Course Info
HNRS125 Fall 2010
The Arts in New York City
Mondays 9:15 am - 12:05 pm
Honors Hall Room 09Contact
Professor M. Healey
Email: meghanhealey@hotmail.com
Office Hour: M 12:15-1:30Tsai-Shiou Hsieh (ITF)
Email: tsaishiou.hsieh@qc.cuny.edu
Office Hours: Mon. 9-1, Wed. 4-6
Honors Hall Room 20Recent Comments
- Ebony Fosmire on Time
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- 6today on WEEK OF NOV.8
- Olivia Veizas on Final Arts Vlog :) for multimedia project
- ashleybarlev on Multimedia Project Blog
- ashleybarlev on Blog #15 Multimedia Blog (Final)
- ashleybarlev on What do you as you leave the movie theater?
- ashleybarlev on Final Arts Vlog :) for multimedia project
NYTimes Arts
Handy Links
- A Chinese Film Challenges Traditional Cultural Paradigms
- A/V Equipment Request Form
- Blog of Playwright Adam Szykowicz
- Debate in the Artistic Merits of 3-D Filmmaking
- How-to videos on WordPress TV
- Link to NYTimes Arts Beat Blog
- Macaulay Away & Abroad
- Macaulay Honors College
- MHC Policies & Info
- New York Theater Workshop
- Parabasis Blog
- Scholarships & Fellowships
- Superfluities Blog
- The WIcked Stage: Blog
- Thoughts on plagiarism in the digital age…
- Website for Cornerstone Theater, So you can follow my work…
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Recent Comments
New function….Like it!
Ever found yourself really like your fellow classmate’s post or photo, but not sure what to comment (yet) other than “like!”? Now you can do it.
At the end of each post, you’ll see a heart shape with a plus sign- click on it if you like what you read. Enjoy!
Snapshot NYC 2010
Dear Seminar 1 Students,
Get ready for Snapshot NYC 2010! On Sunday, December 12, at Macaulay, you’ll be reunited with your Orientation Outward Bound groups, to tour our Snapshot Day exhibit and participate in a group activity.
(more…)
Re-size your photos!
Hi all,
As mentioned in class today, please remember to re-size your photos BEFORE uploading! I’ve posted a really simple instruction (under tutorials). Thanks for conserving our space and enjoy your extended photojournal project!
Guidelines for Multimedia Project
HONORS 125 FALL 2010 HEALEY
MULTIMEDIA FINAL PROJECT ASSIGNMENT AND GUIDELINES
In this project you will be the artist, and decide what role/roles you think your piece should attempt- Social Critic? Preserving your culture? Political Voice? You will use the text source material to create an original film. You will work in groups of four, and you will be evaluated for your work as a group and as an individual for your specific role within the group.
PART I: FILM/THEATER COMPONENT
Using the source text as your script, you must create a short film of the source material. Each of the group members should take on one of the assigned roles:
• Director- Acts as director of the film, works with the designer to choose a palette and artistic scheme for the film, works with the Dramaturg to turn the source material into a screenplay, chooses the shots with the Cinematographer.
• Production Designer- Chooses locations for the film, leads the group in putting together costumes and props, leads the group in transforming whatever space or spaces you choose for your film, works with Director to choose an aesthetic for the piece, helps cinematographer to choose shots at the location, does visual research to supplement the Dramaturg.
• Cinematographer- The person who will be responsible for shooting the footage (meaning they will control the camera during the shoot, this is a good role if you do not want to perform in the film), this person will lead the editing of the film, works with the director to transform the storyboard of the film into life, works with the designer to create the film’s aesthetic, works with the Dramaturg to create the script.
• Dramaturg- This person does research on the background information for the script, works with the Designer to choose visual research, works with the Director to help shape the script, is the primary force in shaping the script into a screenplay.
COMPONENTS OF THE ASSIGNMENT:
1. CHOOSE YOUR GROUP
a. Choosing your group is an important part of the assignment. The best groups will not just be friends joining together, you should try to be in a group with individuals who balance each others strengths and weaknesses.
b. Once your group is chosen, assign roles within the group. If more than one person wants a role, try compromise or discussion, and if that fails try taking a vote. If you cannot come to an agreement then I will help you to decide.
2. READ YOUR SOURCE MATERIAL
a. You have been given a piece of text from Metamorphosis by Mary Zimmerman. The first step in the process is reading it and brainstorming ideas on how to use it.
3. SCRIPT and STORYBOARD
a. Your script and your storyboard are the first part of your project, and they are DUE ON 11/29. These are group components, so you need to work on them together, and you need to divide up the work equally. The script should be reformulated as a screenplay, and then it should be laid out visually as a storyboard.
i. STORYBOARDS
1. Your storyboard is almost like a comic book or graphic novel, laying out the shots and the story visually so that you can all look at and agree to your plan of action. You don’t need to lay out every single moment of the film, just the major action.
2. Your storyboard can be hand drawn, created through photography, animated, or created on photoshop. Examine the skills of those in your group to determine the best method. Make sure that you all participate in creating the storyboard, in one way or another. For example, someone who likes to draw could draw the plates, someone else could photoshop them, someone else could take location photos to add to the storyboard, and another person can make sure that they follow the script.
3. You will be asked to specify each person’s role in the creation of the storyboard.
4. You may find that your finished film is different than your storyboard, and this is okay. Part of the creative process is discovering that what you thought would work doesn’t and adjusting to that process.
4. CASTING AND SHOOTING YOUR FILM
a. You will receive feedback on your storyboard, and then you can start shooting your film.
b. Make sure that you work out your shooting schedule in advance. You do not need to wait for storyboard feedback to cast and arrange your location or to start shooting the film.
c. You can cast other people in your film who are not group members. At least 2 group members must appear in some way in the film.
d. You are allowed to have an animated film, or to use puppets to create the film if you choose.
e. There must be some sort of music in your film. It does not have to be a soundtrack.
f. You can have the same people play multiple roles, or you can find other people to be in the film. Make sure you think about this when choosing your project and brainstorming your concept.
g. You are not being judged on the acting ability of your performers, I will be mostly interested in the overall quality of the ideas and the originality and clarity of the expression.
h. Make sure that if you need Tsai Shiou to assist you in learning how to edit the footage on your Mac that you make a meeting with her ahead of time. Please don’t ALL start asking her the week before finals or she will not be able to help you. Working with her and experimenting with iMovie or other programs can be done well in advance.
i. You can also choose to shoot your movie in one continuous shot, if that is the easiest method based on the skills in your group. IF you do this, you’ll have to be creative and think of other ways to create movement and interest in your film.
5. FINISHING YOUR FILM
a. The finished films will be presented on the date and time of our final exam in our usual classroom
b. We need at least one group member to have a copy of the film on their Mac, as well as the cable that connects your Mac to the smartpodium so that we can view your film. Again, check with Tsai Shiou to make sure you have the right set up or to test your film in advance.
c. I would be happy to watch early cuts of the film and give feedback on the film. This should be a good incentive to get it done early.
d. Your film will be given one grade for the whole group.
e. Make sure your film is done at least a week in advance so you have time to look it over and tweak it.
f. If you do not have a copy of your film at the exam you will receive a 0 grade.
PART II: DOCUMENTING YOUR FILM
• Each group member should document the filmmaking process through photos. Take behind the scenes photos of your shoot, and the work you did creating the film. This is the second component of the project and will be graded individually. Please burn these photos to a CD or flashdrive expressly for this purpose. It will be handed in at the final exam.
PART III: BLOG! OF COURSE!
• Create either a verbal or a video blog where you discuss your feelings about the filmmaking process. This is ONE blog, not a series, and it should sum up what you liked and didn’t like about your experience. What did the film mean to you? What was the most difficult task? What was your favorite moment in the process? You can post this on your blog under the heading “FINAL PROJECT BLOG” This must be posted before the start of the exam.
GRADING GUIDELINES:
FILM- 50 pts.
STORYBOARD- 20 PTS.
PARTICIPATION IN YOUR GROUP- 15 PTS.
DOCUMENTING YOUR FILM- 10 PTS.
FINAL BLOG- 5 PTS.
Your multimedia project is 20% of your FINAL grade in this course
Snapshot curators
Now you’re finishing up the photojournal project, including one of your excellent piece submitted to the Snapshot Day gallery… but you’re hooked in the process and want even more? Consider volunteering to be Snapshot Curators for the exhibit in December! (more…)
Taxi Driver 10/9/10
http://www.nypost.com/p/news/opinion/books/behind_the_scenes_of_taxi_driver_wQnXn1PVGVtvmIAJfiswoN
Saw this article about Taxi Driver in today’s New York Post
More free operas!
Contes D’Hoffman may have changed your view of opera, and I know some of you really want to have another chance in the opera house– well, your wishes are heard and now you can probably see more! Macaulay has been offered a limited number of free tickets for two rehearsals at the Metropolitan Opera– first-come, first-served. (more…)