Edited by Nabil Ahmed Khatri
Austin Fischer
Kenneth Connolly
Michelle Shneyder
Nick Djamalidinov
Michael Mamiye
Marc Saadia
Edited by Nabil Ahmed Khatri
Austin Fischer
Kenneth Connolly
Michelle Shneyder
Nick Djamalidinov
Michael Mamiye
Marc Saadia
A major theme and motivator in this class is to venture into the unknown; to place ourselves in unfamiliar situations; to challenge our expectations and assumptions about art, and a larger scale, about life. We decided to capture this theme … Continue reading
The swift movement of multiple presses shake the room. Screen frames bounce on drying racks and send shockwaves of vibration across the floor. The space is warm and smells like a mixture of emulsion and ink. Squeegees squeak as they … Continue reading
They say that in great times of failure, success arises from the ashes. After forgetting to have a basic outline for class, our group was asked to leave the room. Completely distraught and ashamed, we started to brainstorm ideas. After a series of ideas, we decided to showcase what just happened to us: getting kicked out of class.
Our sound clip focuses on the variety of emotions throughout this incredibly embarrassing transition. We begin with jovial music as students enter the classroom. There is an upbeat feeling of content. The music transitions to tense and dramatic when the teacher enters the classroom and reaches a moment of silence when the teacher asks for a status on the project. It then transitions to more angry music as the teacher discovers our error. This also applies to a broader context of the truth about errors, misjudgement, and/or mistakes coming to light. Whether publicly or privately, an angry response is expected.
We ourselves are also angry with ourselves for our lack of attention. After that, the music becomes more repentant as we realize our huge error. Beethoven’s Fur Elise is perfect to demonstrate a feeling of sadness or melancholy. The voices of famous falls from grace are heard including Anthony Weiner, Bill Clinton, Tiger Woods and 50 Cent’s unpublished Ghetto Quran. The clip ends with inspirational music with as a glimmer of hope or positive outlook on our future. We feel that our transition was very relatable to our audience as its a struggle that many face (also, we all fell from grace on that noble day). We hope you enjoy our creation.
Nabil Ahmed Khatri, Kevin Parakattu, Evans Charles Augustin
Works Cited
Antagonist. FreePlayMusic, n.d. MP3.
With the Black Hole. FreePlayMusic, n.d. MP3.
Cent, 50. Ghetto Quran. 50 Cent. N.d. MP3.
Detz. Eminem “Cleanin’ Out My Closet” (Acoustic Cover). Online Video Clip.
Youtube. Youtube. 20 Feb. 2012. Web. 15 Nov. 2013.
President Bill Clinton – Response to Lewinsky Allegations. University of Virginia: Miller Center of Public Affairs. 26 Jan. 1998. Television.
Tiger Woods’ Full Apology Speech. CNN. 19 Feb. 2010. Television.
Weiner: ‘Don’t Know What I Was Thinking’ CNN. 6 June 2011. Television.
Youtube Audio Library, orch. Für Elise. By Ludwig Van Beethoven. 1810. MP3.
It’s 2013. The first NES (Nintendo Entertainment System) was released in 1985. Playstation was released in 1994, and the first XBox was released in 2001. Not the first consoles by far, these three consoles represented a development into the new generation of video game consoles. These systems made video game consoles more common on a retail and consumer level, and more accessible to the public at large.
Many people would argue that video games are not art by any standards. Although inside the scope of this classroom, as we’ve seen with past articles, the general consensus is that anything can be art, and by extension video games. But in the outside world, many forms of non-traditional art can be seen as just that: non-art.
This article discusses the place of the consoles in this modern era of smartphones, and smart computers, and smart tablets, and smart watches, and smart gadgets. The writers start with a bold statement: “THE video game console is dead.” It’s almost as if they are announcing it to the world. Such a blunt and powerful statement for a geek at heart whose early forms of artistic and literary expression were through video games, on the medium of video game consoles. It hurts…
The writers argue that video games consoles can no longer exist as simply video game consoles. They are competing in an ever growing market of games. The next generation of video game consoles, Playstation 4 and the Xbox One, are competing to be entertainment systems. It’s ironic that the Playstation 2 once posed a threat to the computer entertainment system, but today, it’s the advent of personal computers and personal mini-computers in our pockets (smartphones) that threaten these new generations of consoles.
My question to you is: what does the demise of the video game console era propose for video games? Personally, I see a distinction between the games I’ve played on video game consoles and a game of Temple Run or Angry Birds. Some of my earliest literary and artistic pursuits (of course were books) but after that were in fact video games. Games like Metal Gear Solid, Kingdom Hearts, and Final Fantasy had complex and well written plots that required critical thinking and analysis skills to play and comprehend. In an essay I read for English class titled “Hidden Intellectualism” by Gerald Graff, he argues that mainstream academia has often dismissed and smothered practices and pursuits viewed as anti-intellectual. One of my favorite games, Metal Gear Solid provoked strong ideas about different social, political, and economic themes including but not limited to warfare, technology, genetic engineering, religion, peace, race, engineering, history, weapons, life and death. Below is a brief trailer to one of the games. Notice how it seems to be telling more of a story rather than mindless entertainment (which can also be considered art :] )
Source:
http://www.nytimes.com/2013/11/15/arts/video-games/sizing-up-the-playstation-4-and-xbox-one.html?pagewanted=1&ref=arts&_r=0
Hidden Intellectualism if you are interested
Upon hearing the name Nosferatu and seeing Count Orlok I also thought of the Spongebob scene that many people have already mentioned: I did have some feelings of fear watching the movie. I watched in my room late at night … Continue reading
Nabil Ahmed Khatri, Kevin Parakattu, Evans Charles Augustin … Continue reading
Interview with Gareth Bryant
Gareth Bryant is a 32 year-old writer based in New York City. A Muslim revert, Gareth converted (reverted) to Islam in high school at the age 15. He’s been a professional writer since 2008 with his online blog, GarethBryant.wordpress.com, generating over 100,000 views so far. Some of his other pursuits include modeling and a non-profit organization for which Gareth is the national spokesperson: Muslims Giving Back.
Would you describe yourself as a poet?
“I used to describe myself as a poet early on because when I first started writing in 2008, I was writing exclusively poetry. But then when I started my writing page in 2011, I started to expand my writing. And I ended up finding out that as a literary artist, as a writer, my craft evolved in such an important way that it was beyond just the scope of poetry, of rhyme and poetics. Referring to my writing and what I write, I now consider myself as a writer. Obviously I am a poet in the conventional sense, but much more than just a poet, I’m a writer.”
Growing up in Bedford-Stuyvesant, did that at all affect your writing?
“Oh yeah of course…I can fairly say that I’ve written about every life experience that I’ve ever had. That’s very fair to say…You gotta remember, people are in fact products of their environment. Your environment defines who you are as a person to a very great deal. So obviously if I would’ve grown up in a different place, I probably wouldn’t have even been a poet. I probably would’ve been some lame stockbroker…or biggest drug dealer.”
What do you mostly write about these days?
“It’s relevant to the time and place. A fair amount of my writing is religiously, socially, and politically based…a lot of current events. Some stuff about…financial conditions of the world or of the country, and things of that nature.”
A lot of commentary?
“It’s almost exclusively commentary….I would say my poetry, specifically, is more self-commentary, self-reflection, self-evaluation. It’s more commentary of my own life…I always like to personalize myself in my poetry. I always exert a lot of my personal energy into my poetry. And basically if you didn’t know me- if you would’ve just go through my blog page and just view my writings, you would get a perfect sense of who I am as a person, even if you’ve never met me before. In other words, that’s how much I invest of myself into my writing.
….It’s like a digital autobiography. It’s a personal anthology.”
Are there any major themes, or symbols you write about that show up in your writing?
“My two main influences referring to my writing are in fact religion and social historical, socio-political aspects. So basically, most of my writing comes exclusively from a religious and socio-historical, socio-political perspective.”
What are some of your influences in your writing?
“I…I can’t really pinpoint, a fellow writer per say. In the beginning I tried to pattern my poetry specifically after Edgar Allen Poe. I like his dark thematic kinda like self-incriminating [writing]. So I actually adopted a lot of that…especially in myself self-reflective writing. A lot of it is self-crimination, self-indictment against myself…[And] I used that type of matrix or format. But then I just developed my own style.”
What would that style be?
“Basically, I just view my life– you have to remember that writing is general– specifically poetry. It’s a very personalized interpretation of things. Even your own religious stances, the world around you, how you view anything and everything. So that’s basically what I do with my writing, more specifically– my poetry, it’s very indicative of how I personally view things.
…I’m my biggest influence. I mean it’s fair to say, from a human perspective, I am my primary reference. Now, obviously, from a divine perspective, Allah holds the highest level referring to influence over my writing. Most of my themes or writing have a very deep rooted religious context. And obviously since I’m Muslim, that means Allah has a very deep influence in my writing.”
Can you give us some examples?
“OK. Let’s give an example of… relationships. I’ve had a lot of sucky relationships. But all relationships are not the same. But when I write poems about relationships, or when I have written poems about relationships, I exclusively wrote it from my perspective relative to my experience, and my moment in time, that as an example. Again, like I said, what I do, exclusively with my poetry, I draw a lot from myself. I use myself as the drawing board. I just extract certain psychological aspects, emotional aspects, things of that nature, and I put it to pen and paper.”
So what, are you up to now a days?
“Actually I just recently published a poetry book, my very first poetry book published. I’m trying to advocate and just get it traction. I’m going to Insha’Allah (if Allah wills) I’m actually gonna be doing a promo video this week for it. To be very honest the publishing element has suffered because I’ve been so highly involved in my nonprofit Muslims Giving Back. So that’s actually taken the back burner in pursuit to my nonprofit and modeling pursuits, ironically. And I’m still working, the regular stuff that New Yorkers go through on a regular basis.”
Any plans for the future?
“Definitely I wanna be at a place where my writing is a lot more well known…I literally have large views from places I didn’t even know were countries. Like, this far off island of the south East coast of Africa, La Réunion, a province of France, I’ve gotten blog views from there. I’ve actually gotten views from this island in south Indian Ocean, Mayotte, which literally means island of death in Arabic. [In] the immediate future, I actually want to start going to the places where my writing has reached.”
Find Gareth Online!
http://garethbryant.wordpress.com/
We believe that we don’t believe, We saw confusion dance with feet, We saw frustration in hands, We felt the power in his lonely face, We felt dumbfounded with the search for the nose, We heard chaos… We heard chaos…. … Continue reading
When reading the first parts of Gogol’s The Nose I immediately thought of incidents in the past where people have found actual human fingers inside their fast food orders. http://www.npr.org/blogs/thetwo-way/2012/05/17/152923061/a-history-of-human-fingers-found-in-fast-food The thought of human body parts in food is both … Continue reading