Course Info
HNRS125 Fall 2011
The Arts in New York City
Mondays 9:15 am - 12:05 pmContact
Professor M. Healey
Email: meghanhealey@hotmail.com
Office Hour: M/F 12:15-1:30
Colwin Hall 410-411Tsai-Shiou Hsieh (ITF)
Email: tsaishiou@gmail.com
Office Hours: Mon. 1-5
Honors Hall Lounge
Virtual Office Hours: Thurs. 10-12
g-chat (tsaishiou@gmail.com) or Skype (tsaishiou723)-
Authors
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Recent Posts
Recent Comments
- Firmenumzug on Definitely Eden
- Beyhahd on Why is Theater important in our society today? Or is it? Have television and movies eclipsed the need for live performance? Explain your views.
- bigg boss 14 on Why is Theater important in our society today? Or is it? Have television and movies eclipsed the need for live performance? Explain your views.
- free insanity workout on The Famous Big Apple
- Jean Patou on SOHO: South of Houston Street
NYTimes Arts
- Julio Bocca to Run Argentina’s Premier Ballet Company
- ‘Maybe Happy Ending’ Review: Darren Criss and Helen J Shen Are Robots in Love
- ‘Hot Frosty’ Review: The 8 Abs of Christmas
- Everyone Else Is Giving a Standing Ovation. Do I Have To?
- Samantha Harvey’s ‘Orbital’ Wins the Booker Prize
- ‘Say Nothing’ Asks: What Would You Do?
- Roy Haynes, a Giant of Jazz Drumming, Is Dead at 99
Fin.
Sentiments. The photojournal has closed. The blogs have ceased. The final class approaches. It’s amazing how fast time flies…I remember meeting everyone on the roof of the Met, staring at metal thingys, rich folk with there fancy drinks and conversations, Ray planking, and my interview with the random dude who couldn’t speak English. -__- It goes to show you how ephemeral things are and how we have to take a moment every now and then to reflect and really soak up all our experiences.
Reflection. 7 Plays. 6 Films. 3 Exhibits. 5 Performances. 4 Themes. As the semester comes to an end let us reflect on the various images that represent our beloved New York. I find it very difficult to pick one piece that was my absolute favorite, not only did we see 21 different works, but it is incredibly hard to compare a performance to a film, a written play, or an exhibit. Thus, I’d much rather choose a favorite from each category.
Drum roll please…
The Favorite Play Award goes to…Arthur Miller’s A View from a Bridge for its interesting characters and accurate depiction of immigrant New York. Unlike some of the other plays I sympathized with almost all the characters in this play (to varying degrees of course) and I found a lot of the elements very realistic and relatable.
The Favorite Film Award goes to…Maria Full of Grace for its talented actors & actresses and captivating story/scenes. First of all, I didn’t even know people did stuff like eating drug pellets to sneak them into the country. Second, the way the scenes were shot was extremely captivating and helped parallel the engaging plot. I still remember the scene where Maria and Blanca go to get their money; I honestly thought the drug dealers were going to pull out a gun on them. I even saw some of the scenes with the director’s commentary and the details and thought he put into making these scenes is impressive to say the least. I have even more respect for him and other directors as we are currently making our own films. Every angle, light, prop, etc. can play a significant role in how a scene is perceived or presented.
The Favorite Exhibit Award goes to…Nicola Lopez’s Intervals. I remember going to the Guggenheim and thinking is this really it? But as I was walking up and down the levels I actually grew to like the exhibit even more. There was a simple beauty in its chaotic nature. I perceived it as an interesting commentary on our lives, how there are different levels, there is confusion, etc. After we discussed the exhibit in class I grew to like the piece even more.
The Favorite Performance Award goes to…Intringulus for it’s amazing story, intimate set design, and memorable moments. This was definitely the hardest category, except for the Opera I loved everything we saw. But there was something different about the performance at Intar. It was the most meaningful and memorable. The others seemed more esthetically pleasing and entertaining pieces, less meaningful.
What about the themes? I think they were all amazing lenses to view New York City, each with their own degree of validity and accuracy. I honestly cant say which theme best or most truthfully portrays New York City because they all do. New York is home to the wealthy and spoiled, but also the poor and deprived. As we saw through the neighborhood blogs and in our own classroom, it is home to several immigrants. To some it is a city of dreams and opportunity while to others it is nothing but a chaotic inferno and nightmare. Lastly, art reflects time periods and change, so when something as tragic like 9/11 happens of course art will at least try to reflect it.
If I was forced to choose I think the award would go to the theme of NYC as a city of dreams or urban nightmare. Due to the fact that it encompasses all the other themes under its umbrella.
Acceptance. All things must come to an end. I will say that I’ve lived in New York for 18 years, visited all of its boroughs and I’ve never thought, seen or analyzed New York in the ways we have in this class. It’s amazing how much art, of all different forms and styles, can tell you.
It’s Something Unpredictable, but in the end it’s right…
Remember my friend Bennett? The one who inspired my first photo journal entry of the clock tower because it reminded me of Big Ben? So the other day I asked him, “Bennett, am I too cynical for my age?” He responded, “Zohar, we’re the same age. I think you’re just too cynical in general.”
Yeah, so I am…and I’m working on it, okay? But for now, my cynicism affects and influences my opinions, and particularly on the “artsy,” often non-conventional works we saw this semester. I like things that are down-to-earth, real, speak from the heart, so it was difficult for me to relate to some of the pieces that were less…standard? Whose main points or messages weren’t as clear on the surface? I guess that’s one way of describing it. I’ll admit, class often helped explain the messages, and I often did gain somewhat of a greater appreciation for them as artistic works, even if I didn’t agree with the method through which that method was expressed. But it was interesting nonetheless.
Anyways, so because of this mindset, I really loved Intringulis. Okay maybe I’m a little biased because Intar liked my post, but honestly, I liked Carlo’s one-man show even before that happened. Nicki and Ebrahim can attest to that. It’s that purity, that simplicity, the heartfelt story that impressed me, and the various methods he used to tell it. The acting, singing, drawing on the board, video clips–all that multi-media made it such an interesting show– I doubt anyone can say he/she was bored. How Carlo connected the elements, guitar comin’ outta nowhere, chalk out of his pocket, I think Ebrahim would call that “magical.” Also, I had never seen a one-man show before, and I was impressed with the abilities one person could have to run an entire show on his own while intriguing and entertaining his audience. It wasn’t anything fancy–low budget, minimum props, but that simplicity just worked so well because he was so honest. And the message was current, relevant, made me feel something–among those feelings, sympathy. It was definitely successful for me as a work, and as a “cynic,” I couldn’t be cynical. Sensible and realistic, you did amazing work, Carlo.
It’s this immigrant view of New York that I find the most truthful, with bits and hints of the post 9/11 views, and the Eden/Inferno ones. The city is a city of immigrants, and even if you were born here, and your parents were born here, and your grandparents were born here, ultimately, one of your ancestors came here from elsewhere. Unless you’re Native American, but that’s a subject for another post. The immigrants–all of us–are the foundations of this great city. In New York City, I would definitely say that it’s the people who make the city, not the other way around. What’s more, the immigrant view is different for each immigrant here, so it allows for unique, individual experiences of the city, all which are correct. The diversity of New York City is reflected in these individual views, and I think that’s what makes our city what it is. September 11th has created new views and shaped our city for the past 10 years, so I think that that view is also truthful now, in our time. Furthermore, NYC as an Eden/Inferno is a view that’s present in our everyday lives; you can see aspects of both sides all over the city (i.e. the glitz and glamour of Upper East Side vs. the poor and homeless sleeping on front stoops). What’s more, immigrants have often been faced with this divide, often because of their expectations vs. reality of the city, so ultimately, I believe it comes back to them, and other views are often secondary to theirs…ours.
Finally, thank you to everyone for the class that it was. I really enjoyed hearing your various opinions; even if I didn’t agree, I found it very interesting and many of you actually changed my opinions on certain things or pieces. I really enjoyed this time we had together and it was a great start to my college career 🙂
Can this really be the last blog?
This is my umpteenth attempt at starting this blog, I was really trying to find an edgy way to start. You know, like, a way to signify that this was our last blog (*tear*) and to really get it going with a big ol’ POW! But, then I realized that I had no idea how to go about doing that. So, rather, I am just going to dive headfirst into what I want to say, and try not to get too gushy over this.
New York City is the greatest place in the world to be, or at least, that has always been my view of it. I mean honestly, what other place could possibly get people to travel hundreds of thousands of miles and spend unfound numbers of dollars on airfare just to stand next to a concrete building? Let’s get real here, eh?
That being said, this semester I saw New York City through a lot of different viewpoints. Viewpoints of an immigrant, prostitute, cab driver, drug addicts, (New Yorks Finest Ladies and Gentlemen!) underprivileged minorities, political activists, modern artists, weird dancers and also that of the wealthy, cocktail swilling, tuxedo wearing monkeys who like to stand around and complain about their first-world problems. Needless to say no rock was left unturned in our evaluation of New York City.
A lot of these views led to negative portrayals of New York City, a city of urban trash, deadbeats, racists, or even worse, overly-pretentious yuppies. And guess what? That’s what New York is. No place is perfect, at least, no places that human beings inhabit; New York City is no exception to this rule. In Taxi Driver we saw Robert DeNiro chauffer the scum of the red light districts in NYC, in Manhattan we saw Woody Allen don his penguin suit and hobnob, in “Arabia We’d All be Kings” we saw the worst of the worst. These indeed all depict someone’s New York, these artists and directors and dancers and performers, they all saw different New Yorks because they were all different people coming from different places. Diversity of perception reflects diversity of the residents.
This is where my personal opinion comes into play, I think the most honest evaluation of New York City can be found in the movie In America Ariel’s view that is. It’s easy to overlook all of the good things in New York City, but Ariel saw everything with this open-ness and innocence that I think every single person should be envious of. She saw the lights, the people, and she saw how truly beautiful and magical NYC is. That’s New York. Yeah, there are bad things in New York, as a matter of fact there are terrible things in New York. But should we harp on them? Ariel was surrounded by filth and deprivation, yet she loved everything and everyone. Should we see New York only as this wasteland? Or should we stare at the lights in Times Square and never lose sight of the wonder hidden in those neon pipes?
That being said, In America wasn’t the best piece overall. For me, what I enjoyed the most this entire semester was definitely The Mercy Seat. This may seem a complete contradiction to how I view NYC, being that The Mercy Seat is dark, cynical, and very serious. I just think that what Neil Labute did in that play took a lot of courage. He said, what if we viewed this differently? He completely turned around the perception of 9/11. It was very daring, but I think it really paid off. The book took the tragedy to a different level, and I loved every second of it.
That seems a fitting way to end this blog, and so you will have to excuse me while I repeat myself. I experienced a lot of new things in the NYC this year-having hailed from boring-town, Suffolk County- and it’s safe to say that I loved every second of it.
A final post.
Although I’ve never lived any where other than New York, I had never analyzed the city before this semester. I didn’t think that I needed to; I thought I knew everything. I was clearly mistaken.
Let me start with Woody Allen’s portrayal of New York. Allen’s New York is the dream of many, yet, the reality of few. It depicts the elite of New York, which may not be the majority, but is still a crucial part of the city. After reading In Arabia We’d All be Kings, it is much easier to appreciate the gentrification of the city rather than scorn those who benefit from their fancy penthouses.
Truth is, before this semester, I did not know the ugly, scary past of New York City. I’d heard of tourists being scared of the city, but I never understood why. New York as I know it is a relatively safe place. I don’t fear the public transportation system, and as long as I have some grasp on my surroundings, I don’t worry too much about getting mugged. Maybe this is my own oblivion, but until seeing the New York depicted in Taxi Driver and Do The Right Thing, I was happily living in my bubble of New York being this amazing place that people would be paranoid to fear. This semester opened my eyes to the history of the very city that I’ve been living in for the past 18 years as well as the struggles of those who live here.
Our section on immigrants in New York was also eye opening for me. To learn about the struggles of Carlo (who technically lived in New Jersey, but we’ll let that slide), and to watch the hardships in Maria Full of Grace gave me a broader sympathy for those hoping to make a better life for themselves here. Yes, I knew coming to America in general was both dangerous and a hassle. But gaining insight to the extremes of both drug smuggling and the journey to obtain visas was very shocking, especially once I was able to put a face on the issue, and establish a connection with those going through these struggles. This segment showed the hope that I had always associated with New York City. However, it also allowed me to appreciate being born here and not having to go through the same hardships that face many immigrants.
That being said, I think it is safe to say that Intringulis was my favorite work/performance this semester. I liked the intimacy between Carlo and the audience, and found his way of enacting his one-man show to be very engaging. But most importantly, Carlo had a clear message and meaning to express to the audience. It is for this reason that I think Carlo’s performance was the most effective and will stick with me for the longest time. I felt that I was able to connect to Carlo and travel with him through his journey as a Sesame Street star to where he is now. It was a very informative performance that kept me wanting to learn more. Plus, I loved his singing!
As strange as this may sound, I feel that Asuncion most accurately depicts New York City. Before I explain my reason for saying this, I must agree with Emily when she said that she does not feel that any of the works depict “my” New York. Maybe it’s because I’ve never been an immigrant or super wealthy, but I felt that Eisenberg’s play did a good job of relating what I view in New York. Immigration, prejudice, drugs, assumptions, and chaos are just some parallels between the play and the city around us. Wherever you have immigration, you are bound to have diversity. Unfortunately, this often comes hand in hand with prejudice and assumptions. This play portrayed (although it was on drastic and sometimes narcotic terms) how easy it is for one to make assumptions about others and the negative effects of that. In a city as diverse as New York we’ve all done it, whether it is through grabbing our bag a little tighter around certain individuals or assuming that certain individuals would be able and willing to help us with our math homework. Similarly, drugs are an underground commonality among New Yorkers that is depicted in this play. This is not to say that everyone living in New York has experimented, but as in anywhere else in the world, it is not an uncommon occurrence. Even in Carlo’s play, drug use is alluded to. Lastly, I feel that Asuncion depicted New York because of its setting. The small, cramped, yet somehow charming apartment of the protagonists is true to many individuals living in the boroughs, unable to afford the luxuries of Manhattanite life. Overall, I feel that Asuncion was true in many respects to New York life.
Let Me Be the Outlier for One Last Time
To be honest, I am really tired of being an outlier in class. My opinions always seem to single out, but not in a good way. Since this is the last blog, I will be an outlier once more.
Before I begin reflecting on the artworks, I would like to comment on “Supernatural Wife.” This performance has a beautiful and romantic story with a performance that is beyond my ability to comprehend. While the combination of classicism and modernism is a typical technique employ in many dance performances, “Supernatural Wife” doesn’t seem to use this technique successfully. In my Chinglish words, “A too modern performance for a too classic story.” What was very good about this performance was that all dancers were really passionate about what they were performing, not like they were dancing for the sake of dancing in some other performances such as “Jewels” by New York City Ballet.
Enough. Begin to reflect. In my first blog, I said I considered something as art if it can enlighten me, and increase my awareness about arts. I think this is only true for unconventional arts. Throughout the course, I have seen many arts that aren’t necessarily enlightening to me. Nevertheless, they are arts by all means. Perhaps I shouldn’t take the definition of arts overly personal, especially on conventional arts. I cannot dispute an artwork is not art simply because it is unenlightening to me. After all, art is art; I cannot say “Supernatural Wife” or “Intervals” are not arts because they did not enlighten me very much. In this course, I am glad that I can see many “made in New York” artworks. They all portray a New York that is totally different from my narrow view of the city. Although some of the artworks may not be very enlightening and inspiring, they all open my mind on New York City as a center of arts. Before taking this course, arts have always been luxuries for me because I don’t have the resources and knowledge to learn and understand arts. Art is one of the most important parts of New York City, but it is the least important part of my life in this city, a little ironic. Because of that, I appreciate all of the artworks that are included in the class. I truly learn a lot from them (and from Professor Healey and my fellow classmates. Thank you from the bottom of my heart.)
The most important thing I learn from this class is how New Yorkers view New York City. I don’t mind if you laugh at me, I really found it fascinating on knowing how different my views are from New Yorkers’. From the class discussions, I figure out the reason that I am not fitting in. The New Yorkers’ views on New York City are very interesting, and I should continue to learn more about them so I can understand better about New Yorkers as well as New York City.
My favorite artwork, if I have to choose one, is “Don Giovanni.” I like it partly because I love the magnificence of the Metropolitan Opera House. But there is a more important reason. Classic is always classic, no matter where it is performed. While we are becoming so enthusiastic about modern arts, why don’t we just take a moment and examine the beauty of classical arts. It is a treasure that has been passed down for centuries, and spread around the world. As a cosmopolitan city, New York is obligated to preserve these arts. And I think the city is doing well in this. In terms of enlightening, the plot didn’t enlighten me very much, but the other elements of the performance enlighten me in how to appreciate the meaning of opera. The “9/11 Peace Story Quilts” are also good pieces of arts. I was deeply touched by the children’s pictures. Although some of these pictures are naïve, they all voice out their aspiration for peace, and there are also many creative pieces. It is not easy to find an artwork that can move people’s mind in a rather idealistic level.
Until now, I don’t know what is the most truthful New York to me. I have experienced all of the views except for “New York City Before and After 9/11,” because I was not here at that time, so I really don’t know. To me, these views are both true and untrue about the New York City I am experiencing now. I have experienced both sides of the views, the haves and have nots, the immigrants, the city dreams and the urban nightmares. The more I experience, the more inferior I feel. Indeed, having lived in here for more than five years and still don’t know what the city is really like is a shame for me. Yet, I am glad to view and think about New York City in all these different ways, because I can at least give people a satisfying answer when they ask me what New York City is like. Moreover, these views give me some hope to continue living in this city, because New York City is no longer black and white to me.
The outlier’s opinions should end in here. If I say anymore, I will get beat up (only joking). Lastly, if any of my opinions have offended anyone, I apologize from the bottom of my heart. Please forgive me. And I just want to thank Professor Healey again for giving such valuable lectures in class. I am enlightened!
Never Forgotten
September 11, 2001
Who could ever forget that date? America, our country, our land, was attacked. Thousands of New Yorkers lost their lives in the destruction of the World Trade Centers; Mothers, Fathers, sons, daughters, friends, and loved ones were lost that day. Everywhere, tears were shed and anguish filled the hearts of many. I remember being in third grade having barely a clue, about the severity of the situation. I was in class at the time, and my friends were constantly leaving the room one by one. My teacher told us simply to go to the computer lab and play games until we were picked up. Like the clueless child I was, I was happy that school ended so abruptly. However, my mind got a big slap in the face once I realized the gravity of the situation. I came home to my mother sitting silently on the living room couch, staring at the TV screen nearly teary-eyed. I took a look at the TV and saw what she had been staring at. My face, excited for being home early, suddenly became empty. This was no happy situation. My mother came over to me and hugged me for a long time, talking endlessly about the people in the building. I didn’t know what to think. I was a mere child. The burning buildings didn’t pull me as much as it did to those who knew just what had happened. Now, when I think back about it, a great sadness just takes over me; I think of the people who died, their families, what they must be going through, and I always end up thanking God that no one in my family was hurt. Perhaps this is why, growing up early on, I never gave too much of my attention to the events of 9/11. If I had lost a family member, I’m sure I would be in deep pain even now, never forgetting their image as the numbers pass through my head.
Shortly after September 11th, the atmosphere over New York City changed. More security measures were being taken, racism against middle eastern people grew, a stark sadness came upon the City’s people as well as a great sense of patriotism, and the tallest building that loomed over everyone and everything, was gone. Fast forward to now, life in New York City is back to normal. One would think that after the attacks, city dwellers would be overcome with fear and flood the more suburban areas, and that no one would want to visit New York in fear of another attack, yet quite the opposite happened. A lot of people still live and work in New York City today and tourism is also pretty high just as it was before the attacks. For those outside of New York, their perception of New York City did not change (at least not significantly) despite the devastating event ten years ago. Foreigners from all over the world, and from other parts of America still come here for the same reasons they did before September 11th. They still come to see the art, the plays, the amazing city lights, and to do some sightseeing. However, this doesn’t mean that they just overlook what happened on 9/11. They are well aware of what happened, it’s just that the image and fantasy of New York still prevails in the minds of many.
Although the impact of 9/11 was widespread in America, it proved to hold more meaning to those who lived in New York City. For starters, that’s where the attack was directed. New York lost one of its biggest icons and thousands of its people. No one else felt the pain that New York felt. We lost people in our community. The people that don’t live in New York don’t understand how the loss truly feels, save a few. I can say this with certainty. The family men and women of New York in the World Trade Center, the first responders from our brave police and fire department, gone.
Although artists constantly portray September 11th in many ways, not one of them can truly portray the traumatic events as it unfolded that very day. There are many moving pieces of art about 9/11 that do capture great emotion and have a lot of meaning, but nothing comes close to expressing the first hand destruction of the Twin Towers but the event itself. There’s just too much for any one piece of art to capture. Recreating the confusion, the anger, and the sadness that enveloped that day just seems impossible. You can tell one story, or maybe hundreds about 9/11 with a piece of art, but you can never get the real feeling unless it is repeated, God forbid.
September 11th was a tough day for all of us in New York. Although it was only 10 years ago, we still remember. Every New Yorker has their own experience that they remember quite vividly. Even someone like me who was a mere kid at the time, can recall that very day (although in a much different way). I’ll never forget it. God bless the people who lost their lives that day, and the families that mourn them. In particular, I want to give my special thanks and prayers to Cesar Borja, a family friend, who was a first responder on that fateful day. God bless his soul, and may they all rest in peace.
I remember like it was yesterday…
*Flashback*
Date: September 11th, 2001
Place: New York City
There I was. Sitting in Mrs. Marcus’ third grade class, without a clue as to what was about to unfold. My day started off like any other day, breakfast, morning cartoons, failed attempt at trying to stay home from school by faking some sort of ailment, and eventually ending up at my elementary school, P.S. 46 located in Bayside. Mrs. Marcus had just told us to take out our grammar workbooks, when the commotion began to start. Being seated right next to the door, I could see that teachers started to roam the halls and whispering to one another. Since I was a mere eight years old, my logic was that the teachers were about to throw some major surprise party for everyone in the gymnasium… sadly I was wrong. RING RING RING! The phone rang and student number one was told to leave the room. My jealously raged as I saw this child freed from the tortures confined within this jail they called school, until the phone rang again. RING RING RING! Another student is told to gather their things and meet their mother downstairs. I could not believe how lucky these kids were, until the phone rang once more. RING RING RING! Astonishingly, I was the next kid told to go home. Jumping with joy, without thinking twice about why parents would be picking up their kids from school, I picked up my Scooby Doo backpack and skipped down stairs to find my mother in the office. All of a sudden my smile was wiped clear off my face. My little brother was being taken home too after being home sick for three days! That’s when I knew something was wrong. The phones were ringing off the hook in the office and parents were flooding the main entrance. We leave school to pick up my older brother, and I asked my mother what was wrong. She says, “I don’t know.” We get home and I turn on the T.V. to two buildings on fire, tons of smoke, and people in fear. I asked, “Where is that?” and my mother responds “In the city.” “Isn’t that where Dad works?” “Yes, his building is a couple of blocks away.” “Is he ok?” “I don’t know.”
This memory will forever be a part of me, and my perception of New York City. I didn’t know it at the moment, but with time I realized that this memory would always give me a sort of intimate connection with the city itself that no one else would understand. Yes, the nation was attacked and, as Americans, we all felt vulnerable for the first time in I don’t know how many years, but when you could see the cloud of smoke from your window, it’s difficult to actually take it all in. At first, it was the fear for my father’s life, then it was the fear for the people in that building, and eventually I was worried about my own well being. I’m not saying that the 9/11 experience New Yorkers felt was more traumatic than someone who wasn’t living in New York City, but it was very personal. Everyone was scared, nobody knew why or what was going to happen next, all we knew was that something terrible had happened.
I can definitely say that although 9/11 was a tragic event, it did bring out the best in most New Yorkers. For the next couple of months, my father told me how people were much more willing to help one another and console one another as if we were all one big family that had just experienced a death in the family. He said that he had never seen the city pull together so closely in his entire life. If you weren’t a New Yorker, you wouldn’t have been able to see the direct effect 9/11 had had on the people of New York City, which makes it that much more meaningful to New Yorkers in my eyes.
The artists who portray 9/11 in their work will all get the same emotion, fear, sadness, maybe even a little anger. But it’s those who take such a tragic event and use it to convey a sense of hope that I feel portray it effectively. Within all the heartbreak and tears, emerged a sense of good will and hope that urged people to pull together in under such tragic circumstances. The 9/11 Peace Story Quilt is a perfect example of an artwork that displays the events in a meaningful way. Not only does it present the stories of multiple New Yorkers on that day, but it also bestows people with that sense of hope felt afterwards that everything is going to be ok. Michael Moore and his film Fahrenheit 9/11, on the other hand, was a piece of artwork that not only exploited a tragic event to convey a political message but took advantage of people’s emotions. The last thing someone should do is take a terrible event and use it for his or her own personal gain, which is far from meaningful. Despite artists similar to Michael Moore, there are people out their who can and have effectively taken the events of 9/11 and portrayed them in way that brings hope into our hearts.
Everyone has their own memory of 9/11 that is just as important to them as it is to me. If one can remember the events as clearly and vividly as I do to this day, it definitely was a major milestone in one’s life. The traumatic events gave people a new perspective on New York City, and that all depends on how you look at it. Maybe it was some sort of sympathy, understanding, fear; regardless New York City would never be the same to anyone. The World Trade Center, two of the largest buildings in the world, were taken off the face of the earth only to live within our hearts and minds.
Still Standing Tall
I must say I was never personally affected by the 9/11 attacks. I had never gotten the chance to set foot or even see the Twin Towers. I was in my third grade classroom at the time, struggling to pay attention in math class. I remember my classmates getting picked up by their parents. As the classroom grew emptier, I grew more impatient. I was terribly confused, but not at all scared. (I had no idea one of our country’s greatest landmarks was being destroyed by terrorists.) It wasn’t until I got home that I learned the Twin Towers had collapsed. I spent the rest of the evening sitting in front of the television with my family, watching the news in horror. I don’t really remember much else that had happened that day. Because I was so young at the time, and really hadn’t experienced the city at all, 9/11 did not change my perception of New York.
There were many others, however, that were directly affected by this incident. New York used to be seen as a city that was safe and lively. It was a symbolism of hope, a place where people could make their “dreams come true”. After the attacks though, people realized that no matter how prosperous and whimsical New York may seem, it could still be a target for catastrophic attacks. 9/11 destroyed the healthy image of New York City for many people. When the Twin Towers fell, a large part of New York’s majestic reputation was destroyed. Other than this, nothing much has changed in New York. Many people went about their business the very next day, and carried on with their daily routines. This incident epitomizes E.B White’s (author of “Here is New York” and Charlotte’s Web) words when he states that New York “is peculiarly constructed to absorb almost anything that comes along”. Even though our city suffered a traumatic event, it is still strong enough to continue functioning. Even ten years after the terrorist attacks, New York is still one of the most tourist-attracting cities in the country.
I don’t think 9/11 is any more meaningful to New Yorkers than it is for everyone else. If one of the states in America is attacked, the whole country is affected. Every American was affected in some way from this incident. Also, there were other sites in America that were under attack, such as the Pentagon in Washington D.C.
Artists can definitely portray 9/11 in a meaningful way. A perfect example would be the documentary Fahrenheit 9/11. Michael Moore was able to show the audience the significance of our loss of the Twin Towers. Though he chose a perspective that judged President Bush very harshly, Moore managed to express his message very clearly. Another piece of artwork that captures the importance of 9/11 is the 9/11 Peace Story Quilt at the MET. This quilt focuses on the 9/11 attacks but also stresses the importance of “communication across cultures and religions to achieve the goal of peace”. Artists can create works of art that help preserve our memories of the most significant historical events of our nation.
Different Lenses
It is remarkable that two numbers can have such an impact in the minds of a New Yorker. Nine-elleven. It is a number that no one can mistake or erase from their memories, no matter how hard they may try. It is a number that holds extreme significance in American society, as well as importance around the world. It is a number that many people associate with different ranges of emotions, from fear to pain to compassion to anger. The World Trade Center attack was more than just a number though. It was an event that destroyed the naivety of the city to the outside world. 9/11 was a wake up call.
Ringing phones bombarded my house the day of 9/11. Everyone was concerned for my mom, who worked downtown on Wall Street during the time. Luckily for me and everyone who knew her, my mom was late to work that day. She was just about to head into the city when she quickly turned on the T.V. and flipped on the news to look at traffic reports. What she saw instead was something that would change he perception of New York for the rest of her life. She remembers the day so vividly; her panic, calling her friends who were working across the street from the Towers, seeing the second plane crash into the building and in that moment the phone line going dead. She remembers the confusion surrounding how she should grapple the issue of explaining the event to my brother and I, who were 7 and 5 respectively. She remembers not going to work for 3 weeks afterwards and loosing a whole firm that she worked with to the attacks. Every single person in the company dead. She remembers the smell of burning rubble and the feeling of her burning eyes; from both the debris in the air and the tears she cried.
My perception of the event was extremely different. On that day I remember a strange feeling among the teachers in the school. There was a certain tense vibe about them, one that I never got from my calm second grade teacher. I remember being upset that I wasn’t allowed to play outside during recess that day, and not understanding why. I was so disappointed and cursed whatever reason stopped me from my playtime. I remember, selfishly, that I was happy that my mom wasn’t going to work for three weeks. I loved it when stayed home, and I remember during those weeks wishing something else would come up so that my mom would never have to work again and she could spend all her time with me. I was happy and unconcerned.
We both looked at the event of 9/11 through different lenses. One from the perspective of a mature adult and the other of an innocent child. Over the course of the past couple of weeks we have read and observed works of art from these two vastly different points of view. The Peace Quilt and parts of the novel of Extremely Loud and Incredibly close reflects the innocence yet complex emotions revolving around 9/11 from a child’s perspective. On the other hand, The Mercy Seat and the film Fahrenheit 9/11 both involve the morality and politics surrounding the day, ideas that involve a more mature audience. Both are significant and play a role in the portrayal of the event. The works of art we viewed all had a way of taking the trauma of 9/11 and making it personal or meaningful. They all served a purpose and reflection on the event, a way of expressing the varying changing feelings after the catastrophe. The most important fact is that the emotions in all the works of art are legitimate. They are a response to the attack and therefore are appropriate ways of coping, shaping, and recovering from the event. In order to move on and heal, people need to write, draw and express in any way they possibly can. Art is a necessary part of the process and includes portraying the event in ways that are meaningful to every individual.
Since 9/11 there seems to have been a growing wariness throughout the City, as well as the country. The World Trade Center attack was so impact full because in a sense it is the first time the U.S. was completely vulnerable and unaware. Before, the City was a place of life and vitality, somewhere that had never been in fear of attacks or “terrorism.” Since then, people are more aware of the who they are sitting next to on the bus. They keep their cellphones with them at all times. They dare not to take liquids on a plane or look the flight attendant in the eye for too long, for fear that they might be “suspicious looking.” On that day, the ignorance and bliss of America was destroyed. Now war is all we seem to read about and the economy is all we complain about. The perception of the world around us and our image of the United States to foreign countries was questioned. Maybe we aren’t so great after all? Why would another group of people be so bitter towards us…all we want is democracy, right? How could the U.S. have been so blind to the threats and not have taken any action to prevent this attack? The eyes of the American public are now opened.
I think the attack of 9/11 holds different significance to individuals based on how they were connected to the attack, rather than where they were located. For example, a person living on the Upper West Side could have been more removed from the event than a person living in Mississippi who had a brother that worked in the Towers. Meaningfulness is all relative. Obviously, those who live in New York City have a greater likelihood of being more intertwined with The World Trade Center attacks just because of where they live and who they know, but that doesn’t necessarily mean that people from outside weren’t effected as well, on another level. The 9/11 attacks effected individuals around the world in different ways. Whether it be their mentality of traveling to other countries or foreign policies or having to witness your parent’s death, 9/11 was traumatic and effected everyone in a certain way.
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I don’t think there is a life in New York that wasn’t touched by 9/11. Even if it wasn’t personal, a sense of safety and security was diminished. Even though I myself don’t remember much from before 9/11, I do know that the airport wasn’t so ridiculously difficult to get into and you stare at the skyline without feeling like something is missing.
While I don’t think perceptions of New York were changed, New Yorkers themselves were changed. We were (and still are) proud people, but our ability to feel safe in the city we lived and worked in was diminished. Outsiders were too scared to come here and for a while New Yorkers were stunned. The event that occurred was literally unthinkable, especially because we all thought it was an accident at first. I remember sitting in my classroom feeling horribly jealous of all the kids that got to go home. My third grader mind didn’t register the fact that if more than half of my class had left that something terrible must have happened. I was ecstatic when my mom finally picked me up, but once I saw her face I knew I shouldn’t show my joy. The one thing I remember more than anything was watching the news when I got home. Some may think it was wrong for my mom to let me watch the news, but looking back on it I’m glad she did. It isn’t like the tragedy traumatized me, but it let me know that the world wasn’t a utopia and things could go wrong. The most destructive factor about nine eleven, besides the lives lost, is the loss of feeling safe. Obviously though, New York has built itself back up. It continues to be a center for commerce and tourism for people all over the world.
In all honesty, I do think that art can accurately portray the events that occurred on 9/11. Works like Fahrenheit 9/11 and The Mercy Seat hit home when it comes to the event that they surround their work with. Although Fahrenheit 9/11 used the tragedy to display why Bush was a horrible president, it still showed the importance of the event and the severity of it. The Mercy Seat took a more personal route. I love the fact that it took a point of view that more than always would never be considered at the time of a seriously devastating event. Art tends to get every angle of an event or an idea. 9/11 was such a huge event that so many artists can take their vision and portray it right. The Mercy Seat made us stop and think, Fahrenheit 9/11 made us angry and the peace quilts touched a soft spot in our hearts. All three separate works of art evoked different feelings in us for the very same event. To me, this is valid proof that art can truly portray 9/11 and the events that happened that day.