September 19, 2010

Posted in Michelle Martins, Photojournal | 2 Comments

September 18, 2010

Posted in Michelle Martins, Photojournal | Leave a comment

Andy Warhol

Stranger than your already eclectic artist, more abstract than even Picasso, able to urinate on a canvas and call it art…he’s a fruitcake… he’s a weirdo….he’s, he’s…well of course he’s not anything thing like that, he’s Andy Warhol.  A man for whom the word “pop” must have stood for “paint odd pictures,” because honestly, for some of his work you needed both a historian to explain the time period’s relativity to the piece, and a psychiatrist to measure my response to let me know if I’m “understanding it” correctly. The man was probably a genius, and he made his art speak volumes about everything, the problems in society, the society itself, and even about the more exclusive society of the rich and famous (of which he was an active member).

So, Andy Warhol- social critic? Big time celebrity? Or hypocrite?  The answer is all of the above (except for the “hypocrite.”  The artist’s roles in society often overlap, because in order for him to criticize and point out the flaw in society, he needed to be a part of it.  As a big time celebrity he experienced the pros and cons of that life and its seen over and over in his work.  How else can one say they are accurately criticizing?  One needs to be in the thick of it all, much like Andy Warhol was, because his opinions were able to reach a greater number of people thanks to his celebrity status.

Andy Warhol’s work can be seen as uniquely strange (I mean come on, oxidation paintings??? I never even realized urine was a medium) but his art captures images of common objects that are familiar and relatable to the public.  One example would be his Marilyn Monroe pieces; she was such a recognizable celebrity that her image, along with pieces depicting the Mona Lisa and Jesus Christ, and that of the Last Supper are works that the public understood (somewhat) and could appreciate.  They were iconic and meaningful, however somewhat daunting as well.  One of his works consisted of a silk-screening of Jesus Christ over a hundred times, (I found it a little intimidating) and the message I found within it was that he was reminding the people the God was always watching.

Posted in 03. Andy Warhol, Blog | 1 Comment

September 17, 2010

Posted in Michelle Martins, Photojournal | Leave a comment

September 16, 2010

Posted in Michelle Martins, Photojournal | Leave a comment

The Artist as a Social Critic

It is easy for an artist to be a critic of the community he lives in, as long as he does not partake in whatever practice he is criticizing.  Often, the things people find most contemptible are also what they find enjoyable.  Many things which we frown upon, such as bullying, drug use, and greed, are tempting because they can be fun or satisfying.  The artist is no less susceptible to this temptation than anyone else.  However, by putting their ideas into the public, artists take on a greater responsibility to live by them.  Like anyone else, if an artist criticizes a certain lifestyle, it is hypocritical to have that lifestyle.   An artist who practices moderation can criticize those in his society who live in excess, but an artist who sells his art for an exorbitant amount of money can’t look down on his society’s greed.  It is sensible and consistent for an artist who regularly works in a soup kitchen to send a message to be more active in helping the less fortunate.  It would be hypocritical for that same message to be sent by an artist who does nothing to help the poor.

Though I have difficulty interpreting Andy Warhol’s work, I do know that a common interpretation is that he is criticizing American celebrity culture.  It is said that his repetitive images of public figures represent our obsession with famous people.  If this is true, his social criticism is hypocritical.  Warhol was a celebrity himself.  He spent time with celebrities, and used his celebrity status to achieve his goal of being wealthy and famous.  If Andy Warhol were not a celebrity, I doubt he would have been paid as much for his paintings, signature, and appearances.  Most of his artwork is outstanding, (although some reminds me of things my ten year old cousin has brought home) but I don’t think that it would be considered as valuable if not for the Andy Warhol name.  How can his criticism of our obsession with celebrity be authentic when so much of his success depended on it?

Some might argue that Andy Warhol could not have criticized celebrity culture without being one, but I disagree.  In America, we are given plenty of access to the lives of celebrities.  Tabloids, paparazzi, “True Hollywood Stories” all show us how the rich and famous live.  It is even easier to observe American obsession with celebrity.  I am not a celebrity, and I’m not obsessed with celebrity.  However, I can clearly see how obsessed other people are.  Some of the best selling magazines give us details on the relationships, scandals, and addictions of public icons.  Walking down the street it is almost impossible not to hear a conversation about celebrities.  I hear how hot Taylor Lautner or Jessica Alba is, how many kids Angelina Jolie has adopted, or Oprah’s new favorite book.  It is obvious to me, an everyday guy, how celebrity obsessed America is.  I don’t need to become a celebrity to figure it out, and neither did Andy Warhol.

Posted in 03. Andy Warhol, Blog, Peter Kramer | Leave a comment

Random thought…

Hey Guys!

So I was just thinking about this class, and the assignments we have, especially the photojournal, and it really made me think of the movie “American Beauty”. There is this scene in the movie, (for those who have seen it you’ll know what I’m talking about), where the character Ricky Fitts shows a video he made of a simple plastic bag floating in the air and he speaks about his feelings when he made the video, “It was one of those days when it’s a minute away from snowing and there’s this electricity in the air, you can almost hear it. And this bag was, like, dancing with me. Like a little kid begging me to play with it. For fifteen minutes. And that’s the day I knew there was this entire life behind things, and… this incredibly benevolent force, that wanted me to know there was no reason to be afraid, ever. Video’s a poor excuse, I know. But it helps me remember… and I need to remember… Sometimes there’s so much beauty in the world I feel like I can’t take it, like my heart’s going to cave in.”

This is really one of my favorite movie quotes ever. So i just wanted to share that so that everyone will have something to keep in mind while they are creating their photojournals. There is really beauty everywhere!

Thanks for reading 🙂

-Elana

American Beauty. Dir. Sam Mendes. Perf. Kevin Spacey, Annette Bening, Thora Birch,

and Wes Bentley. Dreamworks, 1999. DVD. Dreamworks Video, 2000.

Posted in Uncategorized | Leave a comment

September 18th

scattered lives, past and present

scattered passions..

Posted in Elana Lerner, Photojournal | Leave a comment

September 17th

I like the human touch to a book

... and to a beautiful photograph

Posted in Elana Lerner, Photojournal | Leave a comment

Andy Warhol

Andy Warhol. A name everyone knows. A person nobody can fully understand.

The role of any artist as a social critic goes hand in hand with their role as an active member in society. As a member in society, one is able to see the corruption from the inside, and experience it as anyone else would. Anyone who experiences a community from the inside and can understand why this community does what it does, can become a social critic. Social critics ask themselves why. Why do these people do what they do? Why do they say what they say? Why do they wear what they wear? Truth is, there’s no right answer. But Andy Warhol is able to uncover a few good ones.

Through his artwork, Warhol shows the way everyone in society conforms to one idea. The Detail of The Last Supper shows Christ repeated 112 times. This artwork shows Warhol’s view of Christ as a repetitive, ongoing subject in society. As said in the piece’s description, the inspiration for this piece most likely came from Warhol’s experiences in church as a child. Right there, his immersion in religious society is shown, and he can therefore pass judgment on the constant repetition and glorification of Christ.

Other pieces of his artwork also show the conformity of people to society. In one of his pieces, he muddles together motorcycles with Christ(nicknamed “The Big C”) and colors of red, white, and blue. He then puts a price on it. 6.99. That’s all it’s worth to people. 6.99. Is it even realistic to put a price on such things as Christ? Apparently, to Warhol, it is. The way he sees it, there’s no reason for anyone to glorify and worship Christ, or motorcycles just because that’s what’s “in” right now. Because that’s what it comes down to. People began to buy motorcycles and began to worship Christ because that’s what everyone else was doing. Warhol knows this because he went to Church and he was a part of the motorcycle group, Hell’s Angels, who are known to represent freedom. Once again, he is criticizing these things, this time by pricing them cheaply, and he was able to do so because he was a part of them.

Much of Warhol’s art captured moments of other celebrities. Television celebrities were a main focus of his, because he felt that he was “watching tv instead of living life….I knew that I was watching television. The channels switch, but it’s all television.” He had a very negative outlook on television, even though he personally knew celebrities like Jodie Foster, Marilyn Monroe, and Elizabeth Taylor. He glorified their achievements, such as Jodie Foster’s going to college in his piece, The Kid Goes to College: Jodie Foster. He mocked celebrity lifestyle as he became one of them. He knew that there was no reason as to why they were glorified. They were just people. He proved this by becoming a celebrity himself, illuminating the fact that anyone could.

There were also many of Warhol’s self portraits. He turned the focus onto himself, turning himself into a celebrity. He noticed how much attention was received from television celebrities and how much influence these people had over others, and he wanted this for himself. He wanted to see what the big deal was. Why did everyone glorify these celebrities? Why did everyone want to be a celebrity? WHAT’S THE BIG DEAL?! Truth is, he found out, there is none. It’s all ridiculous and implanted into people’s heads that somehow, celebrities are better than the rest of us.

Most of his self portraits show him camouflaged or moving his head in a manner that suggests he would like to escape. This is highly symbolic of his immersion in society and his desire to get out. Also, the desire to hide and escape are representative of his difficulty in outwardly expressing the fact that he was religious. Another fact that I found interestingly hidden was that he was a homosexual. I think he also tried to camouflage this because of it’s general societal rejection. Oftentimes when people found that he was gay, they were wary of accepting his artwork, so in order to feel socially accepted, Warhol tried to inconspicuously tell the world he was gay without announcing it. Personally, I think that Warhol’s role as an active member in society as well as a social critic branch off of his homosexuality. Since homosexuality was generally not accepted at this time, he was critical of society from the beginning. He wormed his way into becoming a celebrity in order to see why these people were unable to accept him. I believe that because he was able to be a celebrity, and see what was going on “behind the scenes” he was also able to realize that it was the same thing as everywhere else, and he was able to say that it was all crap. The whole idea of being a celebrity and of people worshiping celebrities. It’s all crap. There’s no reason for celebrities to be placed on a pedestal and to be worshiped by the more common and less wealthy people in society. IT’S ALL CRAP!

Posted in 03. Andy Warhol, Blog | Leave a comment