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peterlawlor, Page 2

Where do we start? (174-223)
by: peterlawlor


The big question of this section is “Where do we start?” How do we even begin to change aspects of our lives when it …

Secrets and Companionship(pgs 92-168)
by: peterlawlor


The conditions keep worsening for the residents of New Qian and a dilemma emerges for Noria and those in the community: Should …

Falling for Dance
by: peterlawlor


These four performances were so sublime, so rich, and so special in their own way. Everything from the choreography to the lighting …

Tone and Perception(pgs 132-173)
by: peterlawlor


The images of Marlon Brando in The Godfather, Robert DeNiro in Taxi Driver and Al Pacino in Serpico help us remember that the world …

Eternal Flow of Water (pgs 1-91)
by: peterlawlor


The discussion of water and other aspects of the everyday realities facing Noria and her friends and family acquaints us well with the world of …

An Uncertain Future(pgs 96-131)
by: peterlawlor


This section of the book outlined so many uncertainties regarding the future of our planet. It was quite overwhelming to weigh and …

Art is…
by: peterlawlor


Art is Globular…   Art is Angular…

Mountains, Rivers, and Jungles (Salgado Exhibit)
by: peterlawlor


Salgado’s photography exhibit was effective at both depicting the environments and people  affected by climate change/human activity and doing so in an artistic way. …

Squarzoni’s Memories (Intro-pg 37)
by: peterlawlor


Phillipe Squarzoni spends the intro of Climate Changed contemplating how to begin the story so as to affect the reader in the …

About me…
by: peterlawlor


Hello everyone. My name is Peter Lawlor and during my free time I love to do a number of different activities. When …