Ariana Tobias


I’ve waited on lines at midnight. I’ve won trivia competitions. I’ve debated theories on the internet and I hate the movie adaptations. In short, I’m a huge Harry Potter fan. Unlike those who claim Harry Potter got them into reading, I was always a voracious reader. I didn’t love the books because I had never read anything like them before, on the contrary, J.K. Rowling’s books sat on my shelf next to well-worn copies of J.R.R. Tolkien, C.S. Lewis, and L. Frank Baum. I was no stranger to intricate mythical worlds, precocious teenage heroes and magical adventures, and for many years, the Harry Potter series was simply that, an enjoyable fairytale.

As I got older, however, the books got progressively darker, and I began to suspect there was more to the series than just an exciting plot. The tension between magical and non-magical people looked suspiciously similar to race and class divisions in our reality. Both the “good guys” and the “bad guys” could rightfully be called terrorists or freedom fighters, depending on a character’s allegiance. The magical government seemed to have eyes and ears everywhere…almost as if authorized by a Patriot Act of their own. The parallels to our own society were impossible to ignore, but I was content to acknowledge J.K. Rowling’s political subtext without wondering how or why she was able to integrate social critique while leading readers through Harry’s adventures.

The last book was released in 2007, just a few months after I graduated from high school. Although I was still active in the online fan community, I went to college with a sense of closure – no more wondering which characters would live and which would die, who would be betrayed and who would do the betraying, or if Harry and his girlfriend would ever get beyond the occasional kiss. (They had three children.) I moved into the dorms and on with my life, not really expecting to take another look at the series until I read it with my own kids. I certainly didn’t expect a class I took last year to inspire me to dive back into the series in the name of academia, instead of leisure.

Doomsday was an honors seminar dedicated to examining our culture’s fascination with apocalyptic belief. We read a variety of apocalyptic fiction and analytic nonfiction about the pervasive effects of millennial electism on our society. The Harry Potter series, with its emphasis on the triumph of good over evil, explores many of the social and political consequences of this hierarchical worldview. The series, naturally, borrows heavily from the traditional apocalyptic myth and narrative established by the Book of Revelation. I chose to do my thesis on apocalypticism in the Harry Potter series because I want to study how J.K. Rowling appropriated St. John of Patmos’s text both to create a hugely popular book series and further her own social agenda. I want to help the readers of my research better understand the social significance of the Harry Potter series as more than just an exciting story about a boy wizard.

I expect my readers to be generally familiar with both apocalyptic belief and the Harry Potter series as cultural phenomena. Since apocalypticism is so pervasive in our society and Harry Potter has become a household name, I hope to incite readers’ curiosity by combining two such popular subjects. I want to explore how the books portray specific themes within the apocalyptic belief system (i.e. “us” vs “them” mentality, gender panic, authoritarianism, etc.). Hopefully, I will be able to support general discussion of these themes with specific examples of symbolic details in the books. On the other hand, I’ll have to be careful to avoid getting too caught up in the minutia of the apocalyptic significance of each detail. That would be boring for readers familiar with the books as well as those uninterested in the series.

I’ll be the first to admit I grew up with Harry Potter. He was eleven in the first book and seventeen in the last; I was nine when I took my first ride on the train to Hogwarts and eighteen when the series ended. I’ve been a member of the online fan community since I was twelve, going to Wizard Rock concerts since I was fifteen, and this past summer, at twenty-one, I went to Orlando to attend a fan convention and visit the new amusement park. Obviously, my story continues as I enter my senior year and start thinking about graduate school. There will not, most likely, be any more books following Harry through his twenties and beyond. Nonetheless, I’m not leaving him behind just yet. Through my research, I hope to join the small-but-growing community of scholars who have begun to study this series at the university level.



One Response to “Ariana Tobias”

  1.   Lee Quinby Says:

    Ariana,

    Of course, as you well know, I am always pleased to hear about new avenues of study regarding apocalyptic belief. While the connection between apocalypticism and Harry Potter has been made by others, there is ample room for a sustained analysis of the way in which it functions in the whole series.

    One of you key points raise here is that you see Rowling using it as a critical tool of social norms. That has rich possibilities but will require careful readings to demonstrate how and why this works without it being what everyone says in regard to the series—in other words, textual analysis of the sort that will open up the symbolic details that others may have missed. And, as you have already noted, it will be necessary to fill readers in on the elements of the apocalyptic story from the Book of Revelation without bogging them down too much—since Harry Potter is the real issue at hand. I do want to recommend a book that was not used in last year’s Doomsday course but is this year: Jonathan Kirsch’s A History of the End of the World. I think it will help you see the many shifts that have occurred with Revelation, from the first century C.E. through the Inquisition and into more secular times.

    You mentioned in class that you’d like to write for a cross-over audience for this project. I agree that it should be written without too much heavy-duty jargon but also want you to look for academic writings that incorporate rigorous research and analysis of literary texts and use them as models. You have a lively style and I don’t think it will be overburdened by this—but without the extensive research, it will seem too breezy.

    [WORDPRESS HASHCASH] The poster sent us ‘1032496861 which is not a hashcash value.

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