Category: Uncategorized (Page 4 of 7)

Henry IV Play

When I walked inside, I immediately saw the half court line, the cameras up above, and realized that this warehouse used to be a basketball court. I thought it was funny that a court used for coaches to make basketball plays was where new actors and writers would make plays. I thought the mise en scene was very interesting and very hip. It felt very chill and I thought it was interesting how they had the steel drums and a dj on the side to add to the play. In regards to the actual play, until the end, I was fearing whether the actors were actual prisoners or not. Then, when I looked in the cast and saw the guards were actors, I found it very interesting. I found it interesting first that the guards were sort of “patriarchal” in my head, always watching over these women as they were acting, watching over them making sure no one did anything. In a play of all women, the only men were guards. That may have been by accident but nothing ever is. I think it was a symbol of patriarchy, if anything, unless this was completely by accident. Also, the fact that they were acting Henry IV in the prison made me wonder if the “accidents” were on purpose or not. They were very good but I wondered if the actors’ slips were purposeful or if they were just actual slip-ups. The actual slip-ups happened when Hal called the mistress lady a “cunt” and was insulting her for being their “whore” in the play and when Hal and King Henry were having a father-son talk until Falstaff came in playing something in a comedic manner.   I feel like they were intentional, however, to take us out of the play and bring us back to the reality of the prison. Especially with the ending scene of lockdown, I think the play is supposed to bridge the two to show that the prisoners can put on a show as such but also, they are prisoners and Lloyd always reminds of as such.

Towards the actual plot and the writing, I thought it was brilliantly written. I thought it was interesting how in the beginning scene, Clare Dunne (Hal) exclaims that she is being released in 3 weeks with a lot of energy. She is almost about to be released, as her character Hal is the heir to the throne. It brings forth how she is always going to leave so in the end, she reigns on top of the other characters as the king and as the next one to leave prison. Also, although it is supposed to be a Shakespearian play, there are a lot of modern twists. For example, instead of battling with swords or even an old gun, they have nerf guns/fake guns and a fake knife and fake money. This takes us out of the play’s false reality and brings us back to the reality of the prison, to further convey that these are props on a set for a prison play. Also, when they draw out the maps to split land between Henry Percy, Glendower, and the other character they were dividing land with, they used spray cans and string to divvy up the lands instead of having an actual map, which again brings us back to the reality that they are in prison. To bridge the gap between prison life and this Shakespearian play takes a brilliant writer and I think Lloyd wrote this beautifully.

 

My last point is in regards to the overarching fact that the play is of all woman characters. These women portray the men and women of the play. However, the only real women that were played by women were treated so poorly. The play Henry IV’s main women are Lady Percy and the hostess lady. Lady Percy is, domestically, treated poorly and abused verbally frequently by Hotspur when all she wants is his love and affection. Lady Percy stays at home with their kids while Hotspur goes out trying to be king but he shows no affection to his wife or children when he’s at home. In the play, Lady Percy says that Hotspur hasn’t slept well, hasn’t eaten well, and they haven’t had sex in a while. He’s neglecting her and when she tries to confront him and ask questions about his whereabouts and what he has been doing, he ignores her and just asks for their maid to get the horse. Even when threatening to hurt his penis, he just attacks her verbally saying he doesn’t love her and his true ambition is to be king. He says only when he is king, he will love her. He only treats his wife as if she is second to his true ambitions, or even third if you may. He doesn’t trust her at all and he doesn’t want to satisfy her obvious sexual needs. In regards to the hostess, she is basically Falstaff and Hal’s whore in their household and is treated only as if she is a whore just there to clean, cook, and fulfill their sexual desires. I feel that when she stormed off stage in tears, it showed not just her offense to Falstaff’s comments, but it showed how she really felt being their whore and servant as a woman. The only two women in the play were treated as almost less than human, unable to do anything except be subservient to their male master/husband. This displays the role of women in the Renaissance and in England. That was the most important theme to me; that even in a play of women, they were still subservient and forced to comply to the orders of men, even though the men were women. That made the play even more powerful to me and it showed the real power of patriarchy in one of Shakespeare’s most famous plays. It further displays how opinionated Shakespeare was, how ahead of his time he was, and how brilliant of a writer he was.

In closing, even though I wasn’t supposed to write an essay, I think this play was very interesting to me. I won’t lie but it’s the only show we’ve been to that I could stay awake for the whole thing so I didn’t miss a single beat. Every line, punchline/joke, and every metaphor was deeply understood by me, even though it went by very fast. I didn’t always understand their English but I understood quite a bit. I really loved this and this play, so far, was my favorite seminar production that I’ve ever been to. It was so amazing, well-written, and powerful. The only thing I would change is add more prison scenes to bring us even further into the reality of them being in prison. Also, although she was ill, Susan Wakoma’s script in hand took away a bit for me. However, I will forever love when she threw the script away so passionately and spoke the rest of her lines in the Hotspur/Lady Percy scene. I give this play 8.99/10 fake guns for it’s amazing writing and wonderful acting. I thoroughly enjoyed this play.

Henry IV

Henry IV at St. Ann’s Warehouse was a distinctly different experience than the opera and the ballet. While both the opera and the ballet had a highly formal atmosphere and followed past formulas quite closely,  this performance of Henry IV deviated significantly from the expectations of a Shakespeare play. I appreciated the all-women cast (after all, Shakespeare used to be performed only by men, so why not let women have a turn?) but the setting, a women’s prison, seemed a shaky premise to me.  Besides the fact that this premise did not provide any additional substance to the overall plot, it was not evenly maintained throughout the show. Large intervals would pass until the guards would intercede in some altercation, reminding the audience that it was a prison after all.

Although I saw no reason why the play had to take place in a women’s prison, I did find the overall performance to be engaging and pleasantly offbeat. The austere environment (especially in contrast to the opulence of Lincoln Center) and smaller theater provided an intimacy to the show that was not present at Lincoln Center. Adding to this intimacy were the moments in which the actors directly interacted with audience members which also provided comic relief.

“Tosca! Opera” Reflection

I know this is a bit late, but I had a lot on my mind. Anyway, Tosca takes place in Rome during the Napoleonic Invasion of Italy in 1800. It is known for depictions of murder, torture, and suicide, and tells the tale of a painter who secretly supports Napoleon (thinking that he will institute a republic in Rome), attempting to hide one of Napoleon’s supporters (who escaped from prison) from the authorities while avoiding the suspicions of his lover, Tosca, who believes him to be unfaithful for reasons that won’t go into. It is an extremely dark opera, where every major character dies, onscreen or offscreen, and the protagonists almost completely fail. It was still an interesting show, however. To my untrained ear, each and every singer sounded extremely talented, though an opera connoisseur might be able to prove otherwise. I was very entertained, overall.

Tosca Review

          Tosca had all the elements of a Shakespearean play – drama, a dark seriousness diffused by brief periods of humor, and, most importantly, a tragic ending that no one could have foreseen.  The drama and the seriousness of the play stems from the fact that the play takes place in a post-Napoleonic France deeply wounded by the tyranny of Napoleon and threatened by the fear of the dangerous populace.  On top of that, Cavaradossi attempts to escape from the secret police while maintaining a relationship with Tosca.  Although the humor was mostly found in the fact that Tosca got incredibly envious after thinking that Cavaradossi loved another woman, the play featured little comedy.

My favorite part was the unforeseen plot twist that characterized the last act of the play.  Tosca, after proclaiming that both lovers will live happily ever after, is driven to suicide after the death of Cavaradossi.  As Tosca jumped to her death, she proclaimed that she will meet her love again in heaven, thus ending the show with a bang.  The lights turned off just as she was about to make contact with the ground, making the audience believe that she died.  Tosca’s acting was phenomenal in these scenes in that she was not only the main character in the play but also invested all her emotions into her character.

All in all, the play was not what I expected.  For one thing, I initially believed that the opera would be in Shakespearean English, making comprehension very difficult.  However, I was able to understand every line of the play because of the subtitles in the screens.  I also learned that opera is watched mostly by “high class” people, seeing as how everyone came in fancy dresses and drank champagne (I think it was champagne).  I am hoping to go to the opera during either my winter break or summer because I enjoyed this play.

Amanda’s Visit to Class

Amanda came into class on October 27 to talk about opera. She explains how opera is over 400 years old and it started during the Renaissance, in Florence, Italy by a small group of artists and musicians called Florentine Camerata. She also explained how opera singers were mainly young boys who had their balls chopped off so they wouldn’t hit puberty and lose their high pitch voice. Poor families would do this to their children for money and for the fame that they will receive from their sons performing in operas. She also played for us different opera pieces, and she even sang a piece to us as well. I was so shocked in how talented she was at singing opera. It was so loud that I was afraid the glass windows were going to break. She also explained how opera is sung in so many different languages too. She also gave us a brief plot summary of the opera that we were going to watch on October 29, which unfortunately, I wasn’t able to attend. I was really glad that she was able to visit our class and inform us about opera.

Tosca

Going to the opera was an experience that I never thought I would have. I couldn’t imagine sitting for so long to watch an antiquated plot in a language that i can’t understand, but the experience was better than i thought it would be. Because there wasn’t so much on stage action, it was pretty easy to read and follow along at the same time, which i appreciated, the singing was beautiful and the story was nice and easy to follow. I most appreciated the music and how it set the tone for what was going to happen, by listening to the music i could almost tell what was going to happen next. I also appreciated the passion with which the singers sang and the fact that even without a microphone, their voices were able to fill the whole room. I do have to day though, that i wish it wasn’t so long. By the time the first intermission was over the second act came, i almost forgot what had happened in the act before.

American Ballet Theatre

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My ballet experiences have been nothing but dreadful for my entire life. I was not a big fan of ballet or dance in general. I would always respect the ability, athleticism, and compassion of the dancers but I have never really have an “enjoyable” time watching a ballet, or dance in general.  I never seemed to find a purpose in any type of dance except for it’s beauty. I couldn’t fathom what so many people but me enjoyed about ballet. However, in this ballet, I was so intrigued. I will not lie; I did find myself bored at times but also, I was very impressed and sucked in to the intensity of the ballet.  The binoculars helped me a lot to see everyone in the orchestra and in the show. I got to see the concertmaster, the clarinet section, the times the orchestra would talk. I even saw the fly-aways of the concertmaster and the conductor. It helped keep this ballet interesting for me, especially since I am one to lose interest quickly and nod off. The orchestra, for me, was the best part of the ballet. They exhibited certain qualities of an orchestra that show how professional they were and how ridiculously good they were. First, they were never “loud”, almost like very loud noise that disrupts you. They had such amazing dynamics and contrast in every style. When dancers were on their tip-toes or performing very delicate maneuvers,  the orchestra had amazing articulation, almost accenting every step in the proper way for the move. I also think that their control of how soft and loud they were was very exceptional, which ties in with that they were never loud. It seemed as though even when they were forte, they were not blasting or too loud. In a lot of high school and middle school and even in college bands/orchestras, their age shows through the control, intonation, and the dynamics of the group. However, this professional orchestra amazed me in every way. The introduction to the second movement of the show was one of my favorite parts of the show. The clarinet and oboe and the violins had a particular soli that was absolutely beautiful. It was very pretty and had interesting lines that showed how modern it was. It foreshadowed the “weirdness” but more-so the modern style/costumes the dancers would portray/wear. No matter how much I loved the orchestra in the second movement, I loved the third movement the most. I didn’t get the program for the ballet but it felt good to assume what this was about. The first scene and last scene confused me greatly but I loved the warfare scenes and the dancer representing death/war in some way. I really enjoyed the repetition of the dance moves and all of the dancing in that part. The dancers made it clear what was happening in every scene without spelling it out to us. The pianists were also crazy good and their dynamics were very good. They had very good verbal & non verbal communication and I respected their musicianship greatly. In general, after walking by Lincoln Center every day to go to school, I never thought I would be ever so intrigued in one if it wasn’t for jazz or a musical. However, I was rather pleased with the American Ballet Theatre’s performance and I respect their artistic ability. Although I can never, ever do what they did that night, I can understand and see that they are some of the best dancers in the world.

 

Ballet Reflection – Hermena Ibrahim

When we were told that we were going to the ballet, I thought at first it was going to be a boring trip, but once I entered the American Ballet Theatre and watched all three performances: The Brahams-Hayden Variations, Monotones I and II, and The Green Table, my perception about ballet changed. The American Ballet Theatre was so beautiful and the people there were very well dressed to watch the performances. For the first performance, The Brahams-Hayden Variations, it was hard for me to keep track of all the ballet dancers on stage and I was only able to keep track of one to two couples on stage. For the second performance, Monotones I and II, I paid a closer attention to the orchestra and how the ballet dancers were moving to every sound and beat of the music that was played by the orchestra. This made me realized that if there was no music being played or there was no orchestra for the performance, I would not have the same reaction or feeling that I would have when there was music. This showed me that music has the power to allow individuals to feel the emotion of the performance. For the third performance, The Green Table, I was honestly in love with this performance. I loved how the third performance was telling a story and the use of costume and props by the ballet dancers added well to the story. My best part of the third performance is when the ballet dancers shot their toy guns, it caught me out of my surprise and I jumped a little out of my seat. I really enjoyed going on this trip and it made me learn not to judge something before experiencing it at first. The Macaulay program is a program that makes you try and do things that you never did before, and that is why I’m glad to be part of this amazing program.

Ballet Performance

When we went to the ballet on Thursday, all the eyes were on stage as the dancers elegantly moved across the stage.  However, I focused more on the message that the dancers were attempting to convey.  It seemed like a novel concept to deliver a story without any words!  Using expressive body language, color of the clothing, and the gender of the dancer, the dancers were able to narrate a story, appealing to even the youngest of audience. I found entertainment in the fact that death and life were recurring concepts in the last part of the dance.  Although I didn’t understand why the contrast was made, I understood the basic plot of the ballet.  I found it funny when the old looking dancers arranged themselves around the table.  The meaning that I derived from this was that the dancers were enjoying the afterlife.

An awkward silence filled the air several times throughout the ballet as the music came to a halt.  In those moments, all that could be heard were the feet of the dancers tapping on the stage.  Simply put, the music was the integral part of the performance, even though the orchestra wasn’t on stage.  I would even go so far as to say that the orchestra was more important than the ballet itself!  The orchestra is autonomous but the ballet is completely dependent on the orchestra.  Looking through the binoculars, I saw the violin players change the tone of the music by simply changing the direction of the bow.  In my opinion, the orchestra was more important than the ballet.

Ballet Response

I’m going to go right out and say it: the thing that surprised me most about the ballet was that the women did not wear tutus. I guess I’ve been conditioned to think this (most likely due to all the Angelina Ballerina I watched as a child) but it was odd to see nonetheless.

Now that thats out of the way, lets talk about the actual ballet. Note that my response will most likely just be ramblings of me covering everything and nothing at all (I’m quoting my Classical Culture professor here).

My favorite part was Monotone II because it was the most interesting and sensual. It didn’t really have a story but at the same time it did; it was a story about love. It was interesting to look at the contortion of the dancers bodies (I could not imagine doing that even in my wildest dreams). It was evident how much passion the dancers have for their art.

Something else I found interesting was the reaction of the audience. I couldn’t see their faces (because it was dark) but I saw how they reacted to their “favorite” dancers. The more famous of the dancers like Gillian Murphy got more applause than the other dancers. My eye is not trained to see the perfection in the dancing moves and I honestly did not see a difference in dancing.

Something I found cool was that the dancers were timed to the music (though not always timed to each other). Each movement had a corresponding music note. At the end when the orchestra left and there was just the piano, I did not realize at first (having just one instrument made me tune out to the music) and to me it felt a bit out of place.

The shocker was at the end of the night when the what I call the “12 Angry Men” shot the fake gun (or at least I thought it was fake) because it was unexpected. A heads up would have been nice (but would not have had the same affect).

Okay, so I think I have rambled off enough (and had enough parenthetical asides — see the pun?). Overall, I didn’t love the ballet but I didn’t hate it. Would I see these same performances again — no. But, I may see some other ones (that actually have  plot).

 

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