Nature Untarnished

Sebastiao Salgado’s “Genesis”, displayed at the International Center of Photography, was the first exhibition that our group – Shahrouk and Justin – went to for our assignment. In “Genesis”, Salgado captured the raw power of nature in a series of black and white photographs. In a project that took 8 years, Salgado traveled to every corner of the world to photograph nature that was untouched and untarnished by man.

“Genesis” covered a variety of landscapes, from mountain ranges to tundras to deserts. From the photographs that were displayed, it was apparent to us that Salgado had gone to great lengths to accomplish his project. There were photographs across from a leopard, as well as at the edge of a lake filled with caymans. Salgado had placed himself in a great deal of danger for these shots, but in doing so, he had taken photographs that most people would never see in their lifetimes. Most of Salgado’s work comprised of his natural landscapes. These were taken at surrealistic angles and times. Many of these photographs, especially those of Brooks Range and Bryce Canyon, look mythical. They portray a powerful side of natural that is not observable in highly urbanized world.

Salgado’s exhibition also sends a clear environmental message. He shows us the beauty of nature when man does not encroach upon it with cities and skyscrapers. This sort of beauty has to be preserved before it vanishes forever from our world. “Genesis” not only shows us the beauty of the natural world around us, but also what we stand to lose should we not take appropriate action to safeguard it.

 

The Result of an 8 Year Worldwide Expedition

“In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.
—Sebastião Salgado

The International Center of Photography is the first American venue to present Sebastião Salgado: Genesis, his third long-term series on global issues. Our group – Tony Chu, Pun, Elyssa Sur – had decided to switch to this particular exhibition from the Asia Society exhibition, and boy were we glad that we did. After a little bit of research into the exhibition, we found that even at first glance, his photographs online were compelling, so we thought it would definitely be worth it to see them in person and in a larger scale.

The message Salgado desires toexpress through his Genesis project is for those living in this world to preserve what exists. His photography has shown us an entirely new meaning to how powerful one photo, or in his case, over 200 photos can be. Through over 30 trips travelled by foot, light aircraft, seagoing vessels, canoes, and balloons, he beautifully captures a collection of images that shows us a perspective of nature, animals, and indigenous peoples that we would never have even dreamt of seeing with our own eyes or face to face,even though everything he has captured is present at this very moment. The compilation of his Genesis project took 8 years to capture and select the photos displayed at the ICP now, and so many of them are simply just breathtaking. Each of us found that there was something sort of enchanting about each of his photographs. Salgado was able to successfully draw us towards his pictures to examine every detail. We thought that his landscape photography was stunning and the way Salgado captured the pure natural beauty left in the world as well as in distant cultures, strikes a stark contrast to how much of modern society has become distanced fromnature. The collection is not only a reminder of the natural beauty from which the earth roots its origins, before humans transformed the planet, but it is also the possible beginning of a movement to preserve the planet and protect its beauty.

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~Tony Chu, Pun, & Elyssa Sur

The World Before Industrialization: Genesis

Genesis, an exhibit featuring the photography of Sebastio Salgado, has the purpose of depicting the beauty of pure nature.  The abstract of the exhibit states it as a “journey to the landscapes, seascapes, animals and peoples that have so far escaped the long reach of today’s world.”  His exhibit takes you around the world with him as if you had been there.  It captured majestic landscapes with purple mountains reaching into the sky, pristine lakes, and untouched snow laden lands.  There had been one clear absence, industrialized societies.  Although humans were present in many of the photos, they had lived in harmony in nature.  They had not caused massive deforestation or exploited natural resources, but instead lived as hunters and gatherers.  Our group had liked the photos of pure landscapes more but the pictures with these “primitive” societies had posed a giant question to us.  Are these people less expendable than we are in our society?  If one of us dies, there are millions more to take our place due to the size of the population our lifestyle supports, but if one of them dies, they lose a hunter, a child-bearer, a midwife, or a craftsman.  Their groups are so small that every man and woman is more important to their society.

The overall exhibit had been very easy to follow along.  Each specific part of the exhibit focuses on a different region in the world.  From the frigid regions of the Antarctic to the tropical regions of South America, you see the animals, landscapes and peoples of all the areas.  Each photo from each section was placed on a color that corresponded to that section to keep you from becoming overwhelmed.  Some photographs even came with audio-tours to further describe the picture beyond the brief description that came with it.

When our group had seen some of the humans that lived in the societies mentioned above, we had encountered major culture shocks, particularly those that lived in Africa.  We had seen people with large lip plates and scarification all over their bodies.  Although it does not fully make sense to us, these traditions probably have very long cultural roots.  Although not in the exhibit, we came to think about one tribe in Africa that had required women to wear neck braces from the time that they enter puberty.  The reason they started doing this, however, had been because men from another tribe would invade and take their tribe’s women and so in order to prevent this, they began to make the women wear the neck braces so that they would only be beautiful to the women of their tribe.  Although it does not fully explain to us, that live in a “civilized” society, why exactly they would still start the tradition, it does not make them any less human.  This was apparent in one photograph of a boy, playing with a necklace around his neck.  He was just like any other boy his age, finding joy and entertainment in some of the most basic things.  He had that playful spirit like what we had when we were children.

There had only been one problem with the exhibit that our group found.  It had not been with the photographs themselves but with the way they had been displayed.  The lighting in the room and the frames that the photos were displayed in made a very bad glare on some photos.  Although the problem was very minimal, we felt that it took slightly away from the exhibit.

Kevin, Adrian, Joshua