Respect for the Unnamed

Vulgar and wretched, yet sympathetic, cries of a traumatized white train driver echoed the compact theater and startled me with his every exclamation as I was sitting merely a few feet from stage.  Roelf Visagie (Ritchie Coster), the train driver, enters the scene to accompany Simon Hanabe (Leon Addison Brown), the old gravedigger, at center stage by climbing down from realistic train tracks onto an actual bashed-up car located at the side of a sand and garbage covered stage.

Scattered everywhere were mounds of sand to represent graves of the “unnamed,” those who died and have not been claimed for. The setting was stagnant; the play took place at the graveyard all throughout because the element of time was nicely made clear the focus by the play of lighting to represent the passing of time.

Photograph by Nancy Zhu

Everything was truly realistic: the sand dust floating in the air with every forceful digging Roelf does, using actual fire to light the candle, and the power in both the characters’ emotions. With the audience situated so close to the stage, it is not difficult to understand that the play captured everyone’s attention and grasped onto our emotions.

Athol Fugard’s The Train Driver aimed to bring to light a different point of view during apartheid in South Africa. The play holds the view of the situation through the mind of the white train driver in the times where whites were superior to blacks. Here, Fugard portrays that though Roelf was a white male, accidentally killing a black woman and her child was not an easy thing for him to get over. In fact, he exclaims, “Does she know she ruined my life?” We learn through Roelf’s mix of angered and distressed emotions effectively portrayed by his drunk-like behavior of endless rants and incomprehensible murmuring that he blames the unnamed black woman, who jumped in front of his train, for his loss of everything and his hope to find an answer to essentially the question, “Why is life so?” We can see he shifts his perception from completely blaming her to, in the end, sympathizing for her and wishing that somebody had claimed her, as his steps and voice become noticeably calmer. It was touching to learn that despite the clash and constant tension between blacks and whites in the apartheid in South Africa, Roelf, a white man, through socializing with an old black haggard character, Simon, was able to come to a conclusion that although he lives in a completely different world and he has no way of finding out the way the unnamed black woman may have lived, or why she decided to jump in front of the train, he is certain that she is human too and deserves more respect in her grave. She deserved someone to claim her, thus he wished he had done so for respect.

Fugard’s play, The Train Driver, was performed so smoothly and realistically that this is worth the time for any one to give theater a shot.

 

 

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Cultural Encounter

I had just gotten out of my Sociology class at 5:25 pm when I and one of my classmates met up to travel to the New York City Center. It was dark and raining outside when we left Baruch. So, we journeyed to the subway station because walking for too long in the rain would not have been a very enjoyable experience.

Waiting for the train to come took only a few short minutes and we were on the train and on our way. After two stops, a woman stepped on. She was African American wearing relatively tattered clothing. Five seconds after the doors shut, she spoke loudly for the whole car to hear, “Hello ladies and gentlemen. I am going to perform a song for you and if you like it then clap, and if you don’t then just ignore me. Thank you all very much.” And so, she began to sing. Now this is a relatively new experience for me, but it probably is not for any of you. Remember, I really haven’t taken the subway often…

Anyway, the woman sang “Someone Like You” by Adele. In my opinion, she sang the song better than the original… There wasn’t any more high notes and her voice was good, but not amazing. It was just the way that she sang that got me. I thought the woman was going to break down and cry at the end of the song because her voice sounded so heartbroken. It amazes me the talent that is lost in subway stations…

> (Sipkin/News )

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Asian drivers are wrongly accused of being “horrible drivers”

Stereotypes in America accuse Asians of being horrible drivers, and I just think that Asian immigrant drivers are not used to the rules and driving etiquettes here in America. I actually think otherwise; that Americans’ driving skills are not at the Chinese level: the Chinese can maneuver through the busiest traffic given that their population is extremely large and perfect parallel parking.

I have been in China so many times before, but never have I ever realized or noticed how much their driving methods differ from ours. Firstly, there is no such thing as a One Way Street like we have in America. No matter how narrow the road is, cars are allowed to enter from either side of the street. I was surprised when I learned that first hand — when I sat in a car facing another car driving in my direction on a road I thought was too narrow to fit two cars side by side. To resolve the situation, I learned from multiple experiences, whichever car entered the street last, has to back up and allow the first car to pass, or the two cars, so professionally done, manage to pass each other side-by-side without scraping each other’s doors.

Secondly, it is normal to park with cars face to face. Refer to the image below:

parking

I took that picture from the door of the hotel I was staying at. I spent a few minutes staring at those cars every time I exited and entered the hotel. It was supposedly a common method, because on this particular street, it was only allowed to park on one side of the street due to how narrow the street was. So it made sense. Kind of. In a way. In America, I usually take a quick glance for the direction the parked cars face, and I immediately know from which way the cars will be coming from when I cross the street. It definitely took me my entire stay in that city to get used to the fact that it was okay to park in whichever way possible. This encounter only left me more impressed of the Chinese’ skill in driving and parking.

Quick Relevant Fact: In some Chinese cities, to be more environmentally friendly by avoiding too much CO2 emissions and to eliminate frequent traffic jams, the government issued laws that cars with license plates that begin with an odd number can only drive on Mondays, Wednesdays, Fridays, and Saturdays. Similarly, license plates that begin with an even number can only drive on Tuesdays, Thursdays, Fridays, and Sundays. This encourages civilians to take public transportation or bike to work or school.  – I think this idea is simply ingenious.

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Enjoy the Ride

A man sprawled over a sandy grave, wretchedly trying to arrange the scattered stones into a dignified cross will leave you with chills spiking through your shirt. How can a man care so much about a dead woman who he never knew? Well, Athol Fugard will tell you exactly why in The Train Driver.

Poster from outside theater

Roelf Visagie (Ritchie Coster) begs for the nameless. He dignifies the graves of the undignified during his search for the one he calls “Red Doek.” Hate consumes Roelf’s life as his life was instantly ruined. ‘Red Doek,’ an African mother had thrown herself, along with her baby, in front of a train—his train—and took Roelf down with her. However, Roelf is able to turn hate into a quite different emotion with a little help from Simon Hanabe (Leon Addison Brown.)  The relationship that slowly forms between Simon and him helps Roelf realize a truth behind the death of the mother. The mostly bare graveyard is the setting of a psychological evolution.

The woman decimated Roelf’s happy life. He despises her, and what she had done to him. He screams to her from the graveyard in anguish, then he screams at Simon for answers. The sadness of the man is expressed through the anger of his actions. Ritchie Coster did a fantastic job with the expressive nature of his character. His dirty clothes and body, along with drunken movements and slurred speech, captured the essence of the character’s agony.

Credits to Richard Termine/Boneau/Bryan-Brown via Bloomberg

At first sight, the set seems like a fairly unpopulated junkyard with sand covering  the ground. The only ‘junk’ being a scrapped sedan sprawled on the left side of the stage covered in old tires, wood, and soiled fabrics. Other than the car, a small shack in which the grave digger—Simon— calls home sweet home. Surrounding the shack, small piles of earth, topped with stones, litter the ground. Then to disturb the (seemingly already disturbed) wasteland, Roelf comes to interrogate Simon the suicidal woman. The detail of the set was interesting. The sense of dirtiness and wear is injected into each piece of the set. Even Simon’s shovel is worn at the spaded tip from the endless digging that must have occurred.

The main issue at stake is apartheid, an issue in which Athol Fugard is well-versed and passionate about. The ghastly effect of apartheid on the innocent is implied throughout the play. Fugard does not barrage these ideas at you though, allowing room for interpretation.

Less is more in the case of The Train Driver. The simple set, and the simple costumes allowed for more of a focus on the story. It allowed for more attention to be given to the minute details surrounding the characters and the storyline. Being that there are only two actors, the words each character speaks are not lost. It gives each sentence more value, and gives each sentence more potency.

So don’t be fooled by a small theater, a simple set, and two actors; just enjoy the ride.

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A Point Driven Home

The eerie graveyard setting of Athol Fugard’s play “The Train Driver” is an excellent fit for the story the play tells. The barren wasteland filled with garbage, a broken down car and a lone hut set the mood for the play, a serious and hopeless tone to match the topic of Apartheid. Like everything, Apartheid has two sides. Fugard chooses to write about the interesting white person point of view, telling the story through the eyes of a crazed train driver.

Based on a true story about how a mother jumped in front of a train killing herself and her three children, “The Train Driver” takes a solemn atmosphere from the very beginning. Roelf Visagie (Ritchie Coster) plays the maddened train driver, who has had his life destroyed by the accident. Though not at fault, he is still haunted by the image of the pulverized body of the nameless woman, “red doek” that his train hit, and he has come to the squatter camp to look for her grave.

He meets the gravedigger, Simon Hanabe (Leon Addison Brown), a black man who earns his meager living by burying the unnamed dead and marking their spots with garbage. The scattered bricks, irons, bottles and rocks lying still in the sand sadly do not act as headstones; they just mark the places where he is not to dig again, showing the little respect that the nameless dead receive. Over the next 90 minutes, the two men talk and although Hanabe never fully welcomes Roelf, he accepts him into his home after warning him that it is dangerous for him outside.

Credits to Richard Termine/Boneau/Bryan-Brown via Bloomberg

Roelf has reflective moments during the play. Unlike his rash, accented screaming and yelling at Hanabe at the beginning of the play, which is very hard to understand, these later monologues can be understood. He strikes a serious note with idea that death is the ultimate unifier. “Black man or white man…the maggots don’t care about that.” Roelf begins to understand the story from the black point of view, understanding the hopelessness and despair that the black underclass felt. His anger subsides and he no longer hates the nameless and unwanted woman.

Coster and Brown both do above average jobs of acting their role. Brown always looks and speaks with respect to Coster, who is playing the white man in the play. However with his short and abrupt dialogue, not much is revealed about him, which is disappointing since he is one of only two characters in the play. He is a simple gravedigger who needs his spade to survive. Coster on the other hand is exploding with emotion. He curses throughout his rampages way too often, but his profanity just illustrates the effect that the accident had on him.  At first he is raged, hysterical and hard to understand. But as Coster’s character begins to understand and empathize with the hopeless, the harsh wrinkles and bright red color on his face fade to a pale white. His expressions relax, and he can talk about the nameless “red doek” calmly and in a reflective manner.

Credits to Richard Termine/Boneau/Bryan-Brown via Bloomberg

Since there is only a two-man cast, the story often feels like a monologue. It takes a while to get going because it takes some time before the viewer starts understanding Coster’s outbursts. But once that obstacle is overcome, both the dialogue and script of the play overtake the viewer and shows the true power of the play. There is nothing on stage to distract the viewer from the conversation and the well-delivered lines. The costumes were tattered clothes, ripped and nothing eye catching at all. The lighting was simple: a bright light for day and a blue moonlight for night. Everything was motionless in the background to allow the viewer to focus on the intensity of the dialogue between Hanabe and Roelf. This way the viewer walks away with a powerful message about the struggle and hopelessness of Apartheid, but also how in the end, we are all the same.

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Marriage Customs

I was reading Tereus, Procne, and Philomela in Metamorphoses by Ovid, which inspired me to research different cultures’ ways of sustaining a marriage. This Roman myth focuses on the failure of Tereus and Procne’s marriage. Some interpreters believe that this happened because they did not have proper wedding rituals, which is one with the presence of Juno, the goddess of marriage. I also stumbled upon an article related to the superstitions of marriage, titled “Wedding Superstitions from Around the World.” This article basically points out the various cultures that people have adopted as part of their wedding ceremony.

I find this topic interesting because of the unique superstitions that cultures have when it comes to a wedding ceremony. For the Romans, it was the blessing of gods. For couples in Finland, they believe that a lit match will sustain their marriage. For Chinese people, they go to monks, fortunetellers and the calendar to search for the day and hour that will bring fortune to the marriage. For Swedish families, mothers place a gold coin into the brides’ right shoe and fathers place a silver coin into the brides’ left shoe. These are just some of the examples that cultures have adapted throughout the years.

http://www.stumbleupon.com/su/2luIbO/www.mnn.com/lifestyle/arts-culture/stories/wedding-superstitions-from-around-the-world

Many of these customs have little, if any, proof that they’ll keep a marriage intact. However, they’re able to give people the confidence that their love for their spouse will, in fact, last forever. It’s fascinating how people have faith in these superstitions, and they seem to be effective when compared to other cultures that may not have these customs. From the graph, the U.S. has the highest divorce rates. If these superstitious customs are adopted, is there a chance that the number might decrease?

 

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Cultural Encounter

There are hundreds of different Chinese dialects. Today, most people in China speak Mandarin but that doesn’t mean that Mandarin is the only dialect that still exists today. With all these different dialects that are spoken, sometimes it’s difficult to converse with someone of a different dialect.

I was going to the city with a friend who was visiting from college and his parents were nice enough to give us a ride over. Before we got to the city, though, we made a fuel stop and my friend got out of the car. I guess the atmosphere in the car got a little awkward and the silence didn’t help much, so his father started to talk to me. I didn’t realize he was talking to me partially because I was trying to avoid the awkward situation by pretending to be busy with my phone and partially because I couldn’t really understand what he was saying. When no one responded, I looked up, realizing that he was actually speaking to me.

A little shocked and nervous at the same time, in my broken Chinese I stuttered, “什么?” (which means “What?” in English)

He spoke again, it sounded like a completely different foreign language to me. When he realized I couldn’t fully understand what he was saying, he combined his Chinese and his broken English to ask a few questions about me. I answered in Mandarin slowly, hoping that he’d be able to understand me.

We continued our conversation during our ride to the city and by the time we got there, he no longer needed to speak any English in order for me to understand. I was actually able to understand his dialect to some extent, with a few words here and there that I’d need help with. I realized that although the Chinese dialects all sound very different, they still have bits and pieces that are very similar to each other, making it possible to understand other dialects you aren’t familiar with.

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Taste of Growing Up

Like many other normal children, the only places I ever went were the places my parents brought me. It wasn’t until I was in middle school that I realized that one of my favourite restaurants was a little bit different than the rest of the ones my family usually eats at.

For starters, this restaurant was in a location completely different from where the others were. And secondly, this restaurant spoke in a strange language I didn’t understand.It turned out that for years, my family has been going to a Colombian restaurant.

I wondered how my family even found out about the restaurant in the first place so I asked my dad.

I asked, “Hey, how come we eat at the Colombian restaurant so often?”

“Because I like it.” he retorted.

“Why do you like it?” I asked.

“Because I used to live there when I was younger.” he said.

I was blown away. I found out my father and his brothers grew up in Colombia before moving to the United States.

Its funny because we only order take-out from there now and whenever I go in everyone looks at me with a puzzled look. They’re probably thinking, “the chinese take-out place is next door. What’s he doing here?”

I also find it funny that when I take my order, the boss who recognizes me always calls me Julio because of a Spanish custom to name the first son after the father.

My typical Bandeja Montanera (Mountain Platter) that I always order to go!

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Powerful Message with a Touch of the Visuals

Athol Fugard

Athol Fugard, credit to BoneauBryanBrown.com and Gregory.C

“This is the graveyard for the ones without names.” As light gradually brightens up the stage, Leon Addison Brown, who played Simon Hanabe the grave keeper, opened “The Train Driver” with his first line. The story went on as the protagonist appeared on the sanded floor. Both of the actors memorized their lines perfectly, along with the almost exact replication of a graveyard as the setting, credited to the Production Stage Manager Linda Marvel, tied the whole production well together into a piece of art.

The story was about the train driver Roelf Visagie (Ritchie Coster). He had failed to stop the train when a South African mother committed suicide with her child in front of his train. On stage, instead of showing the suicide, Athol Fugard, the playwright of this show as well as other shows like “Blood Knot” and “Coming Home”, revealed the scene mixed with feelings through the main character. Roelf interminably asked Simon for the body of a nameless woman with a baby while babbling about the incident over and over again.  He talked in such an anachornic way with phrases like “I think I killed her” everywhere as part of the act throughout the play. Often time, the whole play felt like a monologue though there were two characters. The movement and the emotions hidden in the lines reveal the contradicting feelings the protagonist had ever since the accident.

As a political piece, “The Train Driver” underlay the theme of Apartheid while fluently illustrated the surface conflicts of the story. The play was actually inspired by a real life event, in which a mother was forced by her living conditions to commit suicide with all three of her kids. During the 90 minutes, it is hard to not notice the various symbols and lines illustrating the continuous poverty and disparity among people in South Africa, especially among black people, , such as “unable to make a cross for the nameless ones because the wood would be taken for fire”, even though Apartheid had ended for a period of time. Once again, this time also as the director, Mr. Fugard had brilliantly merged the guilt and many other feelings into the lines of the main character, which was presented flawlessly on stage by Ritchie Coster.

However, one major shortcoming occurred as the show went on. The language used in the play was very redundant. Though sometimes it was to reinforce the theme of the story, most of the time it was just unnecessary. Instead of grabbing the attention of the audience, the repetition pushed the focus of most people away when it occurred. In other words, the redundancy was very “influential”— in a negative way.

Though I would actually enjoy this play much more if I can understand that heavy South African accent of theirs. Otherwise, the ideas and the scenes shown in “The Train Driver” were very powerful, and most importantly, you won’t regret your 25 dollars.

(background information credited to http://en.wikipedia.org/wiki/Athol_Fugard)

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All Aboard Fugard’s Riveting Performance!

Through his play The Train Driver, Fugard coerces his audience to focus on the issue of apartheid in South Africa. The entire play revolves around an event where a black mother commits suicide, with her child, by standing in front of a train. The Protagonist, a white train driver, Roelf (Ritchie Coster) has his life torn apart when the guilt of the incident consumes him. The mental trauma of the accident builds fury in Roelf and forces him to find and confront the woman’s at the graveyard where she was buried, which is where he meets Simon (Leon Addison Brown).

The setting of the play was in itself an appropriate representation of the influence apartheid had throughout the divided country. A dull graveyard, where tombstones were replaced with debris, was used as a fictitious resting ground for blacks and served as the epicenter of Fugard’s play. The sand was polluted with dirt, shards of glass, and rusted metal. In the middle of the entire land stood a humble little shack, which Simon, the black caretaker of the graveyard, called home.

Interestingly enough, Fugard decides to omit the presence of a physical antagonist in his play. One might say that the unnamed woman who committed suicide or the briefly mentioned gang took on the role of the antagonist. However, Fugard still refrained from including the conventional presence of an antagonist, perhaps to stress on the effect the accident had on Roelf and focus instead on how he would ultimately confront the situation.

To tackle the issue of apartheid, Fugard incorporates several subtle, but effective, fragments into the story. Other than the issue of race in the graveyard, Fugard includes a scene where the local gang may be angered with a black man and a white man interacting. He also reveals a little about Roelf’s life before the accident and leaves it to the audience to juxtapose that one with that of Simon’s. Unfortunately, Fugard doesn’t relate the situation of apartheid in Roelf’s time to present day, where it has improved but many question to what level.

Fugard throws his audience directly into the center of the story by providing a limited amount of background information. The audience is left engaged, wondering, “What is going on?” As the play continues, we are able to peel away at the story. We find that, before the incident, the characters come from rather stereotypical backgrounds but change throughout the play.

Fugard elaborates on the characters and the story line with the use of costume design. The ragged clothes reflect the endless suffering that Roelf has endured. His spoiled attire mixes with his sweat and obvious intoxication to bring a powerful presence on the stage. While Simon’s bulky and grubby coat mirrors his modest lifestyle.

Credits to Signature Theatre

In an attempt to shed light on Roelf’s frustration, Fugard makes frequent use of profanity and vulgar language throughout the entire play. Instead of pointlessly throwing around adulterated language, Fugard shrewdly uses it to engross the audience and simultaneously convey Roelf’s rage. The power of the script resonates throughout the theatre.

Unfortunately Ritchie Coster’s acting was unable to keep pace with the intensity required for Roelf’s character to be properly portrayed. Leon Brown maintained a more tranquil quality, required for Simon’s character. To dilute sometimes silent and stretched scenes, Fugard adds portions of humor to Simon’s character, making him rather enjoyable to watch.

Fugard concludes the play with finally bringing Roelf to peace with what has happened to him. Although certain parts of the play may seem confusing and unconnected at times, Fugard brings the play full circle. I left the theatre, shaken by a powerful and riveting performance.

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A Missing Answer

Poignant screams of an emotionally distressed man reverberate against the walls of the theater.

“Who put all this junk on the ground?” he cries, standing on a barren land of sand and waste. Pieces of rusting scrap metal and old appliances scatter the ground, forming clusters here and there atop of heaps of sand. His eyes search the face of the black gravedigger, pleading to find an answer. Why do the bodies of the dead rot below mounds of sand in this waste ground, not wept for, not honored, not remembered? Why did a suicidal woman shatter his life during her own death? And where do the remains of this nameless woman lay?

There is no answer.

Anthol Fugard’s The Train Driver awakes your emotion unlike any other theater performance. It grabs you by your clothes and takes you to a place where human misery has no asylum: a graveyard of sand and garbage, where only the nameless and unwanted lie buried.

Surprisingly, this place is not hard to imagine. The seats in the Perishing Square Signature Center are so close to the stage that within minutes, the audience is integrated into the performance.

There were no flashy costumes, flamboyant characters, or extravagant set design. Instead, simplicity created something very realistic. Especially noteworthy was the control of lighting to suggest the time of day and temperature. The lights shone brightly at what seemed to be noon, hitting the characters so intensely that it seemed to make their skin perspire with sweat. To represent night, a single dim light shone over Simon’s tin house while the surroundings were encased in darkness.  Even the air felt cool, as if the temperature had been intentionally changed within the theater.

The actor Ritchie Coster convincingly portrayed the last few days of a South African train driver who, after accidentally killing a woman and her child, is overcome by trauma.

Roelf (Ritchie Coster) descends to the stage with a slumped back, uneasy steps, and an unrecognizable murmuring. Though his Boer accent is thick and his words are sometimes indiscernible, his riveting portrayal of emotion fills in the gaps of the story. Through incessant rambling, bursts of outrage, and impulsive jerks, he identifies his need to Simon, the old gravedigger, to find the woman that he killed. Leon Addison Brown, playing Simon, fits the stereotype of a haggard old man almost too perfectly. Wearing a dirty beige janitorial uniform, he moves about the set slowly. He seldom speaks, yet his deliberated and well-enunciated words are redolent of his many years of struggle. Though Brown is not old, he does a good job at portraying a character advanced in years.

Photograph from Signature Theater

One of the most memorable moments, not entirely unlike the others, occurs when Roelf runs from grave to grave, rearranging the rocks upon them to form a cross. Though he is exhausted from insomnia, he scurries about the graveyard. He drops on his knees before each mound of sand, forcefully picking up the surrounding rocks and slamming them into the center of each grave. The veins on his arms bulge out, the sweat on his back shines underneath the bright light, and frantic expressions run through his face. Whether it be rearranging rocks or imploring Simon to remember where he buried the nameless woman, Roelf fights to understand the other way of life in South Africa.  What he finds is a life without hope.

After moments of agonizing self-hatred, Roelf leads the story to a very predictable climax by claiming the unknown woman. He realizes that he has the same fate as the woman, regardless of their different colors or status within society. Shortly following is what seems to be a second climax, this time filled with sensationally blinding lights and booming sounds that draw everyone back with a gasp.

A social commentary, The Train Driver reflects on the lasting impact of the apartheid in South Africa in the early 21st century. For those who do not have background knowledge about the play, it is very difficult to understand that it revolves around the greater theme of apartheid. Regardless, it is quite memorable. Lacking a distinct hero or villain, it shows life as it truly is: without explanation.

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The Train-Wrecked Driver

Ritchie Coster (Roelf Visagie) has the audience on the edge of their seats for much of the production.  As the train driver, Coster is given the hefty responsibility of remembering 90 minutes of lines.  Not only does he have every line memorized, he performs his part with such emotion and passion.  He is portrayed as an average white man, who experiences a rather sudden and disturbing twist to his life.  After the audience gets past his thick, difficult to understand accent, he becomes such a pleasant surprise to watch.  Coster’s performance is one jam packed with intensity that he often outshines his counterpart, Leon Addison Brown.

Leon Addison Brown plays the character of Simon Hanabe, an African American gravedigger, who presides over a yard full of unidentifiable persons.  While Brown complements Coster well for the majority of the show, there are times where his performance is less than stellar.  When the train driver is dealing with mental instability, Brown seems to act almost indifferent to his emotionally disturbed counterpart.  He repeatedly tries to discourage the train driver from searching for the no named woman, and at times, he shows a lack of interest in Roelf’s crisis.  As a whole though, the two balance each other effectively with their levels of emotion required of their opposing characters.

(Photo Credits to Richard Termine)

At first glance, the set of the show seems rather disappointing.  The economical setup, however, perfectly fits the plot of The Train Driver.  In one corner, an old, run down jeep is stationed, which characters are seen walking on at various points.  The middle of the stage consists of a large assortment of graves covered in piles of rusted tools and trash.  While seemingly unimportant, this graveyard helps reflect the mental insanity that the protagonist experiences.  The masterpiece of the entire set is Simon’s beat up shed, where he sleeps and invites Roelf to spend the night.  For a production such as this, extravagance is unnecessary; simplicity is key.  Fugard’s set hits the nail on the head for the graveyard of Shukuma, an indigenous camp in South Africa.

Rather than predictably opening with the accident, Fugard decides to take a more unethical approach to his production.  He throws the audience a curve ball when he decides to leave the train accident out of the night completely.  Instead, Fugard would rather the audience focus on this ongoing social issue at hand: Apartheid.  Fugard’s play taking place presently allows the audience to understand the immense impact this has on people of today’s society.  While not specifically referenced, Apartheid remains open for exploration with these stereotypical characters in a South African setting.

This two-person show contains vast amounts of dialogue that can be dragged out at times; however, the excellent reciprocity of Coster and Brown keep the show lively and entertaining.  Roelf Visagie is a middle-class, white male looking to make a living for him and his wife.  After tragedy strikes, Roelf will have his entire world flipped upside down.  It seems as though this woman, who he never met, may have drastically altered the remainder of his life.  Will Roelf be able to let this go, or will he be eaten alive by his self-created guilt?  Through unexpected twists and turns, he makes various conclusions about the tragedy that struck his life; however, the question remains: Did this all happen too late?

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The Pen is mightier than the Sword!

It’s true what people say: The Ancient Greeks influenced our way of life. For me, it was in an indirect way. Last Saturday, I was brainstorming my idea of what Homer means when he uses mist in The Odyssey. After I got an idea of what I wanted to write, I put my ideas on paper. Only one problem remained. I couldn’t make this transition. Apparently, the pen ran out of ink.

It was no big deal. I had plenty of pens in my room. I took one. I started writing and once again there was no ink so I threw it out. After countless pens, none of them worked. The easy solution was to use a pencil, but I am a stubborn man. I want to write this essay with a pen.

I went downstairs and asked my dad if I can borrow a pen from him. He said, “No. I won’t give you a pen. I will give you something better.”

“Sure,” I said because honestly want can better than a pen?

We go into the basement and my dad takes out a box. He opens it and inside was a bunch of fancy looking pens.

“Dad, those are still pens,” I said.

“No. They aren’t pens. They are writing instruments!” he replied.

“What’s the difference?” I asked.

“Try it. Then you feel the difference,” he said.

I opened the cap and saw the tip of the pen. It was nothing I had ever seen before. Thanks to Google, I found out I was using a fountain pen. I went up to my room. Took out a piece of paper and started writing random things to get a feel for it. After a while, I was getting the feel for it and then the ink also ran out!

I went downstairs to my dad and proudly exclaimed, “Aha! The ink ran out. This isn’t better than my pens. Looks like I’m going to throw this out.”

“No! Stop. Do not throw away the pen. The whole point is to refill the ink,” he said.

I was even more confused now. I never knew that pens could be refilled. We went back to the basement. He took out a syringe and a bottle of black ink. He took my pen and opened it up to reveal a cartridge. There he used a syringe to fill the cartridge.

“There you go. I refilled it. No need to throw it out like your cheap pens,” he said with a smile.

I was in total shock. I never knew that anybody still has bottles of ink lying around their home. I thought it was an 18th century thing…something of a shocker in the 21st century. As I now using my new writing instrument, I feel different than when I do with a regular pen. It gives me a sense of originality and superiority because honestly, who uses a fountain pen nowadays? Thanks to my Dad, he introduced me into this world of writing elegantly with elegant tools. Now, off to Homer!

 

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Critical Terms

Protagonist – The leading character or a major character in a drama, movie, novel, or other fictional text

Antagonist – A person who actively opposes or is hostile to someone or something; an adversary

Anticlimax – A disappointing end to an exciting or impressive series of events

Ad lib – This is short for the Latin word ad libitum meaning freely. Essentially, it is the same as improvising lines. Usually used when lines are forgotten

Libretto – The text of an opera or other long vocal work

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Dear Arts in NYC students:

A couple of reminders about next week and a comment on the Collage Themes. First, the Collage Themes. Your ideas were lively. I encourage you to aim for originality and creativity. Although I did say that the collage did not have to be on a cultural encounter theme, do consider weaving in a theme since it might strengthen the work. There are two creative arts projects this semester, the collage and the street photography project –which can be on any subject. The collage is based on the notion that the sum is greater than its parts, that the mixture/tension/friction of parts creates a greater, more meaningful whole. The street photography project is a series of photos on a given theme. But the collage is a chance to turn things inside out!

For Tuesday, October 2nd, please bring in a dance performance review and be prepared to discuss the challenges faced by a dance critic.  Remember that we are scheduled to see Fall for Dance on Tuesday evening at 8 PM at City Center at 131 West  55th Street (between 6th and 7th Avenues).

On Thursday, October 4th, we will have a class visit from Jody Sperling. I also asked that you upload your reviews of The Train Driver by October 4th.

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Prezi

prezi.com. Build a layout that captures the global concept you want to present, then highlight local frames and set a path through them. Here’s a meta-Prezi, a Prezi about how to use Prezi:

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The Occupations of New York

What makes New York so unique is the diversity that surrounds the city. From its food to its clothing, New York is known as the home of vast ideas, peoples and cultures. Another aspect where New York is rather diverse is in its occupations. The five boroughs are home to job titles such as beekeepers, undercover restaurant testers and even artists like the naked cowboy.

By displaying new and unordinary positions, I believe the class and I will benefit from gaining a new perspective of the city we live in. We will have the opportunity to learn about interesting experiences and maybe even take a part in them some day. I would like to capture all the eccentric and unconventional professions in one collage to showcase them and reveal that there is more to New York than just corporate America.

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Collage Proposal (Hitting the Nail on the Head)

The theme I have chosen for my collage is different headwear in New York City. Headwear speaks volumes about a person, whether it represents religious beliefs, or even a sports team they like. I feel that since NYC is such a diverse place, it is important to think about the various beliefs and preferences that exist.

Looking at headwear is an interesting way to study beliefs, as I believe that it is not paid enough attention to, and the subtle differences that exist between religious headwear is often not recognized by an average New Yorker with an extremely fast paced lifestyle. The people who we see as a blur offer us clues as to their past and background simply by what they wear on their head, and this is what I intend to explore through this collage.

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I <3 Faces

It’s true. I am so fascinated by faces. It’s my favorite thing to draw and paint, but this time I’m going to explore a different facet through photography. Except I’m not going to take any pictures of human faces. Instead, I’ll take a picture of anything man-made that looks like one. Every day, we walk by still-life that is a caricature of the humans that made it. Eyes don’t have to be round. They can be square, triangular, star-shaped, etc. Mouths don’t have to be depicted with a line. I’m going to capture every “face” that has some sort of expression. The more dramatic, the better. I guess you can say it’s my spoof on “face-recognition” technology, which is not always accurate.

Oh, and if faces start appearing on the street on your way to school, don’t blame me.

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Collage Proposal

For my collage, I would like to document the transportation aspect of the city. But, not in the traditional like trains, buses, taxis, or cars. I longboard to school most days, and I see many other people skating as well. Taking pictures of the different—and in my opinion more fun—means of moving from one place to another.

Taking a bus or a taxi can be mundane. Most of the time it is the same as it was last time. When skating, every experience is different. I would like to board around the city with my camera and take pictures of/with different bikers and skaters around the city. In October, there is an event called the Broadway Bomb. In this event, thousands of skaters from all over the tri-state area come down and race most of the length of Manhattan. This year, I was planning to go and I would be stoked if I could incorporate the event into a school project.

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Collage Proposal

My collage theme is to look at the infrastructure of NYC. I am not talking about the bridges, highways, or parks. Instead I will look at the things many of us walk past on a daily basis (utility covers, manholes, etc.) or things we rarely use (call boxes, mail boxes, even the old parking meters) The whole point is to show how many of these underrated things lasted over the years and represent a time we didn’t before. For example, who uses a call box.

I will also want to do it digitally. One of the most important things is to have a side-by-side shot. For example, looking an older street sign compared to a new one. Looking at antique streetlights compared to the new ones. Even looking at the old subway cars compared to the new ones or the old parking meters with munimeters. This project in a sense will get the audience involved in the fact that NYC is a huge city with huge electrical, sewer, water, and transportation demands and that most these utilities that have been here for many years still function, they provide art (intricate designs on call boxes, manholes, utility covers), and even can provide a history of NYC.

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Sakura Matsuri

Earlier this year in April, my friends and I decided to attend the Sakura Matsuri (Cherry Blossom Festival) at the Brooklyn Botanic Garden. The one that proposed the plan had already gone to one the year before this; but he was disappointed and somewhat frustrated at the fact that by the time the festival was held, all the Sakura leaves had already fallen. For me, the first time I visited Brooklyn Botanic Garden was back in middle school as a class field trip. It wasn’t during the season where cherry blossoms bloom, and I didn’t know that cultural festivals was held there. This event was a new experience, a new encounter.

That Saturday in late April was unexpectedly cold, but I was up by 8 AM, ready to leave whenever my friends were ready. Because we lived near one another, we decided to meet by Grand St. train station for the D train. Together, the five of us met by 9:30 AM and departed from the station around 9:40 AM. We arrived without much delay around 10 AM. The entrance was packed! Two long lines were formed on both sides of the entrance for ticket purchase ($10 per ticket for students) with security guards to check bags for any dangerous items. That was the least of my concerns. What excited me was that many people were wearing yukata and some were even cosplaying (dress-up). All sorts of people were wearing them: Japanese, Chinese, European, and American. It didn’t matter what ethnicity people were from, they were all here to attend events, observe cherry blossom trees, flowers and each other, share Japanese culture, and most importantly, to enjoy the day.

Though the morning was cold, the afternoon warmth soon washed it away. The flowers, responding to the warmth, revealed their liveliness as well.

Not long after, people started to gather in a large tent-like platform. And so, my friends and I decided to see what was happening. It was definitely the main course for the day. First, they had a rock concert performance, singing in both Japanese and English. That lifted the calm, sightseeing atmosphere into one filled with loud claps and cheers. I thought the music they sang was classic or old compared to the ones I heard; nevertheless, I enjoyed listening to it. My friends also seemed to have liked it as well and said with a mellow comment, “Not bad.”

Following the concert was a Japanese folk dance, a Samurai play (Samurai Sword Soul), and lastly before we left the stage area, another concert whose songs were sang and composed by Yuki, a Japanese-American who lives in Brooklyn. The Samurai play was amusing in a way, but I didn’t quite understand the context. It was amusing solely because the Samurai who slayed about ten people and died together with his last enemy came back to life along with those who were all killed by the power of a god. I was confused but since everyone was happy and started dancing in the end, it really didn’t matter. Here’s the video, recorded by the user latiasfan2004:

Samurai Sword Soul

I loved the final performance that we saw before we left by Yuki. She sang the song 一緒に帰ろう (Issho ni Kaerou, meaning Let’s Go Home Together). It was different from the first song performance that we heard. It was relaxing and nostalgic, a perfect ending for our departure.

Yuki and Cuties performance of Issho ni Kaerou:

Yuki and Cuties performance – Issho ni Kaerou

Beauty, relaxation, excitement, and fun are only a few words that described my first experience of a Japanese festival. I am certainly looking forward to visiting it again next year!

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Collage Proposal

When the collage project was first introduced, I knew I wanted to make something related to Japan. Then I remembered something I saw in Brooklyn Botanic Garden and also from many anime that I saw – a torii.  A torii is a traditional Japanese gate to shrines, most commonly found at the entrance to a Shinto shrine. Hence, it is the mark of the entrance to a sacred place and holds a special place in Japanese culture.

I thought it would be fascinating to make a torii out of the many Japanese stores, places, events, flowers, and items that are in New York. Together, it would be a sort of “entrance” to Japan-in-America type of cultural encounter; and the torii would be the perfect symbol to link everything in New York together back to its origin in Japan.

Since I have already been to a few Japan cultural events and stores, I have a lot of resources and references to work with, and I will collect more by visiting shops that I have never been to before, such as Kinokuniya (a Japanese bookstore).

For this project, I will be using prezi as advised by Ben so that I can learn more about photo editing and have fun with it. The other unfortunate reason would be that I don’t have color ink to print out the photographs and mess with them.

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Collage Proposal

The theme of my collage will be, “Body Language.” I see body gestures as a universal language where people are not separated because of language barriers. Simple gestures are able to convey emotions and ideas effectively. These gestures are also connected to the subconscious mind, whereas words are able to conceal one’s true emotions. I also see it as a form of art. The spoken language is often decorated with adjectives, nouns, verbs, adverbs, etc. Words are stringed together to form a complex idea. However, body language portrays only the most fundamental ideas. When two people with different cultural backgrounds meet, I believe the first form of communication will be through body language.

For this collage, I will be making a digital collage with pictures of various gestures and descriptions of what these gestures imply. I will be doing research on the connection between body language and the subconscious mind. I’ll also be taking pictures around NYC’s neighborhoods where cultures are constantly clashing. Some of the most obvious body gestures are evident when people come across a new culture for the first time. I will be capturing these emotions and natural body gestures. Together, the collage will depict a culture of unspoken words.

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Collage Proposal

As we explore the world, it becomes almost impossible to avoid the various forms of art that surround us.  Some types of art are more obvious than others, while others are regarded as most profound.  For my collage project, I would like to explore a genre of art that is often forgotten and disregarded as art: Street Art and Graffiti.  Street artists use various methods of creating their art, and a social, or cultural, issue often inspires them.

While countless delinquent children take a mischievous approach to street art and graffiti, many artists do not; often they are hired to create such works of art.  Often times their main objective is to get their ideas expressed publicly and have people notice them and relate them to their own lives.  For this collage, I will travel throughout New York City and photograph some of the most renowned street art and graffiti.  I will also include some images from the web to compliment the various photos I will be taking.  To create this collage, I will use digital media to help portray the various issues that street artists tend to explore.

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Collage Theme

For my collage I want to do something dealing with the number two. I want to show how frequent the number two comes up in our lives. My collage will deal with things coming in pairs along with things that are separate, but are connected to each other. The idea came to me as I was brainstorming. I looked around my room and noticed my pair of jeans lying on the floor. I stopped and thought of the word pair for a second. The word pair brought me to the Chinese saying that “good things come in pairs”. I decided that I wanted to see if the saying rings true by choosing this theme for my collage.

I am not quite sure if I want to do it by hand or use a digital presentation for the presentation of my collage. The only downfall to the presentation is that I feel a handmade collage is stronger and more powerful when it is tangible. In order to have that same mindblowing effect in a digital representation would require flashy effects and transitions that would in itself require more work for me since I am a person who is essentially technologically challenged outside of browsing the internet and checking e-mail. However, I feel that I will most likely use the digital presentation because I have the perfect song to accompany my presentation. By having so, I will also invoke the element of sound in a presentation that would otherwise be mostly visual.

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Collage Proposal

In a city as grand and bustling as New York, there is always something to do. Because people’s lives shouldn’t only revolve around school and work, they take up other activities and hobbies to do during their leisure time. There are so many things to do and see in the city, and I have decided to make a collage of the things New Yorkers or even tourists do during their free time. With so many diverse and multifaceted cultures, there are always millions of different things going on at once, whether it’s sketching something they see, going row-boating, shopping, or even simply taking a walk around Central Park.

I think I will be creating my collage by hand, with a bunch of different pictures that I will be taking around the city. These pictures will portray all the different things that people in New York seem to enjoy doing during their free time.

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Collage Proposal

For my collage, I want to focus on the various street vendors across Manhattan. I want to explore what “wares” they are selling, and the different techniques they employ. There are food vendors, clothing vendors, book vendors, and thousands of other varieties of street carts. Different types of carts are concentrated in different areas in the city. I think that the products that vendors sell says something about the culture they identify with or what they enjoy. I think that Chinatown would not be Chinatown without all of the vendors selling Louis Vuitton, Gucci, and Channel. The Greenwich Village has hundreds of small eclectic street vendors selling anything from tie dye t-shirts to odd antiques.

The techniques vendors use vary from very aggressive to more relaxed. I will use photographs as my primary source of media. I will create a digital collage using Prezi or some other software to create my project. I believe that the diversity among street carts mirrors the diversity of the city’s many inhabitants and cultures. Coming to the city for the first time, I was amazed at all the merchants selling food or clothing on the street. I think that the act of selling to passer-by consumers is unique to New York and big cities in general. The foot traffic supports a large customer base for such vendors creating a convenient, but real an up-close cultural encounter everyday.

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Ancient Cultural Encounter

Everyone has their own unique culture that defines who they are as a person.  But has anyone ever questioned where their origins of their culture came from?  A few days ago, a friend and I ventured to the Museum of Natural History on 81st street.  As a child, I was never a fan of museums, but I decided to give them another shot.

Upon our arrival, we mapped out which exhibits we wanted like to see.  The first one we observed was “Human Origins.”  I particularly enjoyed this exhibit because it showed the beginnings and evolutionary process of human beings.  All around us, we could see various emaciated remains of archaeological findings.  Thousands of years ago, human beings did not have a concept of “culture,” rather people socially constructed it over time.  Our various languages, tools, and styles of art and music define who we are as people today.  While spending time in this exhibit, I could not help but wonder what in fact actually makes a cultural encounter, and how do we know if we are experiencing one?

This exhibit also contained the remains of Lucy.  For those who do not know, Lucy is one of the most famous skeletal remains that archaeologists have uncovered. Due to many years of erosion and decay, Lucy has only small fragments of bones left, leaving her with large chunks of her skeletal structure missing.  Supposedly, archaeologists named “her” this because when they discovered the bones, they were listening to “Lucy in the Sky with Diamonds,” by the Beatles.

Lucy

After wandering through the vast number of exhibits, we stumbled upon the exhibit known as “Central and South America.”  While poking around, I discovered a recreation of Aztec musical instruments.  Since they did not have stringed instruments, the Aztecs had to make do with rattles and bones to create their own type of “music.”  These rattles seem to be made out of clay with a plethora of holes that allowed the Aztecs to create their own type of rhythm.  It is amazing to realize that music has evolved in such a way with the countless instruments and genres that exist today.

Aztec Instruments

Even though I was not particularly enthusiastic about going to the Museum of Natural History, I am glad I made the trip.  While I did not have a typical, modern cultural encounter, I experienced much of ancient culture.  Without observing ancient culture, we would not be able to figure out what makes our own cultures unique today.  Just as we continue to enhance our understanding of culture, I believe we can continue to further understand ourselves, as individuals, through new experiences such as this.

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Times Square

A few weeks ago I went to Times Square for the first time. I was told that it was overrated before I went, but I decided I needed to go as it was THE place that all tourists visit when they come to the city. Although I was told it was crowded, I didn’t expect it to be anywhere near as “packed” as it was. It was very hard to maneuver though the crowds and I uttered a quick “excuse me” every few seconds after bumping into numerous people. I’ve never really enjoyed being in crowds and instinctually I always try to find an empty space to walk through. The lights of the billboards and neon signs lit up the area.

You could feel the energy of the crowds, lights, and sounds. It was like you were in an amusement park. Never have I been to any place similar. In the suburbs of Saint Louis, our only lights are street lamps with their dim yellow bulbs. Here, there were red, green, blue, and yellow lights; all in various shapes and sizes. Some were formed into letters making up company names. Others were entire advertisements on huge big screens. The sound of taxis honking was almost constant. The experience was a little bit stressful with the commotion and bustling so intense. The culture of Manhattan is epitomized by Times Square. It seems the appeal of the city is how much fun the chaos is. It seems ironic, but it’s true.

http://www.trekexchange.com/tours/74

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Collage Theme

For my collage about a cultural encounter, I want to do a collage on my first traditional celebration of Chinese New Year. I realize I am Chinese and that at first it seems like it is not much of an encounter, however I learned a lot from this experience. I always thought of myself as very American growing up so my first real experience learning about the New Year and its customs was an eye-opening experience. In my collage I want to use many aspects of celebrating the New Year from the food, the customs and the zodiac. The food obviously plays a significant role in Chinese New Year since each dish represents something like luck or good fortune for the next year. The customs involve the parade in Chinatown, the dragon dances, and the red envelopes. The zodiac represents which animal the following year will be whether its dog, dragon, rabbit, snake, etc.

For my collage I plan to do it by hand. Finding pictures and doing it digitally may be easier but I feel that one loses out on a lot. If done by hand, I can incorporate more texture such as the ruffles on fans or the embroidery on red envelopes. Obviously I can’t paste cooked foods onto the page but I can put dried foods on the collage such as the ones placed in the traditional candy dish around the New Year. This helps bring the culture to life by having it pop off the page towards the viewer. I also think that by hand, the viewer can vividly see the colors and brightness of the decorations and dragons that are used to celebrate the holiday. The personal effect of a handmade collage also appeals more to me than one done digitally. The disadvantages to a handmade collage are that it is harder to transport, stuff may fall off, and that it may get messy. However I think it is worth it because it will give a better story of my cultural encounter to the viewer.

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Collage Proposal

Even though I have lived in New York City all my life, nothing about my strides on the same streets of New York bored me, because there is always something new and fascinating to me. My collage project will portray the urban streets of New York City through my daily encounters in my commute to school, to clubs, to hangouts, and back home; specifically what I feel makes New York the magnificent city it is.

My presentation will consist of a mostly a variety of photos: from grandeur and infamous architectural masterpieces to miniscule details on the side of a building. My photos will be edited, and may be manipulated to depict my theme and carry the message across. I suppose I will try out Prezi as well for my presentation. With its zoom-in ability, I will zoom into the details of things to show how art is everywhere: from a far-away point of view, to an up-close and clear point of view. Either perspective, this collage will represent the aspects of New York City that stand out to me.

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Collage Proposal

One of the most beautiful things about New York City is its diversity of people. This city represents nearly every country and its customs. Personally, I learn to appreciate a foreign culture by trying out its foods. It’s interesting to see how different we all are, just by comparing our tastes and national dishes. Although analyzing the food that each nationally consumes may seem trivial, it is a huge indication of that people’s history and culture.

My collage project will be based on the different ethnic neighborhoods of New York City. I will include pictures of grocery stores, restaurants, and shops, with a specific focus on how different cultures sell their foods. I will primarily use a photo-editing app to crop the pictures and then Prezi to create the collage. I will use a map of the five boroughs as a template and paste pictures of neighborhoods accordingly. During the presentation, I will initially show the “map of foods”. Although it may first look like a chaos of different colors, I will then zoom in to each neighborhood to show its unique details.

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What Just Happened?

I couldn’t believe it, but this actually happened. I wasn’t sure if I should post this here because instead of culture encounter, I think it is actually shocking and somewhat scary.

It was a Wednesday. I don’t remember why, but we had that day off (it was just for our school). The day before, several friends and I wanted to go shopping at Queens Center Mall, so we decided to meet up at the 34th Street M train station the next day morning and go together.

On Wednesday before 10 o’clock, our meeting time, we all arrived at the platform of the Queens bound M train. Since there were some people I never met before, we started talking about random things in Chinese while waiting for the train to come.

While I was talking, I heard some mumbles on the other side of the group (we had a group of eight, so it was a pretty big group for morning on a weekday). I broke away from my conversation and realized that there was an African American talking this way. He held an almost empty glass Vodka bottle on his left hand, and his right hand was busy doing different kinds of hand signals to us, including the middle finger. At first, I couldn’t understand what he was talking about because he seemed to be swallowing his own words. In fact, the whole time he was talking, I only heard several key words like “counterfeiting”, “fake clothes and bags”, “taking over America”, “taking all the Americans’ jobs”, and so on. It was obvious that he didn’t like Chinese people, but I didn’t understand that in the beginning. I heard the words “skipping school”, so I thought he might had the wrong idea and tried to explain to him that we were not skipping school. He ignored me and went on anyway. In the end, he even pointed at one of my friends and started telling her how Asian she looked and told her directly “Asians are really ugly”. That’s when I realized I encountered a racist. Although there weren’t as much people, all of them were looking in our direction. Not surprisingly, none of them helped us. Just when I thought that I had enough and wanted to talk back to him, he walked away in a “take two steps and slide back one” manner, still yelling out the same words he said to us.

It all happened really quickly. He only stopped for about 30 seconds, but it felt like a whole century. After he left, we stared at each other for about 5 seconds, still not knowing what’s going on, and finally one of us said, “我们好像被歧视了。。。(It seems like we just experienced racism)” We suddenly broke into conversations about that man. We tried to recall what just happened, but the memory seemed so obscure but at the same time so clear for the language he used. After several discussions, we decided to view the man as a lunatic and started laughing so hard all together. After the laugh, we went back to the conversations we had before like nothing had happened.

I don’t know about the others, but that laugh was the bitterest laugh I ever had.

How a Victim of Racism Became a Perpetrator

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Collage Theme

For my collage, I want to use the theme “bond”. However, I want to expand this idea to not only the bonding of human, but also the bonds between cultural, to natural and the world. Therefore, I want to use different kind of symbols and pictures to express what I think “bond” is. Some people say in today’s world, it is hard to make a true connection, but in my opinion, I think it is even harder to not have connections. All human beings are born into a blood ties, and as people grow up, they make different kinds of relationships and connections. After all, human being is a social animal. I know it is a very abstract idea, but I think I can make it work.

I want to use this theme because I think it represent a part of myself. Personally, “bonds” are very important to me, and I would like to express this importance through the making of this collage. Moreover, since this class is about cultural encounter in NYC, the theme “bond” can also relate to the theme of the class in a way. I mean, while making connections, especially in NYC, many people encounter different aspects of different cultural. I want to also include this diversity in my collage.

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iPhonatics

It’s Thursday night. As I approach 5th avenue right before central park, I see the inevitable crowd. It’s a sea of faces-some illuminated with delightful anticipation, some crusting with a lack of sleep. Some nestled under cozy quilts. Some bubbling with energy. The perpetual chatter lights up the avenue with all kinds of crazy stories, questions, deep dreams, partyers, crowd-pleasers, drunkards, nerds, black people, white people, beige, orange, purple and the occasional shameless dancing-lunatic-weirdo. “Party Rocker” boomed out of a stereo system, competing with the sound of two 20-something girls near the back violently barking at each other about who was ahead of who. A reporter and his camera man hover around the bustling crowd. “How long have you been waiting here for?” He asks a group of guys. “Seven hours.” A bystander walking down the block turns to her friend and says, “Wow. All this for a phone.” Within 10 minutes, the line had wrapped around several blocks. I can’t think of a more interesting way to learn about business, sociology and calculus than to stand and watch thousands of people lining up for the iPhone 5.

1. I learned how marketing makes people feel that they “have to have it first”
http://www.apple.com/iphone/videos/ – tv-ads-physics

2. I learned how technology brings thousands of strangers together
http://www.blogcdn.com//media/2012/09/applefifthave92112.jpg

3. And most importantly, I learned “at what rate, in people per second, is the crowd accumulating when f(x) = (25cos(x) – 60pi (tan(4x))/(5.328x – sqrt71)

Just kidding.

Welcome to the technological revolution. We are dots and numbers on a timeline that will go in a history book to eventually represent ‘the generation of iPeople’.  Yes, I envy the people who got to live through the ‘bodacious 60’s’ and the Disco Decade, but nothing compares to seeing first-hand the phenomenon that’s taking place in the dawning of the 21st century. iPhones, iPads, MacBooks are everywhere. In Starbucks you’ll see people writing their novels on their laptops while nonchalantly sipping an iced Caramel Macchiato. No offense to anyone who uses address books, but who uses them anymore? When someone asks for your number, they will most likely hand you their phone. And then you see 5-year-old kids on the train keeping busy with Angry Birds as their mothers read 50 Shades of Grey on the Kindle or iPad. Even in our very own Baruch BUS1000H lecture hall, a sea of silver MacBook Pros light up the room, all aligned like windows of a building at night. A few years ago I read an article about an author whose handwriting became completely illegible because he wrote everything with the keyboard. It makes me wonder—how long until pencils and paper become totally obsolete?

Technology fascinates me.

Technology fascinates toddlers too, apparently. Whenever I babysit my cousins, I have to make an extra effort to hide my iPhone from my four year old cousin. Otherwise, she will hog it for literally two hours and spam my camera with photos from Camwow, an app that distorts photos to make them look funny. So if I hear perpetual hysterical laughter for an abnormal amount of time, it is a certain indication that my phone has been hijacked.

The first time I babysat Joey (from a different family), he pulled me over to look at his dinosaurs. He took his daddy’s iPad off the charger and pulled up a picture book of dinosaur diagrams with no words. “That’s Brachylophosaurus. That’s Stegosaurus. Giganotosaurus….” And he continued to leave me in awe as he pronounced the names perfectly from his memory. Oh, and he’s about six. That moment lowered my self-esteem to a sad level.

Fact of the matter is, this 21st century American culture is immersed in the technology era. It’s interesting every now and then to take a step back from the hustle and bustle of the city to simply observe how connected we all are. And how silly we are.

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Unexpected Help on the Subway

I was sitting on the train coming home from school one day doing my French homework and minding my own business. At one stop, a middle-aged African American man came onto the train and sat down next to me. There’s nothing different here, so I continued my homework. The train leaves the station and everything continues on normally, I do my work, people talk, I move my bag away from the spilled coffee. But then out of nowhere I hear:

“Parlez-vous francais?”

I glance over and he’s talking to me. He must have looked over my shoulder and saw my homework with all its scribbles and terrible grammar. Of course in a mix of shock and me not being great at French, I start stuttering.

“Uh, ummm.. oui un peu.”

Yes, saved myself for a little I thought. But then he continued to talk and I would quote him again but I have no idea what he said. I thought to myself that this is going to be a long and awkward train ride. Why didn’t I just sleep instead of trying to do work?  Instead I just responded in English that I was only in my second year studying French and wasn’t very good at it. He then started to help me with my conversational skills, giving me tips and advice on how to be more spontaneous with conversation. We continued talking and he ended up helping me finish my homework.

After some talk about verbs and studying, we moved on and talked about French culture. I specifically remember talking about the controversy over the burqa ban in France and learning a lot from him. He was really easy to talk to, even though he was a complete stranger. We talked for about 12 stops until I had to get off. As I was getting off the train, I thanked him for everything and wished him the best. With a handshake he replied:

“Bonne chance!”

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Adapting

I think it’s impossible to say who I am exactly because people are changing constantly. Whether it’s a new experience, a new article I find on the Internet, or a person I meet recently, all of these little things will have an impact on me one way or another. I like to think of myself as a filter. Whenever people tell me about their new experiences and what they could have done to improve them, I would learn from their mistakes. I’m also constantly filtering out flaws in the things I do, and then searching for ways to fix these flaws.

In a couple of words, I may be a perfectionist to some and a determined person to others. I always want to excel in the things I do, and picking out flaws is the first step to improving. For example, it took me many months to learn how to play “Croatian Rhapsody” by Maksim Mrvica, on the piano. I didn’t have a piano instructor at the time so I had to depend on what I learned in the past in order to play this tune. From merely figuring out the major to finding the notes to each chord, I spent hours in front of the piano every weekend. Originally, I thought I would only have to spend a weekend searching for each chord. However, one weekend turned into one month, and this was just the first step. I still had to figure out the style of the music, and perfect the transition between each chord. This is an everlasting process, just like how defining myself is. Sitting in front of a piano and practicing a piece for hours at a time can be tedious at times. Giving up always seems like the easier option. However, playing the piano has taught me that determination does pay off in the end. I enjoy the feeling of satisfaction I get when I’m able to play one piece with the correct style and notes.

I can always improve on a technique I use when I’m playing this piece, just like how I can be improving a part of my personality as society’s standards change. I’m constantly learning from my mistakes and improving. The ultimate goal is not to be a perfectionist, but rather, to be proud of what I do.

So who am I? A girl who is trying to search for an answer to this question because my answer changes constantly.

Here’s a video of “Croatian Rhapsody” performed Live by Maksim Mrvica
[iframe width=”640″ height=”480″ src=”http://www.youtube.com/embed/7DKBKZ8Cxeo?rel=0″ frameborder=”0″ allowfullscreen></iframe]

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Ein süßes chinesisches Mädchen hat mir geholfen

“Wo bist du?” I couldn’t help but overhear a German lady ask for her friend’s location over the phone.
“Roosevelt? Wo ist Roosevelt Avenue?”
Pause –
“Roosevelt Avenue und neunzig Straße?”
Pause –
Her face appeared so lost, looking left and right and in every direction possible.

I was in Jackson Heights, home to majority Hispanic, Indian, and a bit of Korean culture. Jackson Heights is the last place I’d expect to hear German.

Although I had learned German in my first three years of high school, I only remembered fragments. I felt hesitant.

“Uhh … “ I approached her.

“Entschuldigung? Excuse me? Sind Sie versuchen, für Roosevelt Avenue und neunzig Straße finden? I asked, hoping I got all the verb conjugations right and the proper etiquette for speaking to a stranger.

“Ja! Wissen Sie?” She said in excitement.

“Ja. Uhm. It’s 2 blocks down this street and left another. So Sie gehen zwei Straßen und dann gehen Sie nach links.” I tried, translating my own English. In my head, I was more concerned over my grammatical syntax than the idea that I was trying to help a stranger with directions. It was like a mini pop quiz in my head, and my heart started to pound. I felt embarrassed to butcher the beautiful language in front of a native speaker. I never really spoke German outside of the classroom other than playing around with my friends. At the same time, I felt knowledgeable and helpful.

“Danke schon!” she thanked me with a puff of air in relief to finally know where to go.

“Bitte,” I smiled, and huffed a breath of air to realize the “quiz” was over, and I succeeded.

“Ein süßes chinesisches Mädchen hat mir geholfen,” I hear her telling her friend as she crossed the street in a hurry.

“A sweet Chinese girl helped me,” she had said. That cultural encounter made my day.

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Balling at night

The last time I wrote a reflection was when I was taking poetry in high school. Although embarassing, I wrote it in the form of a poem. It was a unique experience because as I stopped to think about what to write about myself, I also learned about how I viewed myself. Thinking back even further to all the past reflections I’ve ever written, they were all different. I guess that makes sense because what’s the point of reflections if we were the same person forever. The truth is that we’re not the same person from the day we’re born to the day we die. Each day that passes by can surprisingly change us or put us through a realization of who we really are and the qualities we possess. Through reflection we expose ourselves not only to the world but we also face reality in who we really are. I believe it is a learning process that is important every so often to see if we have become to people we wished to be in previous years or if we have drifted from the goals of our past. With that being said, I’d like to share an event that reveals a single yet important merit.

It was a cool August evening and as summer vacation drew to an end, I figured I’d call out Kevin and Andy to hangout at the park one last time. Now basketball wasn’t our sport to play, but it was a team sport and win or lose, as long as we had fun together, we didn’t care. We decided to play against another group of three. Their group consisted of three white males who were spoke english but opted to speak in a foreign language. They were definitely older than us by a few years.

As I had said before, basketball wasn’t our sport so we decided on a short 11-point game. Everything was going fine with both teams giving it their all. To my surprise, my friends and I were doing really well in the beginning and played a fair game. Everything went well  until the score was 7-2. Just four points away from winning, we started to lost our drive, but that wasn’t the only problem here. Throughout the whole game, the opposing team had one bad egg that was extremely frustrated that they were losing.

It wasn’t until 7-2 that that one person decided to conduct unsportsmanlike conduct and began to “cheat” his way for more points. Now I say cheat with quotations because there is no referee in street ball. In street ball, you’d normally take a slight beating to the body with a few bumps here and there and no one calls fouls unless its something like being smacked in the face or elbowed in the stomach. But this one person calls fouls on my friends for accidentally slapping his wrist ever so slightly out of the frustration that he was losing to kids. Looking back on it, I find it funny how he thought that age commands authority and skill.

I was pissed at the fouls he called and we argued like two dogs barking at each other. At one point I lost it and wanted to deck this guy in the face. But I didn’t. I shut up, stopped, and walked away. I threw the game. I felt horrible like my pride just got shitted on because I didn’t do anything.

That night I thought back to why I stopped my clenched fist from throwing a punch. I came to the conclusion that it was to protect my friends. I realized that like the guy on the opposing team, I was extremely vocal too. Except I argued for my friends and he argued for himself and his desire to win. He placed the game above his friends and yelled at them whereas I cared for the well-being of my friends. I don’t think I can stand to see my friends injured because of what I brought them into.

It’s funny because when I talked about it with Andy, he told me that in the midst of the conflict he asked himself “am I going home tonight?” because he knows how stubborn I can get and how my pride is usually at the top of my agenda from past experiences. I remember walking away thinking why I didn’t fight and why I let them step all over me. That night taught me how much I actually cared for my friends. While I may have lost the game, the pride in my friendship shines brighter than any pride won with violence.

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