“Heydays”- Reminiscing and Inspiring

“Heydays”- Reminiscing and Inspiring

For thousands of Bay Ridge natives, the 86th Street R train station is both the first and last point of their daily commute.  The repetition of this everyday journey eventually creates a monotony of movement, and the sights of the trip become the familiar, which become the expected, which over time fade from the conscious eye.  And among the items that may filter through the mind’s constant input of sensory detail is the tiled mural that spans a wall of the 86th Street Station: a mosaic of glass that depicts a scene of open blue skies, grand green trees, and monumental buildings.  These buildings include three-story mansions adorned with people resting on the porches and in the windows, and a church surrounded by community members.  The landscape of the predominant azure skies is dotted with lanky, bushy trees.  Gazing at this work conjures a feeling of peace- of sunny days and refreshing breezes.

I have only recently come to know that this work of public art is entitled “Heydays”.  Brooklyn Heights artist Amy Bennett was commissioned with the project in 2011, in time to commemorate the station’s renovation.  Bennett had never before set foot in Bay Ridge, and moreover was an artist who specialized in small oil paintings- certainly a far cry from the wall-spanning piece that she was tasked with creating.  To learn about her muse, she read books on the community and surveyed the area on foot, settling on a design that emulated some of the 19th century homes that rest on older sections of the neighborhood.  Her specialization in landscape paintings helped her to prepare an oil painting of her idea, which she then sent to a glass crafting team in Germany; the image was replicated in the form of thousands of glass pieces that fit together into a grand mosaic.

But like most of the thousands of subway-goers who pass through the 86th Street Station each day, I had no knowledge of any of the history behind the mosaic.  In fact, it wasn’t until two years ago that I learned of the mural’s existence, when it was featured as a landmark Pokéstop in the then-popular mobile game Pokémon Go; and although it no doubt drew the attention of many to the mosaic, it is merely known in-game as the “86th Street Station Mural”, and offers no description of the artwork or its history.  Before that, I had barely traveled through the station, and on the rare occasion that I did, I never paid much mind to the thousands of colored glass tiles on the wall.  Even now, as I enter this station on my way to Brooklyn College every day, it’s easy to dismiss “Heydays” in the hectic rush for the docking trains, and its constant presence to the everyday commuter prompts them to tune out its existence.  Furthermore, the mural’s coloration has faded over the years, causing the skies to appear less blue and the buildings less vibrant.  This leaves a certain irony to the art’s title “Heydays”, which refers to a past period of prosperity or popularity; the mosaic’s appearance today, when juxtaposed with its original splendor, evokes a feeling of nostalgia and reminiscence for the piece itself instead of the Bay Ridge community that it depicts.

But the use of the term “Heydays” to describe Bay Ridge’s aesthetic in the first place draws attention to the end of an era- a classical period that closed its chapter in the community’s history long ago.  And although we are goaded to think about the time that has already transpired, I believe that the piece can be used as a tool of reflection for ourselves as we rush to the train each morning and tiredly ascend the stairs each evening.  As we look at the image of grand homes and peaceful landscapes, we can instill in ourselves the thought that what we do each and every day is eventually to improve our lives and thus that of the community.  The deeds of every one of us each become a tile that constitute a grander image of the community that we hope to shape for ourselves.

Works Cited

Chapman, Ben. “Brooklyn Artist Has Heart of Glass: Working on Mural for Subway Station – NY Daily News.” Nydailynews.com, New York Daily News, 3 Mar. 2011, www.nydailynews.com/new-york/brooklyn/brooklyn-artist-heart-glass-working-mural-subway-station-article-1.117023.

“Heydays in Bay Ridge.” Blather From Brooklyn, 23 June 2014, blatherfrombrooklyn.wordpress.com/2013/09/27/heydays-in-bay-ridge/.

Crazy Rich Asians (2018): A Refreshing Romantic Comedy with a Defining Cultural Statement

Crazy Rich Asians (2018): A Refreshing Romantic Comedy with a Defining Cultural Statement

Love – and the struggles that one can face in the name of love – is a tried-and-true subject of Hollywood films, and the genre of romantic comedy stemmed from a desire for these films to be more personable and empathic for viewers.  Over time, however, this genre became saturated with films filled with tropes and stereotypes that made many of them indistinguishable from one another.

Crazy Rich Asians, a romantic comedy film based off of Kevin Kwan’s 2013 novel of the same name, offers a new spin to the genre by reimagining it with an Asian identity- combining the massive production values of Hollywood with relatively unseen Asian cultural nuances that endear it to many filmgoers.

Directed by Jon M. Chu and boasting a star-studded cast of Asian actors and actresses from Constance Wu to Ken Jeong and Michelle Yeoh, the film easily surpassed box office expectations and set a remarkable precedent for Asian representation in mainstream media.  Despite expectations to barely break $30 million at the box office over 5 weeks, the film ranked first in theaters for four weeks, grossing nearly $190 million.

Crazy Rich Asians tells the story of NYU economics professor Rachel Chu, who accompanies her boyfriend Nick Young to his native Singapore for his best friend’s wedding.  Also in Singapore is Nick’s family, the Youngs: a real estate family with an exorbitant amount of wealth and popularity, and the pinnacle of Asian high class.  Nick is the Youngs’ heir, set to inherit his father’s company and all of its assets, and thus is a very attractive suitor for many Asian daughters of high standing.  Rachel, on the other hand, is of “common birth” and was raised by a single mother; she also does not know of Nick’s incredible affluence.  After this revelation of Nick’s true heritage, Rachel must contend not only with Nick’s disapproving mother Eleanor but also with other rivals vying for a spot at Nick’s side, all the while taking in the nuances of high culture.

Although the film covers many archetypal staples seen in romantic comedies, Crazy Rich Asians redeems itself with its own sense of humor and identity.  This is highlighted by the astoundingly established cast, diverse in not only their heritage but also their backgrounds in popular culture.  From Ken Jeong’s signature humor that made him one of the world’s most famous Asian comedians to Michelle Yeoh’s refined and regal demeanor as the film’s antagonist Eleanor, many characters are memorable and distinguished in their personalities and identities in the film.  Wu’s own performance as the clever and endearing Rachel Chu is accentuated and distinguished by her versatile emotional disposition and earnest state of character.

The film also makes an almost satirical commentary on the culture of the extremely wealthy, and its cinematography supports this assertion with a number of fancy outfits, accessories, and props, all against the alluring backdrop of Singapore.  However, it still features aspects of Asian culture, playing on several themes that many Asian viewers can identify with: familial love and responsibility, gender expectations, and stereotypes in relation to class and wealth.  Eleanor, despite being the film’s antagonist, can be empathized with when considering her past struggles to marry into the household and in preserving the traditions of the family; her prevalence and significance to the film’s central conflict is also a clever aside to how women are traditionally expected to be less than men in terms of familial leadership.  Rachel is a paragon of strength and resourcefulness in herself, as she triumphs against her adversities as not only a commoner in the world of dignitaries, but also as a woman in the patriarchy-based Asian family system.

One of Crazy Rich Asians’ most powerful elements is its soundtrack; the movie is filled from start to finish with both iconic and memorable songs, adding to its striking effect on moviegoers’ experience.  Many of its pieces helped to define key scenes in the film, and strongly etch an impression on viewers’ emotional connection with its scenes and characters.  Sally Yeh’s cover of the ever-quirky Material Girl helped to brighten the ever-archetypal fashion montage, while Kina Grannis’ cover of Elvis’ hit Can’t Help Falling in Love made viewers catch their breath with its stunning and tear-jerking spin on the classic love song.  Also very notable is Katherine Ho’s cover of Coldplay’s Yellow, the buildup to which marks the climax of the film, which is in itself a spectacular sequence of events, the euphoria of which can be felt through to the movie’s ending.

The film is not without its flaws, however.  Several plotlines seen in the source content are stripped away for the movie, and some characters (such as Astrid, Nick’s cousin and a prominent secondary protagonist) lack a greater development that would better flesh out their sense of personality.  This complaint may be slightly assuaged, however, when considering that it was impossible to incorporate all elements of the book into the film while also keeping it within a reasonable length of time.  In addition, while Rachel, Astrid, and Eleanor’s characters are a powerful statement against stereotypes and expectations in gender roles, Nick is not as involved or personified, despite being the pivotal tying link in the story’s opposing forces.  On a greater scale, however, these blemishes merely take away a small portion of the otherwise outstanding quality and enjoyment of the movie.

I would strongly recommend Crazy Rich Asians as a refreshing take on the romantic comedy formula that balances outlandish displays of wealth and flamboyance with endearing humor and Asian cultural nuance.