Category Archives: Announcements

EZ-2-Remember URL for New York Dreams

At this point we’ve ironed out most of the kinks with the New York Dreams site, so we should share it so others can read the amazing stories you wrote. (That said, if you discover anything that still needs fixin’, feel free to edit or contact me with a bug report.)

Instead of the long eportfolios address, you can simply share nydreams.ga, our very own domain name courtesy of the Gabonese Republic.

Happy

from Connie:

This is just to tell you all that I think the DREAMS project turned out brilliantly. When I read the final postings on the site, with all the eloquent and varied stories and all the beautiful images and other bells and whistles, I just felt very proud of you all and very lucky to have had such a great and
talented class. cr

Final exam

The seminar has focused on immigration in New York City in the 19th, 20th and early 21st century. The nature of immigration to the city and the nation was dramatically transformed by the Hart-Celler Immigration Act of 1965.

In a well-structured essay of 1,000 words, discuss difference and similarities between the immigrants of the 18th, 19th and first half of the 20th century, and those who followed in the last half of the 20th century and the early 21st century. Consider such issues as politics, economics, the city’s neighborhoods, discrimination and prejudice, language, family dynamics, culture, and assimilation.

Your essays should incorporate material from the readings, speakers, and in-class discussions as well as research you’ve done for your neighborhood essay and the New York Dreams website. I’m looking not only for your broad grasp of the issue but also your mastery of details. Essays will be judged on writing ability as well as content.

Please being a paper copy of your exam essay to the final class this Wednesday, May 21, so it can be handed in by 7 p.m. If you have trouble printing out your exam essay, it can be emailed to me by that time, but a paper copy is preferable. Please email me if you have any questions. cr

Creating your New York Dreams story

As you know, we are using Eportfolios with the Aesop Story Engine enabled for our New York Dreams public site.

As I mentioned last night, the user interface of Aesop unfortunately leaves a lot to be desired, making for a poor user experience (or “UX,” as the cool kids put it).

So I thought I’d make some resources available here to help you create your stories with additional components, such as pull quotes, video, images, maps, and more. That way, you hopefully won’t have to do too much of this:

Step 1: Create a New Post

Nothing surprising here.

Create a new post and title it. Choose a short, snappy title.
Create a new post and title it. Choose a short, snappy title.

Step 2: Set a Subhead

Enter your subhead in the “Excerpt” field. If it does not appear on your screen, you may have to enable it first.

Enable the Excerpt field (if necessary) and enter your subhead.
Enable the Excerpt field (if necessary) and enter your subhead.

Step 3: Set a Featured Image

The featured image becomes the image background for your story tile on the landing page as well as the cover image at the top of your story. Make sure to use a wide, high-resolution image. If you took an image yourself, great. Otherwise, you can use public domain or Creative Commons stock images. Make sure to add an attribution if required.

Set a featured image and add a photographer attribution if required by the Creative Commons license.
Set a featured image and add a photographer attribution if required by the Creative Commons license.

Step 4: Add Your Copy

This is pretty obvious, though it might help to enable “Paste as Text” mode if your text contains weird formatting (e.g., differing font sizes and faces) that you want to get rid of.

For relaxing time, make it gremlin zapping time.
For relaxing time, make it gremlin zapping time.

Step 5: Add Components

This is where the Aesop engine comes in! Most Aesop functions are accessible by clicking on the “Add Component” button.

How to get to the confusing Aesop menus.
How to get to the confusing Aesop menus.
Pull quotes

First, let’s use the pull quote component. There are lots of options you can play with, but the most important thing is to enter in the quote.

5a_pull_quote

Adding components generates shortcodes in square brackets, in this case [[aesop_quote]]. If you have to change the text in the quote, it’s probably easiest to edit the text inside the shortcode.

Please feel free to play around with the options. You can’t really break anything.

Videos

I’ll show you how to embed a video from an external source, in this case YouTube.

5b_video

Audio

I’m not sure which audio formats Aesop supports, but to play it safe, try to use common formats like MP3.

5c_audio

Note that if you want a component to appear in a different part of your story, it’s as easy as cutting and pasting the shortcode (the stuff in the square brackets) to a different part of your post.

Map

This is definitely the most confusing and poorly developed feature. You have to figure out the latitude and longitude where you want your map centered. One way to do so is by using Open Street Map, as I do in the screencapture below. Try out different zoom levels. For a neighborhood map, something between 13 and 15 should work. You can also set the height of the map (in pixels). Something between 240 and 640 is probably good.

5d_map

You can also add markers to your map, in which case you also have to find out the lat and long and manually enter them. Even more confusing :(

5d_map_markers

Feel free to ask me for help, especially with this last part. In general, please take time to explore the various options!

Step 6: Celebrate!

Extended deadline for New York Dreams stories

Considering that Aesop is more cumbersome to use than anticipated, I will make some resources available to you to guide you through creating your story and adding story elements. I hope to have them up later today.

We will grant you four extra days to get your entries up on the New York Dreams site. The firm deadline now is Sunday, May 18, at midnight CEST. If you can finish earlier, please try to do so. That way I (John) can iron out remaining kinks with the site so it looks extra fantabulous when we go public.

Please let me know if you have trouble editing your own or your fellow students’ posts.

Reminder: Your stories should be around 500 words in length.

Next week’s final exam

The final exam will be a take-home exam. It will be posted on this site on Monday, May 19, at 8 a.m., and a paper copy will be due in class on Wednesday, May 21.

The exam will require you to write an essay in response to a writing prompt. In your essay, you will have to make use of course readings as well as information learned from guest speakers and the research you conducted for your assignments and the New York Dreams site.

Questions, comments, concerns — please post a comment here!

Yes, the featured image (compliments of Pedro Szekely) is misleading.

The New York That Helmreich Knows

from Connie:

Since his appearance in class was such a hit, and since a couple of you inquired about the courses he teaches elsewhere at CUNY, I wanted to share the terrific syllabus for his sociology course that focuses on NYC. (As you’ll see, since he was kind enough to share it with me when I was planning the curriculum for this course, I cribbed liberally from it.) I really think if you read everything he suggested, not that that wouldn’t take a while, you’d really be an expert on NY.

Download (PDF, Unknown)

And please, any thoughts about his appearance in class, don’t hesitate to share. No matter how long a person has been teaching, that person’s always gratified when students are responsive. Bill told me after class that the reason he stayed so long is because he enjoyed the evening so much, and that’s a compliment to all your smart comments and questions.

Copyediting New York Dreams

I know John has made you all editors on the site, so you’ll be able to edit not only your own posts but also other people’s. 

Because this site will be open to the public, anything that can be done in the way of catching typos, misspellings, etc., will be great. So don’t hesitate to give your postings an extra look to make sure there are no glitches. And if you see something in someone else’s post, don’t hesitate to just adjust that too. That person will thank you.

I always feel lucky when someone catches my errors, and everything we can do to make the site error-free will be all to the good. If any questions, don’t hesitate to shoot me an email. Thanks. cr

Religious holidays and the NYC school calendar

note from Connie:

Muslims in New York City Unite on Push to Add Holidays to School Calendar

This is the sort of story you simply wouldn’t have seen in the Times or probably anywhere else even a decade or so ago.

And a question: How should the city determine which ethnic and religious groups should get holidays? Should the decision be based on the size of population, and if so, does that discriminate against groups less well represented in the city? What do you think?

Choose Your Neighborhood

Please respond to this post with the neighborhood you are planning to profile for assignment #4. (See this post for additional instructions for that assignment that do not appear in your syllabi.)

For the digital component of your assignment (if you decide to have one), you can use this site or a tool like Silk to collect images, audio and/or video. Contact me if you have any questions about how best to do this.

Have a lovely break!

Essay on the Meaning of Home

from Connie:

In poking around the NYTimes site, I came across this essay on the meaning of home, written by Roger Cohen, a very eloquent columnist and former reporter for the paper. Indirectly, it explores many of the themes we’ve been talking about in class, notably the meaning of home and what happens when people leave or return to their homelands.

I’d be interested in your comments. Please, everyone share a few lines about his argument and whether and how it resonates with you.

Grades and Writing

from Connie:

For those of your eager to improve both your grades and your writing, know that if you rewrite an assignment and it’s better the second time around (which I’m sure it will be), you’ll get the higher grade.

Also, any of you who want to meet with me for a short conference, either before or after class, to discuss ways to improve a paper, I’m happy to do that; just shoot me an email and we can arrange a time.

Finally, I can’t stress too strongly the importance of reading the essay on good writing by Bill Zinsser. It’s brilliant and it will help make anyone a better and clearer writer.

Final Paper Assignment Clarification

from Connie:

Since the final writing assignment won’t be linked to our public-facing web project, I wanted to throw out a few ideas to help clarify that assignment, which is described as follows:

Assignment #4: Neighborhood portrait. This is the major writing assignment for the seminar. Working individually or in groups, you’ll be asked to choose a neighborhood that is interesting in terms of its ethnic history or political or social aspects, and to tell its story through factual and statistical information (history, demographics, physical appearance, etc.), your own observations, and the stories of residents, based on in-person interviews.

A few points to keep in mind in choosing a neighborhood

Don’t forget the convenience of getting there and doing research. You might want to return to a neighborhood about which you’ve written in a previous assignment, but you might want to explore a new setting, so you don’t feel as if you’re endlessly repeating yourself.

The paper is due May 7, so you have just over a month to work on it. The length is 1,500 words, and it can run a bit longer since there’s lots of ground to cover.

These reports will be posted on our website and with the help of John Boy I hope we can include photos and maybe also audio and even video.

Overall description

Your paper should include specific information regarding the history, demographics, physical appearance and culture of a neighborhood. But the goal will be to tell the story of the neighborhood as much as possible through the people who live there so we can picture them, hear them speak, learn their histories, and through their eyes understand what it’s like to live in the neighborhood.

Specific elements

The paper should paint a visual portrait of the area, so we can picture the types of buildings (both residential and commercial), the parks and other open space, important institutions, street life, etc.

It should paint a portrait of the population in terms of age, income, and ethnic, religious and racial characteristics, types of occupations, and family structure (ie. single or families). In other words, what type of people live there?

It should tell us something about the cultural and social characteristics of the groups living in the neighborhood. What are their values and behavior patterns? What is their lifestyle like? How do people spend their free time? What goals have they set for themselves and their children? How do they interact with each other and how do they view outsiders? What, in a social and cultural sense, makes their community unique?

Some specific elements you will need to include:

  • Census figures on the population of the neighborhood, its ethnic makeup, and how that makeup has changed over the years.
  • A brief history of the neighborhood, with a discussion of various immigrant groups that have lived there.
  • Details about immigrant life in the neighborhood as expressed through stores, religious institutions, restaurants and street life.
  • Cultural characteristics of different groups living there—where they worship, how they handle matters like marriage and family, their attitudes toward education.
  • Description of housing, quality of schools, transportation and health care and other social services.
  • Discussion of major issues confronting the neighborhood — ie housing, crime, ethnic tensions, etc.

Some sources for basic research

  1. “The Newest New Yorkers: Characteristics of the City’s Foreign-Born Population,” 2013 edition, by Joseph Salvo and Peter Lobo of the City Planning Department’s Population Division. This is a terrific source for basic demographic information. Here’s the PDF.
  2. AIA Guide to New York City. Fifth edition, 2010. This is invaluable for a portrait of a neighborhood’s history, appearance and important buildings.
  3. Profiles of individual community districts compiled by the City Planning Department and posted on the NYC.gov website.

Other suggestions of good sources much appreciated. Please post a comment below.

April 2 Discussion

I just wanted to summarize some of the things we brought up and decided in last night’s discussion on the final project (codename Stories of Making It In New York — SOMINY. Please someone come up with a better codename!).

Stories will be on the past, present, and future of “making it” in the city. That means that you can either research histories of individuals and how they “made it” and retell their story (past); you talk to people about how they are currently “making it” (present); or you can talk to people about how they hope to make a place for themselves, achieve their ambitions, realize their dreams etc. in the years to come (future).

You can understand “making it” in broad terms: making a place for yourself, finding happiness or acceptance, getting the part in a play, etc. It’s about more than just making a living, but achieving a sense of belonging, etc. You can of course also dwell on the ways in which people are barred from making it due to structural injustices, racism, hard knocks, etc.

Stories should be people-driven/people-focused. Even if you write about groups in the past, try to use individual people’s stories to narrate its trajectory.

Everybody will contribute at least one story, though you are free to contribute more.

In terms of the presentation of the story collection, we talked about two different visual organizing principles: a grid (Pinterest-like) vs. a map (guidebook-like). In general, there seemed to be a preference for the map, though we may try to integrate the two. If anybody wants to link to an example or a mockup, please do so in the comments.

Connie brought up Mr Beller’s Neighborhood, a collection of stories about different neighborhoods in NY. This is closer to the guidebook idea. Take a look and see if there’s something we might learn from that site.

Deadlines: Please post story pitch in the appropriate category by Sunday 4/6 at midnight. Between Monday and Wednesday of next week, read your fellow students’ story pitches and comment on them with praise, ideas or possible concerns. We’ll discuss further deadlines next week.

In the meantime, please don’t hesitate to reach out to me with questions and ideas. I’ll also be available by appointment for office hours at CCNY next Monday.

P.S. Sorry, Sabrina, about failing to address you by name. Ugh. I’m learning.

Latino Voting Patterns

Note from Connie:

Regarding this article on Latinos rejecting the ballot box:

I never understand people voting against their own economic interests (or even more mysterious, not voting at all), but maybe someone can explain this for me. Are some groups simply so turned off when it comes to the political process (maybe understandable)? Is voting simply not part of the behavior norms of certain groups? Other explanations?

And remember, this is the demographic — younger voters — that helped bring Obama to the White House in 2008; what’s changed since then, beside a widespread disenchantment with Obama, even among many of his onetime supporters.

Anyway, all thoughts appreciated, as always.