Rick Moody’s “The Alebrtine Notes” presents a tumultuous scenario of characters and setting. I would agree with the others that this text was rather hard to keep up with. As the plot progressed, I found myself questioning not only the obscure details of the story, but also the context of these events and how to place them relative to the rest of the events that had already occurred.
Continue reading
Of all the aspects of this novel that stood out, I think that the McCarthy’s most striking feature was his unique characterization of all the characters. I appreciate this on a number of levels, for he is able to provide an extensive analysis of both the characters and the setting.
Continue reading
While reading The Road, by Cormac McCarthy, I found myself getting very emotionally attached to the storyline. Although I am not generally an unattached reader, I do find that my sympathy or feel for characters and plot structure varies among different works of literature. With this reading, I can say that I was impressed with my degree of commitment to McCarthy’s writing and the tale that he narrates. When forced to contemplate why this book strikes out to me, I can only resonate this particular interest with the overall theme of human survival.
Continue reading
The Turner Diaries presents very interesting insight into the networks of apocalyptic groups. Its details and progression allows us to juxtapose the policies of the two opposing sides, and provides an opportunity for more thorough evaluation of the two extremities of this apocalypse-ridden storyline.
Continue reading
The Turner Diaries, by Andrew Macdonald, and the film, “The Forbin Project” offer insight into a unique apocalyptic experience. They deal with controversial issues, which can have consequences of epic proportions, as we later learn. I find that the controversy excites very narrowly defined extremes, and it is these exact ramifications that encompass the truth and individuality consistent with apocalyptic nature.
Continue reading
Apocalyptic themes prevail heavily in the films Apocalypto, Children of Men, and 28 Days Later. While these movies use different plot schemes and settings, they converge at the portrayal of a largely apocalyptic event in which doom has disrupted the world “as we know it” and created a post-millennialist scenario. Through graphic and technological means, these films offer visual representations of the awaited and questionably irrevocable doomsday experience.
Continue reading
In Watchmen, a graphic novel by Alan Moore, we see a number of motifs arise that mimic the themes of the Apocalypse. These redundant themes uphold the strong consciousness and prevalence of apocalyptic phenomena in our contemporary culture.
In his concluding essays, Strozier presents a very thorough analysis of the various tenets of apocalyptic fundamentalism and how they influence the overall doomsday mindset that has prevailed in society. It is interesting to trace Strozier’s didactic approach to understanding the fundamentalist way of thought. His previous readings writings introudced us to the dualism and particular psychology associated with apocalyptic violence. In his later essays, Strozier narrows his argument by linking the root of violence to paranoia.
Continue reading
As presented in Strozier’s essays, apocalyptic fundamentalism has had a great impact on human psychology. Strong Christian believers have experienced immense changes in their mentality, as well as in their attitudes toward other ways of thought. We can say that such changes in mindset definitely alter the ways in which fundamentalist groups approach the apocalyptic phenomenon, and how accepting they are of other beliefs. It is exactly these alterations that have redefined the psychology and malevolence of doomsday culture.
In the second portion of Jonathan Kirsch’s A History of the End of the World, we learn a great deal about the cultural uproar of the Book of Revelation and all the events that have ultimately contributed to our understanding of apocalyptic phenomena. It is clear that many more prophets, besides John himself, have taken the Revelation into their own hands and retold the end of the world as they envisioned it. It is precisely the people and circumstances under which the Book of Revelation was read and interpreted that have so greatly shaped the timeline of our world as we know it today.
The change in Christian apocalyptic perception over time is pertinent to our understanding of the ideology that surrounds John’s text. Originally, the world was heavily centered around the Christian fundamentalists who believed that only the saints and martyrs would prevail through the Rapture and make it to the New Heaven and Earth. At this time, there was a divisive line between what qualified one’s lifestyle to be worthy of salvation and the habits that did not. Its interesting to note how clearly defined the extremities of good and evil, godly and satanic, and right and wrong were upon the early stages of this end of world speculation. Naturally, however, these realms lost sight their strict margins, as did the belief in the Book of Revelation. Some interpretations and understandings certainly spilled over and blended with each other over the course of apocalyptic history. This corresponds with the growing tendency and encouragement to read the Revelation symbolically rather than carnally.
We see early on how interpretations of the text were contorted according to societal circumstances. For example, the mosaic in the western European church initially consisted of Jesus and his twelve disciples. Once Rome imperialized under Constantine, the mosaic was re-adorned to include a throne and golden halo, as well as the city of Jerusalem, all which resonate with images depicted in the Book of Revelation. This coincides with the “apocalyptic invasion” as coined by Kirsch. And as Kirsch continues to emphasize, the popularity of the Book of Revelation and manifestations of its iconography all came about at the same time as Christianity became a formal state religion of the Roman Empire. Once again, we must not forget to question the authenticity of a text that thrives in an environment of pervasive religious and social changes.
Kirsch also comments on the cultural war that has spawned from the Book of Revelation. While the religious disparities among apocalyptic believers have greatly lessened, the social debate over this issue is still in full effect. In the beginning, the end of world discourse mainly differed among premellenialist and postmellenialist, who were both essentially Christian fundamentalists whose opinions diverged at the “when” factor of the apocalypse. The contemporary debate is far more extensive, consisting of many branches of skepticism of how the world will end or if in fact, there will be an ending at all. It is understandable that so much more disbelief is present in our society today, considering all the history of disappointments and false predictions of doomsday. After all, with all our wars and struggles, the world has indeed proven to withstand more destruction than the human mind would have thought possible. Moreover, there is far more complexity and technology present in our current world, which has triggered further doubt. Can God really be responsible for the end of a world that can revitalize life and land after the atomic bomb hits it? Though all science may point against it, the strong faith in God has been enough to sway people to believe so.
I agree that the Book of Revelation has become heavily utilized as “language arsenal” for opposing sides of the apocalyptic spectrum. Some may see this as God’s way of preserving the text in our society. On the other hand, the text may have been so ingrained into our cultural backbone, that we cannot simply filter its past admonitions out of our future plans. But if we are subconsciously holding on to these theories to sustain the Book of Revelation, then we are also summoning doomsday to us. Why else would we fight so hard to keep alive a tradition that may be the end-all of all other traditions and spur the death of life itself? Perhaps we are exactly the structural race that Kirsch depicts in the finality of his text, “the men and women who continue to wait, and have always waited, for the world to end on time”. (256)
