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Le Spectre de La Rose

Le Spectre de la rose is a ballet choreographed by Michel Fokine and was first premiered in 1911 in Monte Carlo by the Diaghilev’s Ballet Russe. The ballet portrays a story of a woman who brough home a rose from a ball. While asleep, she dreams of dancing with the spirit of the rose. Unfortunately, the spirit disappears into the window and she suddenly awakes. This scene is based on lines from a poem by Theophile Gautier:

 Open up your sleeping eyes
that are brushed lightly by a virginal dream
I am the spectre of a rose
you wore last night at a ball.

 Le Spectre de la Rose was given over 120 performances during the three Ballets Russes tours and seen in every Australian city visited by the companies. Choreographer Angelin Preljocaj perceives the contemporary reading of Le Spectre de la Rose as psychosexual drama. In the Hommage aux Ballets Russes production, the von Weber music was interrupted periodically by a contemporary soundscape. Another contemporary piece was also inspired by Le Spectre de la Rose and was entitled Rose Spirit, presented by West Australian Ballet in 1999. The choreographer, Ted Brandsen, sees the original Spectre as “really a showcase for the male dancer.’ In the Rose Spirit, he ‘’wanted to look at this piece more through today’s eyes – to have the male and female parts be equally demanding and to add a touch of humor to the wonderful Weber waltz’.

West Bank Story

The West Bank Story is a satire on The West Side Story, the problems in the Middle East, and the essence of human nature. To me, the film held a strong message regarding the latter two. Some argue that it is too painful to make a satire on one of the world’s greatest problems that results in such great bloodshed. I think that it is important for us to realize that we can make rational choices only if we avoid the staggering emotions we feel. This is where satire helps us step away from playing “within the game” and instead, watching the game from the side. We recognize that the middle-eastern people have been scarred too much to propose peace. We also recognize that if we continue killing one another, we will end up with nothing (just like the Palestine people and Jews were left with a non-existent source of income). The film does not propose a solution, but it does tell us to wake up.

The film also reflects on the essence of human nature. If one looks back to history and studies the dictators, the rivaling tribes, and Imperialism, one can deduce that humans are in a constant pursuit of power. The natural survival mechanism is to be in an in-group. For this reason, we hold so firmly to our cultures, traditions, and religions. We will die for them because these ideas keep groups together. I think that it is through education that we can subside the extreme attachment to the “in-group” tendency. Unfortunately, the majority of the world is not educated and it is up to the small percentage of the educated to make policies and attempt to make as rational solutions as possible for those who have been scarred and are driven mainly by their emotions.

R&J’s Closing

“For never was a story of more woe / Than this of Juliet and her Romeo.” A widely known phrase, I find that these words mean a bit more than what meets the eye. Typically one would find that the quote refers to the respective suicides committed by the two “lovers.” I find that it actually refers to all the lives that were lost throughout the course of the play and the idea that ultimately, the two households, the Montagues and the Capulets, do not reconcile. When the two join hands and agree to build golden statues for the loss of one another, many see a reconciliation between the families, a new-found harmony that came about after the two elders realized the loss of their own blood. I see two old men outbidding one another by displaying their wealth, which signals that the feud is not yet over. Capulet starts off to say, “O brother Montague, give me thy hand… for no more Can I demand,” to which Montague responds specifically, “But I can give thee more, For I will raise her statue in pure gold.” Montague goes on to brag about how as long as Verona stands, there will be no figure with such a high value. Seeing Montague offer such an expensive tribute, I feel Capulet felt compelled to offer the same for Romeo, so as not to look any less than his rival. Furthermore, they were just admonished by the Prince over their feud and seeing the many lives that were lost over the course of a few days, they would have found continuing their conflict immediately problematic. The idea that other students have brought up saying that the ending compromise was rushed seems ludicrous to me. Shakespeare’s play may not have taken place over a long period of time but he did not speed up important ideals throughout the play; he included long sonnets of conveying love and spent a long passage on something relatively irrelevant like Queen Mab. Why would such an author hasten the settlement of such a large dispute; how could the underlying problem within the entire play be solved so briskly? The rushed feeling students are referring to may be intentional though (on the author’s part), to prove a separate point I believe in, that Romeo and Juliet did not love each other at all and that they were attracted to each other on the basis of lust. Shakespeare, in my judgment, deliberately sped up Romeo and Juliet’s loving each other to imply from the start that the two were simply acting on naive childish impulses. Going back to the topic at hand, the two houses felt barely any remorse when so many of their kin were killed and I think that Montague and Capulet’s remorse is simply materialistic, an appropriate but not an everlasting grief that has taught them any sort of lesson. Lastly, the symbol of gold is not used in a positive connotation in this play. Other students speak of the time period and how gold resembled honor and respect. However, when Romeo went to purchase gold from a poverty stricken Apothecary, he pays him in gold and says, “There is thy gold – worse poison to men’s souls … I sell thee poison; thou hast sold me none. ” Therefore, gold is not presented in a positive light but rather as poisonous and vile. Romeo implies wealth is the cause of all problems and by exchanging his gold for the Apothecary’s poison, it is the Apothecary who has bought the poison. By connecting this symbol of gold with those of the statues that Montague and Capulet agreed to have stand, one can also connect the symbol of poison. Erecting the structures is foreshadowing further strife in my opinion. Thus, the tragedy in Romeo and Juliet is not their death, for they were simply childish, stubborn and victims of their hormones. No, it is in fact the possibility that the strife between the two households will continue and more lives will be lost.

-Zohaib A Qazi 9/9/09 CHC 1

Some say that the Capulet’s and Montague’s decision to make golden statues of Romeo and Juliet represents a continuing fued in the form of equating wealth. I think otherwise. Romeo and Juliet live in a time of romanticism when statues, especially golden, represented great honor and respect. Optimistically speaking, these statues are meant to represent the respect for love (Juliet’s faithfulness and Romeo’s selflessness.) Despite such a tragic, yet pure ending, I wonder why Shakespeare chose to end the work with the opposing families befriending one another. I expected them to hate each other even more, considering that their younger generation was dying from the behavior of the opposing family members.

West side story

The stage scenery of the West Side Story theatrical performance as compared to the scenery of the 1960 movie was incomparable. However, the sparseness and rawness of the scenery promoted the angst between the two gangs. The feral and destructive rage was evidenced as the curtain opened, and blue lights lingered over the hollow facade of the deteriorating building. I thought the color blue an odd choice, as it does not intimidate, but rather tranquilizes, and upon research found that some shades of blue, such as “..electric or brilliant blue is dynamic and dramatic, expressing exhilaration.” (www.squidoo.com/colorexpert), and thought that this choice of color was, after all, fitting. It also foreshadowed the many twists and dynamic changes in plot, adding to the suspense and/or exhilaration. I also found the other memorable piece of stage scenery to be the chain link face, which I at first didn’t like that it faced the audience and separated us from the play, but after reading Iona’s post, look back and feel that this was an excellent and powerful use of stage scenery.

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