Fragment of A Bon Throne Back | Rubin Museum of Art | Artist Unknown | Origin: 14th Century Tibet | Medium: Wood Panel with Pigments

Lions are commonly portrayed in art as innately aggressive and this 14th Century Tibetan throne fragment is no exception. The piece features a man-eating lion (bottom) and a serpent-eating griffin (top). What is immediately striking about the lion is its stylized design. It has an unusual face with a round nose similar to that of a pig’s. Pointed ears, sharp eyebrows, a thick mane, and two sharp teeth, its features represent power. This power is also reflected in its dark coloring. Its primarily dark, silver body contrasts with the animal’s traditionally soft yellow fur, more so resembling armor. Red is also present in the thin fold of the lion’s ear and the pointed end of its tail. There is a clear emphasis on its face, the only golden colored portion of its body. Neck turned and mouth open, the lion prepares to clamp down on its prey.

The lion is not absolute in its strength. Its placement under the griffin reflects a degree of inferiority. The griffin makes a strong leap for its prey well above the lion. Nevertheless, both animals share a common ability to destroy. The artist effectively presents the lion as a merciless creature. Viewing this was indeed quite frightening. It’s discomforting to witness another man lose a limb. Overall, I’m sure most would agree with me in wanting to avoid a similar fate.