About Jessica Lin

Jessica Lin is currently a freshman of Macaulay Honors College at CUNY Baruch.

Fate In Comedy

In The Barber of Seville, fate is once again inevitable but it is set in a more lighthearted tone. The fate of Rosine and the Count have been set from the very beginning, even before they have met. Her guardian, Barthalo, is so in love with Rosine that he tries to keep her locked up in the house and away from society as much as possible. Yet even so, it takes one meeting of the Count for him to fall in love with Rosine. Once that happens, it is just a journey for the Count to save and marry his future wife. Fate once again arranges for the relationship between the barber, Figaro, and the Count. It just so happens that the Count has once helped Figaro who is one of the only people who have common entrance to Barthalo’s house. Even at the end when there were several misunderstandings, everything aided Rosine and the Count to fulfill their fate. Barthalo’s attempt to deceive Rosine, therefore calling for the notary to come right away during that night only turns around and backfires on his own plan. The befriendment of Bazile on Barthalo’s part is a mistake of his; due to his sneaky and dishonest personality he therefore finds Barthalo a trustworthy friend. But for Bazile, money talks loudest and the Count has all the money he needs. It then makes it easy for the Count to repeatedly ‘buy’ Bazile to cooperate. The fate of true love reigns in this comedy, meanwhile Barthalos jealous, sneaky, pig – headed personality leads to his own fate and his ‘downfall’.

Violence in relation to intelligence? genetics?

In Is Violence History, Peter Singer elaborates on the book Better Angels of Our Nature by Steven Pinker. Singer touches upon an interesting topic to talk about. Better Angels of Our Nature brings to light many of our common day questions and topics. The author, Pinker, takes on a philosophical approach of declining violence in society. Pinker makes the observation that people nowadays are less likely to suffer from a violent act or violent death. The decline of violence refers to anything – family, tribes, states. Pinker has even noted on the declined death rate amongst countries. For example, the chance of getting murdered in Europe is one tenth. On a deeper approach, Pinker questions whether this decline is related to Enlightenment, genetic changes, an increased I.Q. amongst the people and so forth. For example he asks, “Why are homicide rates higher in the southerly states of this country than in northern ones? Are aggressive tendencies heritable? Could declines in violence in particular societies be attributed to genetic change among its members? How does a president’s I.Q. correlate with the number of battle deaths in wars in which the United States is involved?” Pinker makes a really good observation and correlation between violence/death and the civilizing and intelligence of society.

Fate Amongst Greek Tragedy

Fate is a major theme in Sophocles plays. It is the actions of each character that bring about their inevitable fate. Oedipus Rex gives the perfect example that you cannot avoid or hide from the life that is destined for you. Oedipus was predicted to marry his mother and kill his father. His continuous effort to avoid his fate by leaving his parents at birth only aids the ending result.

The inevitability of fate is prevalent throughout Antigone. Antigone is fated to die from the beginning of the play. The proper burial of her brother, Polynices, brings forth her death and she does not avoid it. Creons incentive to decide the fate of Polynices body and his own stubbornness brings about his own tragic fate. Tiresias serves as a foreshadowing of the predestined fate of Creon. Tiresias tells Creon that Thebes will be cursed by the gods because Creon didn’t allow a human body the proper burial. His refusal to obey the prophet and gods and his attempt to avoid it is what ultimately leads him to suffer the death of his son Haemon and his queen Eurydice.

E-books; no more turning pages!

As we proceed into newer generations, paperback books are becoming somewhat of an outdated source for reading. Like many households that have replaced big-boxed televisions and computers with flat television and computer screens, the e-reader and other technological devices have replaced the old form of books.

Amongst the most popular devices is the Kindle e-reader.  The Kindle allows you to purchase and read books on a screen without the hassle of turning pages. It is “the biggest-selling e-reader” and of course it cannot stay on top unless it offers the best resources.  That is why Kindle has now made library e-books available to its customers. Library e-books allow people to borrow books online for up to two weeks. But there is a downside. E-book borrowing will defeat the purpose of e-book buying.

There is truth in this. Julie Bosman points out a good problem. With the purchase of an e-reader or the use of other technological devices to access readings, it is obvious these consumers do not have much care for the essence of a book. They are looking for the most convenient way. Now that there is a better, more efficient and cheap way to access books, why not take advantage of it? Although e-books are convenient and beneficial to the consumers, it will most likely have a negative impact on the publishing industry. Publishers will not earn what they deserve. While it may be easy and free of cost; a worthy piece of literature should be appreciated in its traditional form. Julie Bosman talks about the positive and negative issues which are very much agreeable.

Back in the Stone Age…

A long, long time ago, in 1958, my godmother was born! Christine Wong grew up with her siblings in Malaysia. To our bewilderment, her and her siblings didn’t have computers or television 😯 . Her neighborhood was a mix of Indian, Malaysian, and Chinese children who spent much of their time outside. My godmother’s family conditions were poor, so her parents couldn’t afford games or toys.

  “We used to chase chickens to pluck their feathers so we could make the feather balls to kick around.” The feather ball is similar to the american hacky sack game. “You used to chase and pluck chickens?!” It sounds pretty fun, actually.

“We climbed tress and made kites and paper dolls. You know the cans, like the Campbell cans? We would attach string to that for the telephone game, but the girls would also turn cans into high heel shoes and walk around in them.”

She also played marbles, a game where you drew a circle on the floor and placed 10 marbles inside. Using your finger, you would flick the marble outside to try to knock it out. “We made jump ropes out of rubber bands because we couldn’t buy a real one.”

Before screens were widely used, it allowed for a more creative hands on childhood/lifestyle that technology nowadays takes away. There is a great surge of creativity when things aren’t simply handed to you and you have to work with what you have.

Orange Alert!

Seaport, located by the lower Manhattan waterfront, has always been a popular neighborhood with many offerings ranging from street performances and concerts to shopping and food markets. It is a great place to experience the hustle and bustle of New York City. Check out the shopping mall or South Street Seaport Museum!

An upcoming event that you should take notice to, however, is the Orange Alert. Commemorating the tenth anniversary of 9/11, this play centers around the lives of six people who live in the aftermath of 9/11 and currently work at Ground Zero (where the play takes place). The play is about love, construction, and loss. This is a great opportunity to remember and come together with others as the sensitive topic that touches many of our lives is brought to hand. Buy and reserve tickets to one of the performances on September 9, 10, 11, 14, 15, 16, 17, 18 at the Algonquin Seaport Theater located at Pier 17 89 South Street.

Check out the rich, upbeat and lively atmosphere and the events offered at Seaport this season!

Dance

To draw the reader in and to have a successful review, the reviewer should provide some knowledge to the topic at hand to create some type of interest in the reader. It is important for the critic to have a firm standpoint whether it be positive or negative. It is crucial to make clear how he/she feels about the piece being reviewed and to make the reader understand, but not necessarily agree, why he/she feels this way.

In Shuffling and Mirroring In a Sort of Simon Says, Brian Seibert gives a short but descriptive introduction of the choreographer Noémie Lafrance and her previous works. By doing so, Seibert shows that he has an interest and understanding/opinion in the works of Lafrance. Seibert then proceeds directly into a description of the project, ‘The White Box Project’, that he is reviewing. He analyzes the methods that Lafrance uses in this dance piece. Seibert clarifies what he is focused on, “the line between audience and performers should blur”; the way Lafrance depicts this aspect of her work compared to her prior projects. He proceeds to make a stand on how he feels about this method. He says, “But Ms. Lafrance has revolted against traditional ways of presenting theater more imaginatively before. This project lacks the visual stylishness….” and so forth. It is clear that Seibert feels this is one of Lafrance’s weaker presentations. I feel as if I am able to hear Seibert’s voice/opinion while reading his review. The review has its own definite character and standpoint; it is firm and therefore I do not question it. He gives a persuasive pull towards his opinion. Not only do I feel that he is believable, he has made me unconsciously formulate a positive curiousity towards the previous works of Lafrance that he says is distinguished by “visual stylishness”.

In Hindu Mythology Comes to Life in the Streets of New York, I am unclear of the direction that the review is heading towards. Is this review making a negative or positive standpoint? Does Alastair Macaulay feel that “Visions of Forever” was a good performance? How does he make me feel about it? Macaulay starts with a lengthy but somewhat pointless introduction. From the title, I assumed I would mostly be reading about the dance presented by Sutra Dance Theater from Malaysia. However, Macaulay introduces with a lengthy description of the Downtown Dance Festival that had little relation to ‘Visions of Forever’ except that it was the closing program to the festival. When Macaulay finally talks about the performance, he is somewhat contradictory. On one hand he says, “although there are real drawbacks…”, “one big problem was a voiceover”, and “a smaller problem…”. On the other hand, Macaulay compliments that it has “an abundance of color and dance detail” and “depicts Hindu mythology with marvelous costumes”. He also has a lengthy positive opinion of one of the dancers, Ms Govindarajoo, and how his eyes ‘kept singling her out’. What is the point he is trying to make in the end? Is he focusing on the detailed dances and successful Hindu mythology representation or the problems that he points out? Is the performance mediocre or do the positive aspects weigh out the faults?

Characters and Topics of Remembrance

In the stories Extremely Loud and Incredibly Close and The Namesake, the authors Jonathan Foer and Jhumpa Lahiri draw their audience in through the strong invocation of memory and remembrance in very similar ways. Throughout the stories, the authors continuously alternate and focus on the point of views and thoughts of several characters. In Extremely Loud and Incredibly Close, we read from Oskars’ point of view, and his grandmothers, and his grandfathers, and so on. We are able to learn and understand each character(why Oskar is looking for the key owner or why his grandfather cannot speak) as they constantly refer to their past. In The Namesake, we meet the characters Ashima and Ashoke and Gogol, as Ashima constantly reminisces about her life and family back in Bengali, Ashoke constantly thinks about his life right before his accident and Gogol learns about his fathers past and reasoning behind his name. As so many characters each reminisce about their past, whether remorseful or grateful, it creates a stronger sense of nostalgia and remembrance in the reader as well, that somewhat just radiates throughout the book as you read.

The authors also use a very specific memory of the characters to create an extremely familiarized, recurring feeling in the reader with whatever associated thoughts and memories we will have when the memory comes up. For Oskar, his 9/11 experience about his father is constant and repetitive. Ashoke constantly refers back to the night of his accident on the train ride. We see how the emotions and impact of the certain event have an effect on the growth and action of the character. Because of the September 11 terrorist attack, Oskar spends much of his time looking for closure about his father, searching the city through an entire list of ‘Blacks’. As Ashoke had an almost death experience, he feels grateful for the paper that he thinks saved his life, therefore naming his child Gogol after the author of that book. These authors use major topics in which many readers can relate to: the 9/11 terrorist attack and death itself. By doing so, every time the reader reads about the characters’ recurring memory, it will trigger whatever strong feelings, thoughts, and memories we have associated with these topics.

The books are centered around the remembrance and growth of the characters for the progression of the story. Taking it a step further, the author draws the reader in by evoking remembrance and feelings in the reader yourself, making you think and relate as you read.

Jogging My Memory

Throughout the book Extremely Loud and Incredibly Close, Oskar repeatedly refers back to his memory of 9/11. He vividly describes the day he walked home from school to the last messages and phone call of his father shortly before he died. The recurrence of Oskars’ memory reminded me of two things.

On the day the twin towers fell, the only day I recall of my third grade life, I remember sitting in my third grade classroom (as were most of us) when classmates were called to leave for home one by one. No one knew what happened except the teachers who were constantly walking in to the room and whispering to each other. As a child, I was more curious and excited than fearful of what was going on. I was one of the last children to be picked up and brought home to my Godmother’s. Sitting in the kitchen I remember as every news channel talked about the same thing, but I was too young to realize the severity of the situation. Although my experience in comparison to Oskars’ does not hold as much sentimental value, it is still a significant memory of mine.

The feelings and emotions that Oskar and his mother felt right before the fathers death reminded me of my freshman year of high school when I came home to an empty house one day and found out that my godfather (he is like a second father to me) was sent to the emergency room. I remember feeling a kind of drowning, gut feeling. In my head I was panicking. I felt scared and I was scared of feeling loss. A million thoughts were running through my head. My godfather had a ruptured cerebral aneurysm and needed surgery. These are often deadly, but thankfully he survived.

A Little About Me

Hey! So for starters, I preferred to be called Jess or Jessie. I find it weird being called ‘Jessica’. I feel like it doesn’t flow, but that’s just what I think.

Since my thoughts about me are all jumbled up and somewhat random, I’ll formulate some of it into bullets.

  • I love swimming. I was on the swim team throughout my high school life but I’m still contemplating joining the Baruch team though.
  • I love to eat. Nothing is better than a satisfactory meal!
  • I am a lefty. 🙂
  • I like to eat around the edges of my burger first, although I know there are no edges on burgers.
  • My favorite color is purple.
  • I like to shoot pool.
  • I love traveling, going to new places and seeing new things.

Baruch wasn’t my first choice on my list of colleges, but here I am. I was really looking forward to the full college experience and dorming life, but I guess staying in the city has its upsides as well. I love being out and I love the city and all of the lights, so maybe this experience will turn out greater than expected.

One of my best friends told me, I’m almost always either smiling or laughing and I guess it’s true. I’m looking forward to meeting the rest of you! Feel free to talk to me, I don’t bite 😀