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Big Band Reflection

I did like the performance. Although I thought it was a bit long, it wasn’t that bad. I didn’t want to fall asleep (I couldn’t even if I tried) so props to the band because I usually don’t like listening to just instrumental.

My favorite bits:

  • The older-guy with the long hair on the guitar rocking out on the left hand side.
  • The trumpet player with the blue-green shirt when he did that really amazing solo.
  • The guy with the silver looking saxophone solo.
  • The drum solo.
  • Solos, solos, solos.
  • The friendly banter during the show (it was informal but in this case it worked).
  • I could actually get through the aisle!!!!!!

Not so favorite bits:

  • One thing I didn’t like was the guy all the way on the corner right saxophone because he kept making this sharp, ugly sound (to me) and I wasn’t sure if he was just messing up or it was supposed to be like that, but either way I didn’t like it.
  • I couldn’t actually hear (or understand) the conductor when he spoke.

Also, I am not sure what song it was, but I know I have heard to before. It was the song with the french horn (?- I’m not one for naming uncommon-ish instruments) and I really liked it, it was my favorite.

Henry IV Reflection

On Thursday, I had the good fortune of seeing Henry IV performed at St. Ann’s Warehouse. Unusually, this performance actually took place before the theater’s inaugural season. Everything about the play was unusual. The stage setup is a concrete square with a large metal cage around it, surrounded by four bleachers. You are locked into this cage at the beginning of the performance, and not permitted to leave until it is over. That’s right: No intermissions. Just 2 hours and 15 minutes of amazing acting. Another twist on the old formula is that the play is set in a women’s prison. I expected it to be the O Brother, Where Art Thou? to Henry IV’s Odyssey, but it turned out that the women’s prison part just meant that it was staged as if it was an art program at a women’s prison. That meant no elaborate props, theatrics, swordplay, or costumes. Everything was casual and modern. The women all wore modern clothing, like hoodies and T-shirts, the swords were replaced with toy guns, the honorable duel between Prince Hal of Wales and “Hotspur” Percy was done as a fistfight (where they were actually across the stage from each other, pantomiming getting hit, dodging, and blocking), and there was quite a bit of absurd comedy thrown in as well. For example, during a serious conversation between Henry IV and his son, the fat comic relief character, Falstaff, bursts into the scene twice with a noisemaker right behind Prince Hal. This prompts Henry IV to yell, “Fuck off, this isn’t your scene!” Falstaff promptly runs away. There were other fourth-wall breaking moments, like when the actress playing one of the wives broke into tears onstage and had to run off. One of the guards (yes, there were prison guards at all four corners of the stage) comes to her aid and “comforts” her, telling her that they would carry on without her. She promptly ended up playing random background characters, and is present during the closing bow, so my fears that she got a distressing phone call backstage were dispelled. All in all, St. Ann’s interpretation of Henry IV is a breathtaking new twist on an old idea.

Shakespeare Play Reaction

The play was interesting and whimsical, albeit for the first hour or so.  The actresses managed to capture my attention and kept me entertained as the prisoners brought in the toys and other equipment, giving the atmosphere an air of whimsy.  Furthermore, some of the witty, comical comments exchanged by the not so slender Falstaff character elicited a response from the audience and I was able to understand the comedic value in those assertions.  However, it was extremely difficult to understand the dialogue between the characters.  To fully understand the characters, I had to muster all of my concentration, which was only exacerbated by the fact that there was no intermission, for the three hours of the play.  This experience was, nevertheless, priceless because it was a learning experience.  Although I like reading Shakespeare because I can take my time to comprehend the dialogue, I realized that watching Shakespearean plays is an active process, meaning that the members of the audience must listen to every single word meticulously to capture the meaning of what was said.  Once the dialogue is spoken it is gone. Vanished.  It is impossible to replay or go back to what was said.  This made it very hard for me to understand what was going on in the play.  On the plus side, however, my favorite character was Falstaff because he (she) lightened the mood of the play with humor.  All in all, the experience was “okay” with some parts being phenomenal, namely Falstaff’s humor, and other parts being barely understandable.

St. Ann’s Warehouse: Henry IV Review

I knew something was different about this performance that we were going to once I saw that St. Ann’s Warehouse was so hidden and didn’t look that fancy for a venue. While walking down Water Street, Mark and I actually thought that 60 Water Street was St. Ann’s Warehouse because it looked particularly nice. Perhaps the gloominess of the day because of the rain made St. Ann’s Warehouse appear even more obscure.

Watching the play may have been the weirdest experience of my life. I did not expect the performance to be so casual and the seating was like the seating at a book signing event. Once I walked into the play’s performance area to take a seat, I knew that this would be an interesting experience, to say the least.

Overall, I found the performance entertaining and fun. The casualness of the play made the mood light and upbeat. I thought the toy props, especially the chairs in the beginning, were really funny. I do think that they tried a little too hard to make the play more relatable and modern though. Additionally, at times it was hard to understand what the actresses were saying, making the play difficult to follow. The acting and events unfolding on stage kept me engaged, but I was really confused for most of the performance. My favorite actress was the one who played Hotspur. She was really energetic and her acting was amazing. It was incredible how she was able to actually do all those push-ups and pull-ups while saying her lines.

I doubt I’ll ever see anything again as weird as that (in a good way), so yay for experience!

Henry IV: Jailhouse Rock with Shakespeare on the Side

First things first, I think I must publicly acknowledge that I love Shakespeare and was extremely glad to be able to see one of his plays. I’ve read Julius Caesar, Romeo and Juliet,  Macbeth, and Hamlet; each of them left its mark on me in inexplicable ways. Whether it was the betrayal in Caesar or the madness in Hamlet, Shakespeare was always able to uniquely convey emotion through powerful language. At the same time, he touched on timeless themes and relatable topics: the lust for power, parent-child relationships, and the temptations of love are only a few.

There was also his intrigue with history and the monarchy that I could relate to. I am fascinated by the class structure and political systems of the United Kingdom, something I enjoy learning about whenever I can. Whether it’s through watching television (i.e. The Tudors and CW’s Reign, whose season 3 plot intertwines England and France) or doing research, there are so many compelling things about the English monarchy that I’m glad Shakespeare tried to highlight. I mean, just take for example how Henry IV became king by ousting Richard II. Can you believe that happened? What about Elizabeth I, whose feud with Mary, Queen of Scots, resulted in her (Mary’s) execution? English history has been tainted with, among others, murder, treason, incest, and religious rebellion. I can see why Shakespeare loved it.

Henry IV was an amalgamation of the aforementioned traits and themes (namely power and family), set in the 15th century after Henry IV seizes the throne. In the St. Ann’s version, however, there were obvious differences: the cast was all women and it was set in a prison. Coming in, I figured this would be a problem—what would a Shakespeare play be without the glitz and glamour of the monarchy?

Perhaps not much. I admit the play was spectacular—the acting was captivating, the jokes were laugh-out-loud hysterical (Scotland!), and the addition of music was lovely—but some part of me kept feeling like Henry IV the play was really just the backdrop to the drama within the prison. After all, that was the context; the review in class mentioned that, in the plot, the prisoners were staging a show. This ultimately disappointed me. And in the end, while I loved many parts of the St. Ann’s rendition, I came out of it realizing I would rather stick to the old stuff that made Shakespeare great. Unpopular opinion, I know. Sue me.

Henry IV Reflection

Last Tuesday, I made my  way to one of my favorite areas in Brooklyn, Dumbo, to see the play Henry Iv at the St. Ann’s Warehouse with my class. This version of the renown play had all all-female cast and I was interested in how that aspect of the play would turn out. I actually really liked the all female cast. I thought the actors were entertaining and believable. Not once did I think that the role would be better played if it were a male because the acting was strong. My favorite actress was the one that played Hotspur. She had high energy and her performance was captivating throughout the night. The boxing scenes with her were also some of my favorite scenes in the play. The plot of the story was interesting and reading the summary definitely helped, but I wish I had read the play before hand in order to understand the meaning of the dialogue better. There were scenes where I was completely lost in the dialogue, but the acting still kept me engaged. I didn’t mind some of the props such as the kids chairs, but I did think the dog and baby were a little silly. Besides that, I wasn’t bothered by the untraditional props because they were intentional in order to show a different interpretation of this play. I really enjoyed how the audience was almost a part of the play at some points. In the beginning, the gates were closed and we weren’t allowed to use the restroom which made me feel like I was locked up as well. The stage was also the room itself and the audience surrounded the room, which also added to that feeling. There were also a few scenes where the audience was directly involved such as the scene where the woman from the audience came on stage. Another thing I enjoyed was the DJ booth. I thought it was clever to use that during the times where the actors would change the stage because the music diverted the audience’s attention. Overall, I really enjoyed this play. I was expecting to see a more traditional version of a Shakespearean play, but it was refreshing to see a modern take on it.

Henry IV Reflection

Of the three performances our class has seen so far, “Henry IV,” by William Shakespeare, was easily my favorite. I think the most important thing about these pieces, is the presentation of the story. The performer’s acting, the setting, and the innovative use of the  props  grabbed my attention and successfully communicated the riveting story.

My favorite actress in the play, by far, was Jane Anouka, who played Sir Harry (Hotspur) Percy. Normally in literature and live performances, including plays, movies, and TV shows, I favor the protagonist over the antagonist. I have not been able to give up the mentality of that good will always triumph over evil. However, in this play, the adversary that tries to kill his father, King Henry IV, in an attempt to take control, was the most brilliant in my eyes. In addition to the character’s nature in Shakespeare’s play, the sheer passion that the actress presented us with was awe-inspiring. I was amazed how the actress was able to argue fervently with other characters and perform athletically at the same time without showing even the faintest appearance of exhaustion.

Initially, I was somewhat disappointed with the informality of the play using a DJ for music and children’s toys as props. My perception changed completely after the first few minutes. These two aspects were brilliantly intertwined into the play as a source of comedic effect. Never did I imagine myself laughing at a performance of one of Shakespeare’s renowned plays. Furthermore, when the play took on a serious tone, I found myself too distracted by the intense plot and acting, to notice the simple props.

I was also intrigued by the “play within a play” concept prevalent in several scenes throughout the performance. It added a unique twist to the play, where the viewer is forced to consider multiple settings, rather than just watching the piece exactly as it was written by Shakespeare. It allowed people who are not as familiar and comfortable with of Shakespeare to appreciate the play in a different way.

Even despite the lack of an intermission for a two hour and fifteen minutes performance, I have no complaints! I had a remarkable experience.

Henry IV vs Tosca

For me, Henry IV was difficult to follow.  I never liked Shakespearean English, or Shakespeare’s plays in general. However, the play at St. Ann’s was more than about the story.  It was about the setting, the choreography, the lighting, the music, the props, and the actors themselves.

Jade Anouka, the actress who played the prisoner who played Hotspur, was phenomenal.  Her seamless blend of physical activity and line delivery was beautiful.  Easily my favorite character, I loved the enthusiasm and energy in every line of her performance.  The fighting-at-a-distance was satisfying to watch, because the movements were really fluid and the sound effects were a nice touch.  The changing of props in front of us was interesting, in contrast to the opera stage which was much bigger and used higher budget property.  This setup change was integrated into the theater experience with music and steel pans (I love percussion instruments).  The jokes were funny (when I understood them), especially the Scottish independence bit.  I don’t know how I feel about the production “breaking down” at the “hotdog down a hallway” joke, I’m not sure I wanted to be reminded that we were still in a prison.

It reminded me that I couldn’t go to the bathroom for another hour until they opened the gates again.

This brings me to my dislikes.  What I didn’t like about the the performance was the lack of intermission.  Sitting through over 2 hours in one go is not fun for me, it’s one reason I don’t really watch movies.  The confusing plot points took away from the performance as well.

I enjoyed the opera a lot more than the performance, because I felt a wider range of emotions.  The beautiful singing and the detailed stage construction made me like it more.  It felt shorter thanks to the intermissions, which were really good for socializing and just catching a break.  The translation was really thoughtful, the play would’ve done well with a modern English translation as well.  The atmosphere just felt richer overall.  I remember at one point the hair on my arms stood up when Tosca sang.  I think the humor on Tosca is more relatable as well.  Everyone seemed to laugh at the “jealous girlfriend” stereotype, but everyone also shared the respect for Tosca when she murdered her assailant.  The story was so rich (sometimes too many details) but all in all it’s something I would watch again.  Tosca gave me a new perspective on opera, and I’m grateful to have had the chance to experience both the opera and the play.

 

But the opera was better (for me).

St. Ann’s Warehouse – Henry IV

Despite the momentary confusion on how to get the venue, my experience was definitely worth it. Prior to the show, all the play-goers were crowded around the tables in the “lounge” area, where they enjoyed light refreshments and discussed other plays by the same company they also enjoyed, most notably Julius Caesar.  So, after hearing their rave reviews about the other show, I knew I was in for a treat.

One of the coolest things I observed in the showing was when the actors, or “prisoners” were escorted on the stage, which was actually a basketball court, by the security guards. I was immediately filled with excitement, because that opening scene gave me an impression of the show being a combination of Shakespeare, the great writer, and one of my favorite shows, Orange is the New Black (which is also set in a woman’s prison).

Anyway, skipping a summary of the plot details, the play was overall very well done by the performers, and the use of an all-female cast in this powerful story was very impressionable, and set many unique parallels, which made the showing especially enjoyable.

In addition, the use of the simple props and costumes, the modernization/simplification of the writing, and the physical proximity of the actors compared to the audience established an intimate connection between the audience and the performers, which allowed the audience to truly connect with the story.

Overall, I thoroughly enjoyed my time at Ann’s Warehouse, and it definitely made me more intrigued in these kinds of modern adaptations of old works, and it is definitely something I would consider going to again.

Henry IV Reflection

After I finished reading the summaries of Henry IV parts 1 and 2, I was very excited to see the play. Unfortunately, when I entered the “theater”, my expectations dropped. For such a highly recommended acting of the play, I did not expect the stage to be a basketball court, with the audience surrounding it from all sides. As the play continued, however, I did not even notice the other side of audience much because the actors acted in such a way that both sides got to see all of the action.

As for the twist of the play within a play, I would have to say that it was highly creative. In the beginning, I got to see how the prisoners were brought in, and even from that point, they were already in their roles, acting like prisoners. Furthermore, the actual fights within the play, as well as the interruptions in it added action to the play, making it more appealing to the current generation.

Although the guards were not major contributors to the play, they did change the overall perspective of it. May it be them constantly keeping an eye on the prisoners from behind the seating area, or from the top of the cage, or even the harsh way they closed the gates, their actions added on to the theme of prison. Aside from that, they did not even allow people to leave the cage during the play.

One thing that I cannot forgive the director was the lack of props. I understand that it is meant to be a prison setting, but really? Child toys as props? A prison is more likely to have actual tables or supplies for the prisoners to make the props from than play sets for children. The only possible reason I can think of for choosing these props were that they were easy to move in between acts.

Overall, I would say that I liked the play, but if I had to choose, I would much rather see a traditional style Shakespearean play. The edits added to it did add action, but it did not seem like Shakespeare would do something like this. May it be that I was not expecting this, or any other plausible reason, I simply did not see the point of this change. As for the actors, bravo, you really did a great job in portraying masculine roles.

Ps. The phone (picture attached) was an actual old-style phone, Professor Ugoretz.

 

  • Ben K

 

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