Upon arriving at the NAWA exhibit I was shocked by the exclusiveness of it. I expected something much different than was there. Although shocked, I was not disappointed. The atmosphere alone of the exhibit was something I connected with being that it wasn’t just a regular museum. I wondered about placement and why certain paintings were where they were and what message artists wanted to convey.
The piece ‘the night the moon ate the stars’ by Virginia Mallon spoke to me because I had felt a connection to the way the girls face was portrayed. I interpreted the moon eating the stars as sucking the light out of the night, and in somewhat, the universe. It interested me how the girls face was drawn the same as the moon was represented and what this meant to the artist. I thought about it may not be what the actual girl was feeling but rather yet just a reflection of the night. It made me think about how we could take on the environment around us in many different ways. This includes reflecting off of people around us and their emotions, etc.
Lauren Davis’ ‘nude’ made it easy to fully interpret Ways of Seeing by John Berger when he writes about the portrayal of women in art. Its amazing to see how he is able to still identify something so present in Davis’ painting. The woman that was drawn reflected his ideal of the female nude being drawn for pleasure. The painting shows the woman draw as a object to look at and admire. The way she is drawn is appealing and flattering to her shape in which makes the art a nude of a woman rather than depicting her “nakedness.” It stuck out to me that the artist may have unknowingly done that because of the ingrained ‘drawing women nude” culture thats ingrained into society. I admired the painting for a while for technique but I still found the expression on the woman’s face intriguing also. Her expression was hard to interpret for me and I found myself constantly wandering back to her painting even after my waling through the exhibit.
Visiting the NAWA made me think about reoccurring themes throughout all the paintings I saw and how they all fit together to form the exhibit. I was inspired by the fact that many of these paintings involved women, and often their expressions or body languages were not positive. The piece ‘Sandy’, by Janet Tsakis, was one of which I connected to because of the feeling that is so universal that was depicted. I enjoyed the NAWA exhibit because the kind of art it depicted was different than that of mainstream museums and left doors open for thought and reflecting per piece.