Category: Blog Postings

Song of the Moon by Claude McKay

The moonlight breaks upon the city’s domes,
And falls along cemented steel and stone,
Upon the grayness of a million homes,
Lugubrious in unchanging monotone.
Upon the clothes behind the tenement,
That hang like ghosts suspended from the lines,
Linking each flat to each indifferent,
Incongruous and strange the moonlight shines.

There is no magic from your presence here,
So, moon, sad moon, tuck up your trailing robe,
Whose silver seems antique and so severe
Against the glow of one electric globe.

Go spill your beauty on the laughing faces
Of happy flowers that bloom a thousand hues,
Waiting on tiptoe in the wilding spaces,
To drink your wine mixed with sweet drafts of dews.

Claude McKay

Worked Late on a Tuesday Night

Worked Late on a Tuesday Night

By: Deborah Garrison

Again.
Midtown is blasted out and silent,
drained of the crowd and its doggy day.
I trample the scraps of deli lunches
some ate outdoors as they stared dumbly
or hooted at us career girls—the haggard
beauties, the vivid can-dos, open raincoats aflap
in the March wind as we crossed to and fro
in front of the Public Library.

Never thought you’d be one of them,
did you, little Lady?
Little Miss Phi Beta Kappa,
with your closetful of pleated
skirts, twenty-nine till death do us
part! Don’t you see?
The good schoolgirl turns thirty,
forty, singing the song of time management
all day long, lugging the briefcase

home. So at 10:00 PM
you’re standing here
with your hand in the air,
cold but too stubborn to reach
into your pocket for a glove, cursing
the freezing rain as though it were
your difficulty. It’s pathetic,
and nobody’s fault but
your own. Now

the tears,
down into the collar.
Cabs, cabs, but none for hire.
I haven’t had dinner; I’m not half
of what I meant to be.
Among other things, the mother
of three. Too tired, tonight,
to seduce the father.

Fun Size!

Standing at five foot zero, I have always been the shortest person in the room, other than children. I am the shortest in my family and have been made fun of for my height but I still feel as if I stand tall because of my confidence in my character. Being so short, I always look up to new experiences, literally and figuratively. So what may pose as normal to some may pose as big to me.

Through my eyes, everything has been bigger but not necessarily better. I’ve learned to find the genuine and unique details of the smaller things in life. On the Highline, for instance, everything did appear to be bigger than me, however, everything was not better because it was bigger. There are tiny pieces of artwork that I can easily see to be better than massive buildings of work. It is not the size of the art but the meaning of it that I see first and because of this perception I do not think bigger is better.

The Twin Towers

For a majority of my life, I was always the tall girl. I had a bunch a nicknames relating to my height; the most popular one was given to my friend—who was almost my same height—and I and we were called “The Twin Towers.” I never got offended by any of these names because I saw it as a compliment; it made me feel dominant especially when I would play different sports with the guys. However, I have never taken the time to think of myself in relation to the enormous structures that surround me. After visiting the High Line and thinking about the size of the buildings, I realized that at the end of the day I am small. We are all small in comparison to these amazing sights, no matter what your size or role is in the world. This may seem like a depressing statement; however, it is the exact opposite. These oversized artworks give us something that everyone can connect to. Although it may appear that the buildings are consuming us on our everyday walks through the city, on the High Line we were able to look through the buildings while still appreciating their great stature.

“From War” by C.K. Williams

Fall’s first freshnesss, strange: the season’s ceaseless wheel,

starlings starting south, the annealed leaves ready to release,

yet still those columns of nothingness rise from their own ruins,

their twisted carcasses of steel and rise still fume, and still,

one by one, tacked up on walls by hopeful lovers, husbands, wives,

the absent faces wait, already tattering, fading, going out.

These things that happen in the particle of time we have to be alive,

these violations which almost more than altar, ark, or mosque embody sanctity by

enacting sanctity so precisely sanctity’s desecration.

These voices of bereavement asking of us what isn’t to be given.

These suddenly smudged images of consonance and peace.

These fearful burdens to borne: complicity, contrition, grief.

Yūgen – 幽玄

Often times when walking through Manhattan, you feel small, regardless of whether you’re 6’7″ or 4’8″, the mere size and dimensions of the skyscrapers completely overwhelm you as you realize that you are insignificant compared to these man-made giants as well as insignificant in the grand scheme of society and life and other greater functions. Large beautiful buildings such as the Empire State, the Freedom Tower, even the Colosseum in Rome or the Burj Khalifa in Dubai can instill this feeling of wonder and awe. Some works that I’ve seen by Mark Rothko also do this, as some of his works consist of large canvases containing a few solid colors and nothing more. The word that comes to mind does not exist in English, but the Japanese do have a term for it: 幽玄 (Yūgen), meaning “an awareness of the universe that triggers emotional responses too deep and mysterious for words”.