Prof. Laura Kolb, Baruch College

Author: Prof. Kolb (Page 2 of 4)

Warhol at the Whitney – tomorrow!

Dear Students,

Our optional trip to see Warhol at the Whitney is tomorrow. Meet at the Whitney Museum (99 Gansevoort St) no later than 12:30 pm.

If you didn’t sign up but you decide to come, that’s fine (you might shoot me a quick note to let me know to look out for you). If you wish to attend but find yourself running late, definitely email me. I’ll be checking my phone periodically before we head in.

I recommend reading a write-up of the show beforehand, as preparation, either in the NYT or the New Yorker.  Load one of these up in your phone to read on the train as you travel to the museum.

See you soon!

Prof Kolb

Reminders!

Hi everyone,

A grab-bag of announcements and reminders–read carefully!

(1) WRITING: Remember to turn in Blog post #7 by tonight, and to update the map with a location from your walk. I’m really enjoying these posts so far–take the time to read some of your classmates’ work this week.

(2) READING: For Tuesday’s class, read through the rest of Open City. There is no quiz this week, but you may be asked to do a little writing in class; come prepared with a pen or pencil. Questions to consider, before class:

  • How does the revelation about Julius’ past, near the novel’s end, alter your sense of the rest of the book? Does it change how you read Part One?
  • Does it change your sense of the book’s title?
  • Or does it instead fit with or confirm your understanding of the book’s themes and concerns?

(3) EXCURSION: Our optional excursion to the Whitney Museum is this coming Thursday (11/15) during club hours. The NYT just did a great write-up of the show; I recommend reading it before attending. The Whitney is at 99 Gansevoort Street, at the very south end of the High Line. We will meet there at 12:30. You will be free to explore the museum at your own pace and leave on your own time–some of you may want to stay a long time, some might want to take a quick look (though it’s a fabulous space, as well as what promises to be an engrossing show). Whitney staff informs me that there may be a line to get in–this show is going to be very, very popular. BRING CUNY (BARUCH) ID TO GET IN FOR FREE.

(3) PLANNING AHEAD: For next week (11/20), our entire class session will be devoted to STEAM festival work. We will dedicate roughly two thirds of the session to the work itself, so make sure that every group member has something to work on in the classroom. (If you need to store materials on campus, I can provide space). We will spend the last hour of class on informal presentations: your group will explain your project to the class as a whole.

See you soon,

Prof Kolb

P.S. Open City / Humans of New York

Some of you mentioned the website Humans of New York in your photo presentations. I wanted to alert you to the fact that some of the recent posts are relevant to our discussion of Open City. Here’s one, from Rwanda: http://www.humansofnewyork.com/post/179487317211/17-i-inherited-this-orphanage-from-my-father (there are six other posts about this particular person’s story; I’m linking to the first in the series).

Blog post #7 update + office hours today

Dear Students,

The assignment for blot post #7 has been updated to reflect the mapping component. Have a look here.

Also, I wanted to let you know that I will not be in my regular office hours today (Thursday). Normal office hours resume next week. If you need to meet or talk in the meantime, get in touch.

Best, and happy walking!

Prof Kolb

Blog post 7: Walking, thinking, writing – due 11/11 by 9 pm

This assignment asks you to imitate both the content and the style of Open City. Imitation is a form of analysis. It requires you to understand the creative processes that went into the source text, and to exercise your own creative faculties in making something new.

For this post, take a walk of at least 30 minutes (longer, if possible). This can be in any neighborhood, in any borough. It can begin or end in public transit, or it can be a walk from and to your home (try not to retrace your steps, though). Do not walk with a goal in mind—don’t go get groceries, or commute—but instead meander, wander, walk for the sake of walking. You may walk at night, in the daytime, in any weather. As you move through space, take note of what you see, how the air fills, what people you encounter. Take note, too, of your own thoughts: what trains of thought are moving inside your mind, as your body moves through the city? And what’s the relationship between your inward experience, and the outward world?

Within forty-eight hours of taking your walk, write a few paragraphs (at least 500 words) recounting the experience in as much detail as possible. Try to capture with precision your own very particular experiences, but also to draw on Teju Cole’s style in order to do so. Be artful: Cole layers the inner and the outer carefully, creatively. This is not an outpouring of random thoughts and impressions (though it may appear to be so at times); rather, it is an extended meditation on the shifting relationship of the individual to the city. Be open, and see what the city says to you.

This assignment’s aim is to allow you to recreate—as your own—the interplay of inner life (feeling, memory, thought) and outward world (city streets, subways, weather) that structures Cole’s novel.

After you’ve taken your walk, drop a marker on the map assigned to your name’s layer as well as the “Walking” layer. Since you are dropping a marker on a single place, choose a place that was on your walk, and write a tiny bit in your marker content area about why you chose this particular place from the walk.

Blog posts, STEAM work, and more

Hi all,

If you posted Blog Post #6 by the deadline, it has a comment and grade. If you have not yet posted, do so ASAP.

Remember to reply to STEAM post comments before class (thanks to the two groups who have done this already!)

And finally–head to the polls tomorrow, if you are able–and I’ll see you in class ready to discuss Open City (and take that quiz) at noon!

Best,
Prof Kolb

Reminders for next week

Hi all,

This is a grab-bag of reminders for next week. Read carefully!

CLASS STRUCTURE: Instead of meeting at 11:10, we will meet at NOON on 11/6. Because of this, we will not take a break during class (It’s fine if you bring yourself something to eat, but you won’t be given the opportunity to exit and purchase food, this week).

READING: Complete pp. 1-146 of Teju Cole’s Open City before class on Tuesday. I am really looking forward to your thoughts on the novel–come ready to talk! If you have questions, jot them down. If specific passages move (or agitate! or pierce!) you, make a note in the margins, or slip a post-it between the pages. Also come prepared for a reading quiz, which will ask you to name some specific locations (neighborhoods, streets, historic sites, stores, campuses, etc) that the protagonist visits.

WRITING &c:

(1) Blog post #6 due by Sunday night.

(2) Comment replies to STEAM proposal feedback due before class on Tues.

(3) Eventually, you’ll update the map with the location of your reading–Jake will alert you when this is possible!

See you soon–
Prof Kolb

TOMORROW + next week

Hi all,

A reminder that we are meeting TOMORROW at Miller Theatre to see Kate Soper’s IPSA DIXIT. Arrive no later than 7:45. Plan your transit in advance. Miller is closest to the 116th St. 1-train stop, on the east side of Broadway. Please read Soper’s interview in the Believer before attending. Prior to class, please read the readings for

I also wanted to remind you that outings like this one are non-optional parts of 1001H. Treat them as you treat our Tuesday classroom meetings: something for which you show up, on time, and prepared. You may be excused from excursions for religious observation, serious illness, or family emergency–but that’s pretty much it, and even then, you must let Jake and me know with ample warning. We both want you to succeed in the course (and in general!), but coming up with make-up assignments at the last minute is by no means an easy task.

Please look at the revised syllabus carefully. Note the upcoming excursions to the Jewish Museum (11/27) and St Ann’s Warehouse (12/5, evening). Put them in your calendar, and plan to attend.

Finally–for those of you who were disappointed that Warhol has been taken out of the course, never fear! We will do an optional trip during club hours on Thursday, 11/15. I’ll pass around a sign-up sheet in class for those who are interested, and I’ll point you to some useful preparatory reading. I encourage you to attend. We will be among the first to see this show (it opens just a few days before, on 11/12).

Best, and see you tonight–

Prof Kolb

P.S. I’ll be reminding you of this next week, too, but class on 11/6 starts at 12 noon, not 11:10 as usual. Vote!

Blog post 6: Attending a reading. Due Sunday 11/4 by 9 pm

The literary world in New York is a vibrant, lively, public world. Poets, fiction-writers, and other authors frequently read their work aloud in public settings, participate in Q&A’s with their audiences, and discuss the writing craft. Sometimes multiple authors read together; other times a single author takes the spotlight. These readings are more than just story-time for grown-ups. They are performances, in which authors become performers, and readers become spectators. The poem (or bit of prose) at a reading operates like a musical score: brought to life in a new way when performed out loud.

For this next blog post, you will attend a reading: that is, a public oral performance of a literary text or texts. The reading can be of poetry or prose, fiction or non-fiction. (Below, you will find a list of suggestions on how to find a reading). You have two weeks to complete this post—this will allow you to choose from a wider range of readings, on a wider range of dates. By Sunday 11/4 at 9 pm, post to the blog

  • A detailed account of who you saw reading, what they read, and when and where they read it.
  • Visual documentation of your attendance at the reading: a photograph of you in the bookstore or lecture hall; a photograph of the crowd, a photo of you with the writer (if you’re feeling bold!)
  • A 500-750 word reflective essay on the experience of attending this particular reading. How did the author perform his or her work–how much did s/he dramatize? How did voice, gesture, posture, and sheer embodiment augment the words, or bring those words to life? As a spectator, how did listening (and watching) in public differ from the more common practice of reading silently to oneself in public? What did you learn about the craft of writing, either from the author’s comments or from the Q&A? (You will be doing some creative writing in a future blog post, so be thinking about this!)

Also by Sunday 11/4 at 9 pm, you should update the class map to reflect where you attended a reading. We will create a new layer for this assignment. Your map update should include an image and a brief description, as well as a location!

*

Where should you go, to attend a reading?

If you want to search by date to see what’s available, the organization Poets & Writers has a nifty tool for that! https://www.pw.org/calendar

Universities sometimes have readings that are free and open to the public. In fact, there’s one coming up at Baruch: the Fall Poetry Revel, at which students in creative writing classes share their work (all are welcome to share, however, so if you’re a poet, you can also present here). Baruch’s Poetry Revel is on Wednesday, October 31 at 3:00 PM, room 14-270 in the VC.

Libraries are also a good bet–check out your local branch library, or the main branch of the NYPL.

For those of you who want to go further afield–and I strongly encourage you to do this–NYC bookstores have frequent readings. Check your local bookstore, or look at the events schedules for McNally Jackson (lower Manhattan), Greenlight (Fort Greene and Lefferts Gardens), Berl’s Poetry Shop (DUMBO), the Strand (near Union Square), Codex Books (East Village). These are just a small handful of the bookstores that have frequent readings!

Finally, there are a several venues dedicated to literary events in the city. You may attend a poetry slam at the Nuyorican Poets Café, a reading at the Poetry Project, or an evening at the Bowery Poetry Club or KGB Bar and Reading Room. Unlike bookstore readings, these are not always free, so double check in advance (and pay, absolutely, if you want to!).

NOTE: Some events at some venues are 21+, so double-check before you make your choice.

PS. A short addition to the reading

Dear students,

Michael Robbins, the poet visiting our class tomorrow, has asked that you read two more short poems in preparation (he is ALSO reading your poem packet, and will be drawing from it in discussion–but he would be grateful if you read these as well). They are Donald Hall’s “Weeds and Peonies” and Brenda Shaughnessy’s “Visitor.”

I will bring some copies of each of these to class tomorrow, as well, so that those of you who do not get a chance to read beforehand can read them during the break at 12:20.

Best,

Prof Kolb

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