Remember the Words: Repetition, Textual Analysis, and ASOIAF

Posted by on Feb 18, 2014 in Kerishma | No Comments

Reading Ben Blatt’s textual analysis of The Hunger Games, I was immediately reminded of the opening lines of a piece Kurt Vonnegut wrote in 1966 about the Random House English Dictionary: “I wonder now what Ernest Hemingway’s dictionary looked like, since he got along so well with dinky words that everybody can spell and truly understand.” Hemingway, considered widely to be one of the greats of English-language literature (though I personally agree more with Kat Stratford), didn’t exactly whip out the five-dollar words or sentences in his writing. As Blatt points out in the end of his piece, Hemingway himself was pretty repetitive in his sentence structure. This got me thinking about the nature of textual analysis in general, and how it would apply to George R. R. Martin’s A Song of Ice and Fire series.

Though I haven’t done any sort of official word count of the ASOIAF series–I both pity and applaud the soul who would undertake that mission–there are definitely a series of words or phrases that are repeated throughout the novels for great effect. The words of the Great Houses (“Winter is Coming,” “Fire and Blood,” “A Lannister Always Pays His Debts”), cultural and religious refrains (“Valar Morghulis/Valar Dohaeris,” “The night is dark and full of terrors,” “What is dead may never die,” “It is known”), personal vengeance (Arya’s list of names, Oberyn Martell’s refrain  of “Elia of Dorne: you raped her, you murdered her, you killed her sister” to Gregor Clegane), the many songs that are song (and related to the plot in some way), and the fan-favorite, “You know nothing, Jon Snow.” There is a huge emphasis on “remembering words” and repeating them. What gets repeated says a lot about the series: it reveals the medieval fantasy setting (and the social hierarchies within it), the political nature of the grander storyline, and the themes of war, violence, and Jon Snow being a generally boring and dumb little goon (who we love anyway). And even though my thesis does focus on (what we’ll call) a positive feminist analysis of the representation of female characters, the sheer amount of times Martin has Daenerys thinking about her “small breasts moving freely beneath her leathers” might point otherwise. I may not be an expert on epic high fantasy writing, but I am an expert on people with small breasts (being one myself), and I do not think of them at all nearly as much as Martin seems to imagine.

Ben Blatt must be great at Mad Libs

Posted by on Feb 17, 2014 in Laura | One Comment

I’m not sure if anyone has seen Blatt’s awesome tables before reading this article, but I came across them one day on my Tumblr dash and got a kick out of them. I am familiar with  each of the three series he studied, and though I knew Hunger GamesTwilight, and Harry Potter definitely veered from each other in terms of context and audience, I had never thought about how stylistic choices played a role.

Textual analysis of YA novels can be helpful for children’s lit scholars and students interesting in determining why certain novels and their content have such resonance with contemporary teens? Do passing fads have any say? What about the ages of readers? (I went through my Twilight phase during the end of junior high/beginning of high school before I actually dated anyone, so all of those gushy adjectives Blatt has gathered rang true in my vampire loving heart.) However, without actually reading the respective texts, these analyses may not be as useful as they can be. Luckily, Blatt at least read a synopsis of each and could pinpoint how the distinctive adjectives and common sentences attributed to each author contributed to the tone and overall subject matter of each author.

As for my own thesis project, I never considered doing a similar word count analysis, but it would be interesting to see what words pop up between the two Gothic Poe stories that I am analyzing, “Berenice” and “Ligeia”. To be sure, I have noticed that Poe puts a lot of effort into his long winded descriptions of setting. How about crossing a Poe story with a Hitchcock script??? Since I am looking for one’s influence on the other, perhaps their similarities lie beyond the thematic.

Writing Goals for the Next Week

Posted by on Feb 11, 2014 in Announcements, Lindsey | No Comments
This week's writing goals

This week’s writing goals

Today we revisited our goal-setting from last week’s class, and set a new round for this week:

  • Colby: Outline new outline, start writing second draft (add more on performance, “fill in the gaps”)
  • Kerishma: Outline Danaerys section and have most of it written. Mail what’s finished to Dr. U by Friday. Work on edits of previous sections. (Still thinking about audience.)
  • Laura: Improve Hitchcock sections, analyze scenes from both films. Meet with Lee to choose section to discuss at NCUR.
  • Lindsey: Comment on any drafts that are e-mailed to her; write 7-10 more pages of intro chapter to dissertation

Next week we will set our final round of writing goals. Please remember that if you start to procrastinate or feel anxiety about this process, Jenny and Lindsey are both available via e-mail (and will gladly talk you down off of any metaphorical ledges…). Good luck to all this week!

Class Mural.ly on This Week’s Sociology Reading

Posted by on Feb 11, 2014 in Colby, Kerishma, Laura, Lindsey, Projects, Resources | No Comments

This digital mural (made using Mural.ly) had “analog” origins. We first sorted the core ideas of each of this week’s three readings onto notecards…

…and then mixed it up, building a map of all notecards that looked at where our source material was in alignment:

Notecard Mural (Analog Version)

Notecard Mural (Analog Version)

After we collaborated on our physical web/map/mural, we used Mural.ly to collaborate in real time on a digital version, one that could be enhanced by the addition of related material from across the web.

Noortje Marres on The Birth of Social Media Methods

Posted by on Feb 7, 2014 in Lindsey, Resources | No Comments

These slides, taken from Noortje Marres’ keynote address to the Digital Methods Summer School of 2013, may provide us with some useful talking points for our upcoming session:

Lindsey’s Notes on This Week’s Reading

Posted by on Feb 6, 2014 in Lindsey, Resources | No Comments

General tip: As you read your assigned article, I strongly suggest you make an outline of it–try to understand how it is put together. This practice is one that will eventually help with both speed and comprehension. While scholarly articles are often written according to discipline-, language-, or even university-specific templates or guidelines, the structure of academic writing is generally somewhat standardized. Learning the patterns makes it easier to get to the content.  (more…)

Writing Goals for the Next Week

Posted by on Feb 4, 2014 in Announcements, Lindsey | One Comment
Week 2: Setting Writing Goals

Week 2: Setting Writing Goals

Just a reminder! Today we decided on the following writing goals for the next seven days:

  • Colby: Edit whole thesis draft, based on Lindsey and Steve’s comments
  • Kerishma: Edit thesis draft, write Arya section (possibly write Danaerys section, if time/interest allow)
  • Laura: Finish writing Part 1 of thesis, develop main argument for Part  2
  • Lindsey: Comment (by Monday) on any drafts that are e-mailed to her by Friday; write 7-10 pages of intro chapter to dissertation

We’ll check in next week to see how this went, and set new goals for the following week.

Notes on Privacy From Today’s Class

Posted by on Feb 4, 2014 in Announcements, Lindsey | 2 Comments

Here’s a quick recap (posted on the blog for everyone’s convenience) of today’s discussion of student privacy. This discussion occurred, as I noted in my previous post on the subject, because I read a blog post from Josh Honn this past weekend, and that post made me rethink my own teaching habits.

Everyone said that they were currently comfortable with the public-facing course materials we have created together thus far. We talked about why, and some part of that comfort was due to the fact that all of your thesis projects are on topics that already have a large presence online: Colby’s working on someone whose work is widely disseminated across the web, Kerishma’s writing about a series of books that are basically responsible for half of Tumblr even existing to begin with (sorry, I had to go there!), and Laura’s project is engaging with some perennially popular films and stories. There is a sense of safety in being part of a digital crowd, I think; as I said in class, your projects aren’t likely to come up in the first two million search results on any related keywords. Our privacy concerns might be different, were any of you working on topics that appeared online with less frequency.

We also decided, however, that we will not publish your written thesis projects online in their totality, be that in PDF or as pages of a web site project. That’s partly because we want your written theses to serve as material for digital projects, and partly because it seems to all of us to be a relatively ineffective way to present your content, but it also seems to be where we have drawn a line, in terms of what is acceptably public to us and what isn’t. We should revisit this “digital publication question” when it comes to your presentation materials. I would prefer to include your PowerPoints or Prezis (or whatever else we decide to use) on this site, but we can decide upon that after you’ve actually produced said materials.

We also touched on your own work from earlier Macaulay classes that is still visible on our eportfolio system and/or indexed in Google; the general consensus was that some of the stuff you blogged about in the first two years of college wasn’t material you necessarily wanted to share with a potential employer. I suggested that we look at those instances on a case-by-case basis, in individual meetings that we were already going to have this term. My hope is that we can decide together, in each case, what to leave up and what to take down. But I am sensitive to the thought that who you were when you took your NYC Seminars is not who you are now, or who you intend to be going forward. You are members of one of the first graduating classes to have been using the eportfolio system for your entire time at Macaulay; it’s only natural that your 18-year-old self and your 21- or 22-year-old self don’t perfectly align. Frankly, I’d be worried if they did! But we decided that at least for now, we were proud enough of the work we were doing in this class to stay public–with the caveat that we may change our minds in ten years.

I spoke briefly as well about using this site as a calling card–something I’m consciously showing off to potential employers as I seek a new job. It’s important to me to be upfront with all of you about that, so that you know that your writing may be read by people who are looking at this site out of interest in my teaching career. (Not that I don’t love working with all of you! I totally do. But times change, and so must I…)

Finally, I hope it was clear to everyone that the topic of privacy is not a one-and-done conversation. I would like to revisit this question whenever any of you think it is appropriate. And, in the interest of full disclosure, Josh Honn (writer of the original blog post) was curious to hear what came of our conversation; I am going to point him towards this post. Don’t be afraid to comment if I missed anything, or if you have more ideas!