Straight White Men

Our group consisted of Erica Loo, Daniel Seo and Chloe Chai. We initially chose this performance because of the director and playwright Young Jean Lee. We were trying to focus our choices on a theme of Asian American artists and how they were being represented in New York City’s artistic scene. When we continued to research more about Young Jean Lee we found that she was making a huge impact as a playwright because of her choice of issues that she tackles within her performances. Death, racism, and privilege are a few of those issues which Young Jean Lee brings to light in a variety of ways. Young Jean Lee doesn’t just stick to playwrights but exhibits the different issues through songs as well as dance. She has created her own space called Young Jean Lee’s Theater Company where she is able to direct, create, and perform her pieces. She is a dynamic writer that really dives out of her own comfort zone in order to make the audience jump out of theirs.

As the other groups have mentioned the story line and the interactions between the brothers starts off very light-heartedly, but the tension slowly began to build as it progressed. The climax was short and had an awkward atmosphere that was amplified because the play abruptly ended after Ed, the dad, had asked Matt to move out. This ending was really unsatisfying but it did have a huge effect on the audience. After the show we didn’t know how to respond to the ending or even the entirety of the show. We were all still trying to wrap our minds around what had just occurred because the ending really didn’t provide us with answers. After we silently walked out of the Public Theater and began walking towards the train station, we finally started to discuss our thoughts. We were all so confused and avoided answering what we thought about the play. But our confusion made us dig deeper into the play. We started analyzing the music, the actions of each brother, the jobs they had, the choices they made and the words they said. As we continued to talk about our individual experiences watching the play, we realized that we had learned about what it was like to be a straight white male. We were sympathizing with the characters, and were able to see a glimpse if not the entirety of the message. We each felt differently about the play and empathized with a different character, but all agreed that this play had a huge impact on the way we now see privilege.

— Erica, Daniel, Chloe

We highly recommend watching this play, but sadly this production has come to the end of its run. But The New York Times has written a review on this production which you can read here:

http://www.nytimes.com/2014/11/19/theater/straight-white-men-opens-at-the-public-theater.html?_r=0

Not only was this play reviewed by The New York Times but also chosen as one of New York Time’s Top 10 Best Theater of 2014, which you can read about here:

http://www.nytimes.com/2014/12/14/theater/charles-isherwoods-best-theater-of-2014-father-comes-home-from-the-wars-and-more.html?ref=theater&_r=1

What a Privilege

The most controversial performance that I have watched this semester was Young Jean Lee’s Straight White Men. I originally chose this not because it sounded interesting, but because of the director herself. Young Jean Lee is the director as well as the playwright who runs her own company the Young Jean Lee’s Theater Company. Her bold endeavors are admirable and even more so because her plays are all on extremely tough subjects. They deal with feminism, race, privilege, and all the things that even make Young Jean Lee uncomfortable when she writes them. Her playwright’s philosophy is interesting: she wants to explore the uncomfortable topics and make her audiences move past their initial defense. She strives to “open people up to confronting difficult questions by keeping them disoriented and laughing”, as Young Jean Lee best puts it in her artistic statement.

My own experience going to watch the play was quite fascinating. I couldn’t believe they were playing the kind of music that they were playing as we were finding our seats before the show. The space itself was interesting and I felt it fit the personality of Young Jean Lee really well. The Public Theater had many different dynamics all housed under one roof. There is a bar just as you walk in, and a few parties going on at the same time with gentlemen and ladies dressed to the nines holding their posh glasses of wine. There were even women in their gowns holding glasses of wine and retouching their makeup in the bathroom. The group of people that were watching the play were mostly white and older, around 50-60, so it was fascinating to see their reactions to the very contemporary music. After the play, I tried to see Young Jean Lee’s perspective and understand why she would have used that particular music and I discovered one thing. The play was addressing issues that everybody seems to be tiptoeing around in society, and just how the rap song made the audience feel uncomfortable, it was a foreshadowing of the actual play. Young Jean Lee aims to make certain crowds uncomfortable by addressing taboo issues head on.

The storyline started off playful, showing a typical sibling interaction. As it goes on, we began to feel the building tension between the brothers. When the play climaxed, everything exploded. The unaddressed topics that were hiding behind the politeness of being respectful were confronted. Young Jean Lee took the epitome of privilege in society’s eyes, a straight white male, and made them seem so vulnerable. She taught the audience that there was flip side to being a straight white male and completely changed the view that they have it easy. What made her characters respectable were that they weren’t society’s stereotypical straight white males who took their privilege for granted. All the brothers were brought up by their mother to be fully aware of their status and privilege. This made the story and message even more impactful because they were equipped with the knowledge of social inequality. All in all this was a performance that I would like to watch again. I want to find something else that I might have missed in the experience or during the play.

We need the energizer bunny #2.75hourclass #sleepy #artsfordays #eyebaggamestrong #whatarewedoing?

Why can’t I draw like that? #demzebrasdoe #hersketchesarebetterthanmine #stickfigures #TaraSabharwal #Residency #congrats

But I can’t do arts….I need to make some #guap #DanielKelley #TaraSabharwal #enlightened #theydidit