The girls think they can achieve freedom through having birth and gaining control over their bodies, but they do not realize that they are still slaves to the child and raising him/her once the baby is born. Iris, in the movie, thinks that running away to New York is her way of escaping, but she finds that she has to be part of a prostitution ring in order to support herself and attain protection from the elements. If anything, the overriding theme is stupidity. These girls felt these were their only escapes, but they did not look at the bottom line. If anything, the movie and the book commented on isolation, selfishness and the notion that no matter what, humans will follow their motives or missions, and once their minds are made up, nothing can stop them.

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What has life to give? Everything.

What do people have to give? Nothing.

Human beings. We have so much potential yet we waste it. Life gives us so much yet we throw its gift away. But there are times when other human beings make us realize our purpose, our goals. They help us create them. In the end, we have to help each other to survive. If not, we’ll be running blindly in a maze.

Adam Rapp explores these ideas within his play, The Metal Children, by letting the main character, Tobin Falmouth, travel to Midlothia to passively defend his book, The Metal Children. By having a story within a play, we can see how the events will work out.  The girls take Tobin’s book as an epiphany because they realize that through pregnancy they can achieve freedom. Do we really need to “sacrifice” ourselves to gain “freedom”? Honestly, purposely being impregnated is going too far. The girls may be getting their “freedom,” but, essentially, they are going to be restricted with the births of their children. If that is their “freedom,” let them have it. In addition, the entire time Tobin was in Midlothia helped him to move on because the way the majority of the townspeople acted toward him helped him to create a book – one that is for adults. Furthermore, the conversations with Vera Dundee and Stacey Kinsella help Tobin to open his eyes to the people around him and how they react to things unknown to them. In the end, Tobin slowly moves on as he creates his novel which Bruno says may be a bestseller, but the past comes back. Vera visits Tobin with their baby, something he and Miranda couldn’t have, and it strikes him, hurts him inside because Vera is too focused on her mission. And then Tobin cries. This catharsis releases all the emotion built up inside of him and the reader.

Martin Scorsese, on-the-other-hand, has his protagonist, Travis Bickle in the film, Taxi Driver, to show the ideas. Travis was a veteran of the Vietnam War. His mind has been affected and the world he sees in New York City is trash, especially at night. But later on in the film, after meeting with Betsy and losing her, he realizes that all people are the same. Only the morning hides it behind the light while the darkness exposes the truth of the city. Because of this Travis finds his goal to save a prostitute from her “owners.” He saves her because he believes it right. But was it necessary to kill the pimp, bouncer, and the client? No, he could have done it a different way, but it comes to show you how people will act differently on a killing because of the type of person(s) killed. Before, when Travis shot a black man, nothing happened, but this time he kills three white men and he is taken as a hero. Shows you where our priorities lie.

But one main theme that was expressed throughout both works was FEAR. Fear? Yes, fear. We fear the unknown. We fear the darkness. We fear for our safety. And in our fear, we hurt others. Through our fear we can act ignorantly and cruelly. Fear is what drives our actions. Our fear to be ridiculed causes us to conform. The news drives fear. Fear drives us. Why are we hostile to people with different views? Tobin Falmouth and Stacey Kinsella were harassed and almost killed because of their views. They weren’t forcing their ideas. They were exposing them to it. Betsy feared Travis because of her high status she feared she would lose it. She realized this after being brought to the sex movie.  It is all to the person(s) to decide what to do with the information: ignore it, take it to heart, expand on it, or blow it out of proportion.

Different media, similar stories. Everything can be connected. Life flows from one person to the next. Fear slowly transgresses in the human mind. It affects everyone.

What drives fear? Humans.

What drives humans? Fear.

Nocturne

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