Critical Terms

1. Agon– A conflict that takes place, often between the protagonist and antagonist.  In Ancient drama, it is a formalized debate that usually occurs within a comedy.

2. Tragedy– A dramatic composition that typically has a great person, through an internal flaw or conflict with another opposing force, destined to downfall or destruction.

3. Monologue– a prolonged speech, or discourse made by a single speaker, especially one dominating a conversation.

4. Pantomime– The technique of showing emotions, actions, feelings, or anything of that nature by gestures that do not involve speech.

5. Scrim– A piece of fabric used as a drop, or border, for creating the illusion of a solid wall or backdrop under certain lighting conditions. It can also create a semitransparent curtain when it is lit from behind.

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5 Critical Terms

Anticlimax – A disappointing end to an exciting or impressive series of events

Staging – An instance or method of presenting a play or other dramatic performance

Schmaltz – Excessive sentimentality, especially in music or movies

Charismatic – Exercising a compelling charm that inspires devotion in others

Textured – The quality given to a piece of art, literature, or music by the interrelationship of its elements

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Critical Terms

Monologue – A lengthy speech by a single character given to other characters in the play, this should not be confused with a soliloquy

Soliloquy – This is used as a device to let an audience know what is going on through a character’s mind. The speech given by the character is what the character is thinking. A famous soliloquy would be Hamlet’s “To be or not to be”

Ad lib – This is short for the Latin word ad libitum meaning freely. Essentially, it is the same as improvising lines. Usually used when lines are forgotten.

Exposition – The part of a play that fills in the audience on things that have already happened so they can make sense of who’s who and why they’re doing whatever. This can be done with the use of actual narrators who address the audience directly. Another way is to use the opening dialogue and have the exposition cleverly bound to it.

Deus Ex Machina – The Latin phrase means, literally, “a god from the machine.” It refers to the use of artificial means to resolve the plot of a play.

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Dasha

Today, as my family and I went out for a Labor Day outing at the beach, we bumped into my uncle’s coworker and her family. My cousin and I were too busy fishing by the shore to notice the company back at our base. My uncle yells out to us in Cantonese (our native language), “Hey, you two! Come greet Auntie and Uncle!” It was my first time meeting this family. A little white girl popped out from behind her Chinese mother. I turned around to see the father, a tall and slim Russian man. The little girl seemed shy, so I went over to introduce myself. “Hi, my name is Nancy. What’s your name?” I asked in English. “Wo jang pu tong hua,” she says, meaning, ‘I speak Mandarin’. To my surprise, her Mandarin was so clear; rather, it was much better than my self-taught (and not so fluent) Mandarin.

Here’s a little background on Chinese dialects: the national spoken language is Mandarin. Different dialects are not to be used in school and are usually spoken at home with the family and the community. Cantonese is the second most used spoken language in China, and the two dialects are very different.

The reason it was very surprising to me was that the little girl’s pale skin made me assume that English would be the language she preferred to speak in addition to it probably being the language she spoke at home and school, and even if it were to be Chinese, it would not be so clear, based on my experience of teaching Chinese to my American friends.

We had a language barrier, but it wasn’t so much that we could not communicate at all. I spoke in English, and she spoke in Mandarin. We both understood each other perfectly fine. And I learned that her name was Dasha, and she’s seven years old.

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Critical Terms for Theater

Cue – An act that a stage manager does to remind an actor of their line or an act that a stage manager does to tell the technical crew to perform a certain action.  May be verbal of with an action.

Hot Spot – An area on the stage that is very bright because lights are pointed at it. It adds a sense of importance to the spot and to whatever actor may be occupying that space. Portrays importance to whatever/whoever is in the “Hot Spot.”

Sightlines – Lines that are imagined by the crew to determine where on the stage is visible to the audience, and where on the stage the view is blocked. Actors must be aware of these imaginary lines at all times or risk having the audience lose sight of an action done on stage.

The Fourth Wall – An imaginary wall put towards the front of the stage that the actors use to pretend as though the audience is not there, allows for no interaction between audience and actors.

Escape Stairs – Stairs that are out of sight from the audience and allows for the actors to move around on different levels of the stage without the audience realizing it. Portrays a lager sense of scene differentiation.

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Review of “Fighting to Have the Last Word “by Ben Brantley

Please read and analyze the following theater review for this week:

http://theater.nytimes.com/2012/08/30/theater/reviews/tender-napalm-by-philip-ridley-at-59e59-theaters.html?ref=theater

 

 

 

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A 12-Hour Cultural Encounter

The Helsinki sign in the city’s Main Square

Every summer it was just implied that my sisters, my mom and I would be traveling to India to visit my family. We take a direct flight there, enjoy ourselves for about a month and a half and then come back home. One particular year, I came home from school and was informed by my mother that the tickets were booked and she managed to save 1200 dollars. The catch was that we would be staying over in Helsinki, Finland for 12 hours. At the age of 11, I didn’t quite understand the value of 1200 dollars and was just upset that we were going to be spending 12 hours in a country I knew very little about. However, once we arrived in Helsinki, I knew I was in for a treat.

When I heard “Finland,” I automatically just pictured thousands of miles of farms and villages, but nothing special. Helsinki completely changed that. The city has an antique beauty the liveliness of a bustling metropolis. The architecture and design of the buildings was ornamental yet contemporary. The clean brick streets brought a sense of peace and splendor into the city, something I wasn’t familiar to in the bustling concrete streets of New York. The city fascinated me from its luscious food to its philanthropic casinos (which fund the public school system in the entire country). On the drive along the waterside I knew that cultural encounters like this would really open my mind to life-changing experiences and I thanked my mom for those amazing 12 hours.

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5 Critical Terms

OVERTURE:

The overture is the introductory musical piece played before a musical which contains many of the musical motifs and themes of the score.

MARK:

The mark is the place on stage where an actor is to deliver a particular line or carry out some action.

VAUDEVILLE:

Vaudeville is the form of show consisting of mixed specialty acts, including song, dance, acrobatics, comic skits and dramatic monologues.

INTERLUDE:

From the Latin interludium (between the play), the term refers to a short dramatic sketch in early English drama. The short, light pieces would be performed between the acts of more serious plays.

LIBRETTO:

The narrative dialogue or spoken part of a musical play, as opposed to the lyrics and the music.

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Critical Terms

Revue: It is a play (of many acts) consisting of musics, skits and jokes, and is a review on a recent event.

Casting: It is an event to select the performers for a live performance on stage before the actual performance.

Director: It is someone who often work with many other artists (playwright, music composer, etc) to make sure the quality and the quantity of a production. He or she would also alter the production during rehearsal time accordingly.

Punch lines: It is usually the last part of a joke, a comedy skit or a statement. After a set up during the whole time, the joke, sketch or statement usually ends with a word, a sentence or a dialogue that is intended to be funny. It can be considered the climax of a joke.

Emotional range: It refers to the change of emotions or feelings within a character or the entire play.

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Critical Theater Terms

Trap Door – An opening on the stage floor (opens into the bottom of the stage) where performers and/or props can appear in/disappear from stage. It is hidden from the audiences’ view.

Wings – Areas of the stage that are, usually the opposite sides of the stage, not visible due to curtains.

Prologue – The speech or poem that introduces the play; it tends to have an explanation or commentary of what is to come.

Backdrop – A painted canvas or plain surface where light could be shown. It is often hanged from the grid or with the wings to form a set on stage.

Comedy – A play that is satirical or humorous in nature; it should be noted that unlike tragedies where most of everyone dies, comedies have happy endings.

Green Room – A room or space near the stage where actors and crew members use during the play or waiting to go on stage.

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5 Critical Theater Terms

Comic relief– comic episodes in a dramatic or literary work that offset more serious sections.

Shakespeare often incorporated episodes of comic relief in his plays, even after very serious, heavy scenes. 

Diction – the choice and use of words and phrases in speech or writing.

The actor’s diction, consisting of choppy words, stuttering, and terse phrases, indicated that he was playing a skittish character. 

Pantomime – To act out very physically without using words; a style of acting that is most often utilized in Children’s Theatre.

To help the little students better understand Spanish, she pantomimed “el coche” by pretending she was turning an imaginary steering wheel. 

Fly System:  A system of rigging and ropes that is used to raise and lower scenery within on stage, operated by hand or mechanically from backstage.

“The acting was utterly mediocre compared to the way you handled that fly system,” said the New York Times reporter to me. “how did you manage to lift the curtain at such a perfect speed?” 

Fourth Wall: The imaginary divide that separates the audience from the performance space.

We all gasped as the actor burst through the fourth wall and into the front row, where he boldly embraced a member of the audience. 

BONUS WORD!

Pit: The area, usually below the front part of the stage, where the orchestra is set up to play the music for a live performance.

The loud, clashing sounds produced by the pit orchestra below the stage added to the intensity of the suicide scene. 

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Musical Preferences

Until I was in the eleventh grade, I only listened to Indian music. However, as I got to know more people, I began to talk to them about what type of music they liked, who their favorite artists were, what their all time favorite songs were. As I had more and more of these conversations however, I began to realize that I really did not know much about American music. Therefore, I made some of my friends write down some artists that they listened to, and that they knew I was likely to appreciate. It took a few weeks, but I finally began to consistently listen to American music. My favorite artists ended up being Drake and the Foo Fighters. Even when I speak to friends about musical preferences today, I don’t know who they are talking about half of the time. However, now at least I have the knowledge to be able to describe my tastes.  However, this was a 2 way street, as my friends were interested in hearing Indian music, and thus I showed them many of the songs I liked at the time. I learned a lot from this cultural encounter, the most important aspect being that expanding one’s tastes is always a good way to acquire knowledge.

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5 Critical Terms

1. Aria – a musical structure that expresses emotions as opposed to advancing the plot of a drama

2. Improvisationthe situation in which actors spontaneously invent the dialogue and action of the character he plays

3. Futurism – a movement, originated in Italy in the 20th century, emphasized the impact of technology on society

4. Drama – a literary work that tells a story, opposite of comedy, through dialogue intended to be performed by actors

5. Interlude – short, light pieces in which are performed in between acts

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5 Critical Terms in Theater

Climax – The point of greatest dramatic tension or transition in a theatrical work

Denouement – The final resolution of the conflict in a plot

Crisis – A decisive point in the plot of a play on which the outcome of the remaining
action depends

Character Arc – The emotional progress of the characters during the story

Protagonist – The leading character or a major character in a drama, movie, novel, or other fictional text

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White Rabbits Concert

It was a hazy summer evening when I received a text message from my friend asking me if I would like to go to a free concert the next day. Without even thinking or asking the name of the band, I replied that I would like to go.

This was a first for me. I never went to a rock concert before. My parents had always dragged me to classical music concerts and I dreaded it. My friend gave me the name of the band. They were called the White Rabbits. Originally, I thought they were called the White Rabbis, but it turns out my friend misspelled the name. I started researching them and I found out that they were an indie rock band. I don’t tend to listen to indie music, but I decided why not.

We arrived at the Music Hall of Williamsburg and this definitely was not the music hall I was expecting. Normally, there would be chairs so the audience can sit in…not here! Everyone was pushing to get as close as possible to the stage. The music itself was unexpectedly loud. When the first song was over, I thought my ears were going to bleed. After a while, my ears adapted to the noise. Finally, there was the occasional smell of a drug used for medicinal purposes in some states.

The band was amazing! They were very skilled and hey, it was a free concert so I can’t complain. This cultural encounter showed me there is a side of the NY music scene, which I barely scrapped the surface of and I hope to go to more free concerts in the future.

All the way in the front!

White Rabbits – Kid On My Shoulders

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Critical Terms of Theater

Blocking: Movement of an actor onstage. It is often identified in relation to the movement and position of other actors in the scene.

Catharsis: Alleviation of own emotional tension after watching a tragic play. The audience experiences this emotion when comparing their lives to the tragic lives of the characters.

Characterization: Creation of a well rounded character through the use of words, actions, and manners. Characterization helps the audience understand the character and his purpose in the story.

Falling action: Part of a story that follows the climax and precedes the resolution. This is the time when the conflict between the two opposing forces is being resolved.

Stock Character: Character who is common in many pieces of literature and is easily identifiable by his/her personality. The character is a social stereotype and the audience knows how he/she will behave.

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5 Critical Terms

1. Personification

The ability of giving lifeless objects human attributes.

2. Apex

The highest part or the climax.

3. Epilogue

The closing section of a performance.

4. Anachronism

An invention mentioned before its time.

5. Motif

A repeating theme in a story.

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Artistic Endeavors

Not content to merely consume the arts in New York City, we set out to contribute something of our own. Through these projects, we discover that we are ALL artists!

 

In the Street Photography Project, each student will shoot 10 or 12 photos on a theme of their choice. Each photo will have a caption. Accompanying the images, will be a first-person essay describing how and why you shot the images –a narrative on your experience.

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In the Spotlight

A series of close-up, 360° views of guest artists and speakers. The goal here is to weave together direct quotes and background information about their lives and work to create  vibrant portraits. Let us see them, hear them, understand what makes them tick!

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Critics’ Corner

Writing encourages us to process what we have encountered, to articulate global impressions or break them down into more analytical components. Here in the Critics’ Corner, we respond in writing to events and excursions.

Feel free to express your own point-of-view, but back it up with details — especially visual ones — that support your opinions.

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Who He Was, Who She Was… and Is

A series of in-depth profiles of inspiring New Yorkers. Who were they when they arrived, and who have they become since? Who were they at one point in their life and how did they change?

The idea is not to relate someone’s entire biography but rather to relate a period in their life, an event, a moment that is illuminating. If they were an immigrant, how, why did they end up in America and what were the specific challenges? If they were born here, what obstacles did they face?

Try to use visual details, stories, dialogue, stories, and anecdotes to flesh out your subjects.

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Starting Tuesday, September 4th, Class Meets in 8-190 (Feit Seminar Room)

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For Tuesday: Critical Terms for Theater

Dear Arts in NYC students, For Tuesday, I asked you to bring in at least five critical terms that you think would be useful in writing about the theater. Try to include basic terms like cast and set as well as terms such as protagonist, backdrop, denouement, etc. Please upload the terms to our class blog. Our ITF Ben Miller is adding another sub-category, critical terms under the category Critic’s Corner.  Once you have uploaded your terms, please read through the other terms and add your comments/suggestions for sharpening and/or refining the definitions. We will look at these in class.

Here is the information on The Train Driver

Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

480 West 42nd Street (between 9th and 10th Avenue)

The performance is at 7:30 PM but we will meet at 7:00 PM so that I can distribute tickets.

 

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Cultural Encounter in France

 

I took French for seven years of high school and was on my way to becoming fluent. In addition to taking French in high school I traveled to France with the school on an academic trip. It in itself was a true experience, and in addition to learning French, I learned much of French culture. The first day we spent in France we went to a small café in Nice. The café had a place to sit down and order a la carte. So, we all ordered margherite pizza.

At first everything was fine, but being that it was our first day, we were all excited and a little riled up. One girl at our table was a little loud in the restaurant, but being that we were the only ones there, we didn’t see it as a big deal.  However, in French culture, it is rather rude to be loud in a restaurant. So, she received relatively dirty looks from all the staff that worked there. In addition,  she was unaware that in France, people do not take ‘doggy bags’ back to their homes after a meal. The meal is simply over and that is the end. She asked the staff to wrap up her pizza. The staff said that they did not do that in France and took the food away. Then, almost as to mock her, the staff took tin foil and wrapped her pizza in it and threw it on the table. The girl was extremely embarrassed and we all learned a small piece of French culture that day.

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Far from Home.

Arriving in New York City for the first time, I exit the airport, and quickly see an Old Italian man in front of a queue of people. He hastily barks orders in a heavy accent at taxi drivers and passengers alike. The honking of horns and strong smells of the city overwhelm my nostrils. I am totally enveloped in a whole new world, full of new sights and smells. The streets are dirty, littered with various things; empty plastic bottles, newspapers, and even unidentifiable objects. The novelty of it all is terrifying, but I am also eager to start a new adventure. I know that home can’t offer what New York can. The various sections from China Town to Little Italy provide a miniature tour of the world’s cultures; a tour that can be walked, a plane not needed. The city from the airport does appear to be a cement block. The light from the sun barely reaches the ground, and the weather seems cold and cave-like, although it is summer. I feel a sense of loneliness and I begin to comprehend what people mean when they say, “New York is a lonely city.” I quickly put my thoughts aside and walk to get in line, waiting for a taxi, to start my journey.  

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My Culture– My style

Cultural encounter—I do it every day, every time I listen to my IPod.

As a person who moved around several times, it is just unavoidable to melt different cultures into one that belongs to no one else but me. This unique culture showed especially in my choice of music. I don’t think there has ever been anyone like me for this part— at least I haven’t seen one yet.

I was born in Hong Kong and later moved to mainland China, so I listen to both Mandarin and Cantonese pop songs. Also, like many other Chinese people, I like Japanese and Korean drama, which introduced me to J-pop and K-pop. Last of all, ever since I came to America, I was exposed to all kind of music, including those sang in European languages like French and Spanish and those in other styles! If you look in my IPod, I bet most people would only know at most 50% of my songs. Other than that, I even started to add new elements I interacted to the music that I composed. Maybe sometimes later, I can share the final piece right here on the blog!

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From the Suburb to the Big Apple

As this upcoming school year approached, I knew change was afoot, but I was unaware of how much of it I would encounter.  Living my entire life in the reserved suburbs of Staten Island, I didn’t know that my world would be flipped upside down upon my arrival in Manhattan.  Choosing to dorm, as opposed to commute, I have temporarily escaped the stereotypical Italian families of Staten Island.  Since my arrival, I have observed a variety of people and their cultures, and these past two weeks have been quite an eye opening experience.

Everything here from the train rides to school to the diversity within the classrooms has been a unique, but rather enriching venture.  Meeting some of my classmates from all over, as well as eating at some distinct cultural restaurants that the city has to offer has opened my mind to a world of possibilities.  Since I am here, I have tasted some of the best Chinese, Mediterranean, and Mexican foods that are practically located in my own backyard.  While I have lived “here” in New York my entire life, these last two weeks have been incomparable to any other.  Just as this city “never sleeps,” I believe that my cultural experiences will also never rest for as long as I keep an open mind to what this great city has to offer.

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Cultural Encounter

My friends and I were walking around in the city, scouting for a new cuisine to try. When we approached Union Square, we found a restaurant with a bright, red sign that shouted, “Spice” at us. Immediately, we knew that this was the place. Spicy food isn’t something we eat on a daily basis, but it does leave an unforgettable taste in our mouths. After further research, we learned that we were standing in front of a Thai restaurant, a rare restaurant to come across in our neighborhood.  I walked into a dark, but loud room. The ambiance was very comfortable and relaxing. Women in woven, silky vests approached us and brought us to our table.

I ordered Pad Thai and Thai Iced Milk Tea. The combination of the two orders complemented each other. My first sip of the milk tea reminded me of the milk tea I make myself. However, simultaneously, there was an additional flavor that made the drink very unique and tasty. Then, I dug my fork into the pile of noodles, in hopes of scooping all the different ingredients at the same time. There were chicken, eggs, peanuts, bean sprouts, bean curd and scallion. The sauce used in this dish had a mild spicy flavor; it did not overpower the flavor of the other ingredients, but it was still noticeable. The combination of the ingredients reminds me of dishes that I would normally eat; yet, there is a distinctive taste that separates Chinese food from Thai food.

My experience at this Thai restaurant made me want to try new cuisines in the city. At the same time, I’m definitely coming back to this restaurant for more food.

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Instrument

I apologize in advance: my memory is hazy and I am not familiar with the names/procedures of certain religious practices.

My father owns a small tailor shop in Soho, where I worked every so often after school. One night, just around closing time, he got tangled in a situation that required him to stay longer. To pass the time, I grabbed my Ibanez and went to the back, behind the forest of dry cleaned clothes, to play. I strummed away a little song I wrote. When I finished, an unexpected clapping sounded in the front. Kauser, the artisanal tailor from Bangladesh, paused his hem job and walked over. “Ali, you sing biutiful,” he told me, through a reverent nod of approval and his thick Bengali accent. “You wrote?” I nodded sheepishly. “I write song too, Ali.” “I’d love to hear it.” He cackled through a set of perfect, white teeth and the brown skin around his eyes wrinkled. “First you must teach me guitar!” He said, as he rummaged through a shabby collection of clothing scraps, books and other miscellaneous belongings in the back. Kauser pulled and a strange instrument emerged from all the junk. It had the same basic structure as a guitar, except its body had an egg-like shape, with a very long, thin neck. I don’t remember how many strings it had; it was more than six. The imperfections in the wood were particularly beautiful. “Play song,” he said. “Which song?” “Doesn’t matter. I follow you. Teach me.” As he said it, he pulled out a thin blanket-rug and spread it across the floor. He invited me to sit. We both sat cross legged facing each other. The pattern on the carpet looked like Arabic symbols. I was puzzled because the instrument was clearly not a guitar, so I didn’t understand how he expected to learn from me. However, I experimented by starting with a G Major chord. This chord has a ‘happy’ tone to it. Kauser strummed his instrument, which let out a dazzling ring that echoed in the small space. It was not a G chord, but nonetheless, the two guitars sounded harmonious. “Play song,” he repeated. I played some chords that I knew went well together, and he strummed back with his multi-string guitar instrument. He closed his eyes and rocked to the slow beat. I noticed it was dark outside. I closed my eyes as well, and also attempted to feel it. After a while we were both strumming passionately and he began to sing. It was an exotic tune, a piece of the Bengali wind that he carried with him deep in his vocal chords. I could imagine the myriads of different euphonic notes vibrating in his throat as he delivered each one so delicately. It was not a powerful voice, but a voice of humble duende. I found myself playing chords that I knew, yet didn’t knew, because each new sound was a facet of an unraveling creation. Being immersed in these beautiful foreign sounds was a transcendental poem.

Here I was, and there was Kauser sitting on the same rug, two different cultures, two related instruments, and somehow making a new, harmonious sound. The encounter was a lesson that all art speaks the same language. It is the instrument of culture.

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NYC Style

Op op op oppa gangnam style ‘ kept singing nonstop in my head. Soon enough, the loud yet catchy beat began to fill the background. My friends and I exchanged glances and looked around the restaurant to find many people around us cracking a smile, also recognizing the tune. Without speaking a word, we knew we were all thinking the same. It was just the previous night that I, a Chinese girl, had linked my non-Korean friends to a Korean music video that went viral.

As a typical Korean-pop fan, I had long awaited for this particular music video to come out. Familiar with the nature of the artist, Psy, I knew he would produce something jocular and witty. Upon seeing it, I knew my friends would like it too. Soon after its release, many American celebrities tweeted and shared their interest in the video. Check out Psy’s Gangnam Style yourself.

I had begun listening to K-pop music since middle school, when my Chinese friend first introduced me to the culture. Almost immediately, I gained interest, and I filled my iPod with discographies of my favorite Korean bands. Without realizing, I had immersed myself into the sea of Korean-media fans. I started to watch Korean films and dramas; I felt almost accustomed to their language. Don’t get me started on their food because I can go on and on. In short, I occasionally find myself craving kimchi or bulgogi, and the best places to find Korean food are either at Korean Town (32nd St and 6th Ave) or at Flushing. I have not yet tried the Korean food vendor outside of the Vertical Campus building, but from the rich aroma escaping the cart as I pass by everyday, I just know it will be good.

This is why I love staying in the city. New York City is amazingly and conveniently diverse.

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Cultural Encounters: Fusion

My entire middle school consisted of Chinese kids and Korean kids. For the most part, many of us got along just fine and greeted each other in the halls. Although we come from two different backgrounds with different cultures and languages, we were stitched together due to the simple fact that we were Asians.

As I entered high school, I began to eat out more with my friends. I went to Korean restaurants and I went to Chinese restaurants. Trying both types of cuisines only added to my perception that Chinese and Koreans are in fact very different. However, one day a Korean friend brought me to a restaurant. She informed me that I would absolutely love the dish she recommended me to try. The restaurant was located on Northern Blvd near Flushing, New York; a street that served as the division between Koreans and Chinese. It was a place called Sam Won Gahk and when we arrived I realized that I’ve heard of the restaurant before. Rather, I’ve seen it many times except mostly the restaurants name was written in the Chinese Characters. I asked my friend why it was in Chinese and she explained that Sam Won Gahks are korean restaurants that cook with a combination of Chinese and Korean flavors. I wasn’t quite sure what she meant but I went in anyway. As she had recommended, I ordered the jajangmyeon which was based off the Chinese zhajiangmian. When I got my bowl of noodles I was shocked to see that this really was a combination of Chinese and Korean culture. The basic principles of the Chinese zhajiangmian was infused with a boatload of Korean flavor to create a whole new beast of a dish called jajangmyeon. It felt weird that two cultures that were clearly different to me now merged in the form of noodles. In the grand scheme of things, it goes to show that no matter how different cultures are, when they blend together, something great just might come out of it.

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Human Art

It is not unusual to see something out of the ordinary in New York City. In fact, seeing the unique, the strange, and the different is all part of a usual day. I’ve spent a few days searching the city for something that stood out among the myriad of striking things. I’ve sped through streets, craning my neck to see as far left and right as my vision would allow. Yet to my surprise, nothing in particular caught my eye. It was only today, as I sat motionless on the subway that I embarked on an experience that was delightfully different. On the way from 28th to 23rd street, a lady of about 25 years entered the train and stood nearby me. The moment she stepped in, the eyes of each passenger magnetically drew their gaze to her.

Her black hair, tied into a braid and dyed green at the tips, hung over her bare shoulder. From her ears dangled shell-like metallic earrings. Adorning her slender fingers were numerous strange rings, one of which was shaped as a cicada.  Her clothing, consisting of a loose gray t-shirt and long black skirt, hung on her body. With her left arm outstretch and grasping a metal pole, I noticed that she had a tattoo of a black compass etched into her pale skin. Her pose was casual, indicating that at that moment of rapid movement she was relaxed.

It took me a few moments to bring my attention to her face, which I later reckoned to be the most remarkable part. With her thin lips pursed together, she was evidently engrossed in thought. Covering her eyes were circular sunglasses, those that John Lennon had made iconic decades ago. Everything about her seemed so strange yet wonderful to me. She was an eclectic combination of a vast array of styles, decades, and colors, all merged into one unique unit of human art.

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A Messy Cultural Encounter

One of my most distinct qualities is that I’m always willing to try something for the experience. As absurd or embarrassing the task may be, I have always believed that to be well rounded, one should be open to trying new things. That very ideology has played an integral role in shaping my personality and who I am today.

When on vacation in Thailand, I was introduced to one of the most memorable festivals of my life, Songkran, as my aunt described it. Songkran is a Thai take on the Indian festival of Holi. During Holi, the festival of colors, family and friends toss colored powder at each other. However, Songkran involves massive amounts of water, white powder and rose essence. So when my aunt handed me a water gun filled with all three ingredients I shrugged my shoulders and started aiming at my cousin, who picked up his gun as well. Although we may have looked foolish, slowly my entire family joined in and we were 40 people creating a playful chaos on a thai beach. To get all the powder and essence off, we jumped into the ocean, which led to yet another water fight. My cultural encounter with this new festival led not only to me discovering a new festivity, but also to providing me with memories I will never forget.

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A Ride Into a Familiar Culture

It was a brisk and frosty winter evening. Halfway home on the train, the dispatcher announced that there were some service changes that called for a detour. As soon as I had gotten off the train, an elderly Chinese couple approached me, throwing questions at me in a different dialect. Growing up, I’ve been surrounded with family and relatives who, occasionally, would speak Cantonese; thus, what the elderly couple was saying was understandable to some extent, though there were a few words here and there that I couldn’t comprehend. However, my problem was that I had no idea how to respond in their dialect. A little caught off guard, I asked them, in my dialect, if they could understand Mandarin. They responded, “Yes,” in Cantonese. As I gave them directions to the train they were to take in Mandarin, they would respond in Cantonese. I realized that since they couldn’t read a word in English, they certainly would have trouble finding their way around the station. I decided to lead them to their platform, while exchanging a few more lines, me speaking in Mandarin, and them speaking in Cantonese. Looking back at the occasion, my encounter with the elderly couple must have sounded a little silly to someone who can tell the difference between the two dialects.

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Cultural Re-encounter

When was it that I have forgotten the values of my origin, the Chinese culture that my parents are immersed in? Before I came to realization, I was conversing mostly in English with my younger brother at home. We often ramble for hours on our schoolwork, friends, games, and the songs that we enjoyed – none of which were Chinese related. In contrast, the conversations with my parents were short, constituting more nods and head swings than words. There seemed to be an invisible barrier separating us now as I became less comfortable with Chinese while being more adept in English. The more I thought about what topics we could discuss, the less I had to say.

I transitioned from my Chinese background to mingle with the American culture swiftly, as if driving by a beautiful flower field and forgetting it the next moment. Only a few years had passed since I immigrated here, memories of Chinese holidays were long gone – I could not bring myself to remember the dates of Chinese holidays and celebrations even though my family always prepares special dishes during those occasions. It was during one of those holidays – Chinese New Year – that I was able to recall a part of myself that I had forgotten. Strolling out of my room and into the ritual on Chinese New York where foods were presented to the gods to bring about good luck and fortune for the coming year, I felt relieved and grinned when I met my mother, thinking that I was still connected to my family through the Chinese traditions – this year, and the years that will follow.

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A Bite into New Culture

I lived in Forest Hills, Queens my whole life, but I rarely took the half hour subway ride to Flushing. I never saw the appeal because even though I am Chinese, my family is very American so we never went to Flushing for anything. It was an Asian cultural melting pot that had Chinese, Korean and Japanese food and stores everywhere you looked. Of course I would recognize all of the Chinese items, but would be a stranger to the rest of it.

In junior year, I went to Flushing with some Korean friends to try my first taste of an authentic Korean restaurant. Sitting down at a table, it looked similar to all of the Chinese restaurants I had eaten in growing up. But once the menu came, everything was different. I recognized nothing, so I let my friend order for me. She chose bibimbap, a signature Korean dish of warm rice served with seasoned vegetables, chili paste, meat and an egg on the side. I was under the impression that you eat it all separately, so I did and instantly everyone could tell I was a foreigner. My friend looked at me, shook her head, and threw everything in the bowl and mixed it for me. It was an awkward feeling, not only because a friend was serving me, but also because I was the odd one out and didn’t know the customs and culture enough to even eat the simplest dish correctly. We laughed about it and as I finished my meal, I could tell why they mixed it all together: it was much better. It was a good meal, and an even better encounter with Korean culture.

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Lexington Avenue

Wednesday is what I call hell day for me. I have 2 classes that day. My first class is from 9:30 to 10:45 and the next one from 2:55 to 4:15. I do not have a problem with classes themselves, but I do have an issue with that huge gap of time in between.

I woke up Wednesday and had set on my mind that I would pay a visit to Bloomingdales on East 59th Street and Lexington. I always loved going to Bloomingdales and since Baruch was on East 25th Street and Lexington, I believed I could survive the trek of 30 plus streets. I thought I was just going to find something amazing on sale, but I discovered something else instead. My Speech and Communication class ended at 10:45 and my journey began.

Between East 25th and East 30th, all I can see were food places ranging from the standard Subway sandwich shop to Chinese/Indian restaurant. There were an unusually high number of Indian restaurants and at times, the street smelled like curry and biryani. Then between East 30th and East 40th, I saw the residential area with a vast array of homes, but no stores. It was a pleasant sight to see because it made me feel like I was back in Brooklyn.

Then everything changed from East 40th street. No more housing apartments. Instead, there were corporate buildings. No more people walking their dogs in shorts and sandals. Instead, people were walking and holding their Starbucks in suits and shoes. Even the signed changed from the authentic green street sign to a blue one! Then on East 50th street, the tourists invaded. The streets became clogged and I couldn’t walk without bumping into somebody. Before I knew it, 30 minutes passed and I was one block away from Bloomingdales.

I had made it. I walked into Bloomingdales. Looked around and I saw nothing good on sale. I walked and thought I wasted my time, but I realized that the time wasn’t wasted because I knew I needed to walk back to Baruch and this time, I chose a different Avenue. This walk allowed me to see the different parts of Lexington Avenue and I consider it my cultural encounter.

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Coming to a New Country

Often, a culture shock is the result of a cultural encounter.My situation was no different. At the age of six, I was on a plane, headed to the United States to live with my father, who had left my mother, sister, and I in India in order to work and form a better future of us. It was April, and the first thing I saw in this country was the vast corridors of JFK International airport. Signs in English that I did not know how to read, along with the occasional soothing voice over the P.A system confused me to no end. I just followed my mom and sister because they seemed to know what they were doing. It took us around half an hour to clear customs and gather our bags, and all I remember thinking was when I’d get to see my dad again. Well, eventually we met up with him, and boy was it a happy moment. The four of us were in a hug for what seemed like forever. People stared, but we didn’t care. All of a sudden, the fact that I didn’t understand English didn’t matter to me, because, to put it simply, I was happy. This was first of man cultural encounters for me in this country, and taught me how to appreciate differences and keep your individuality intact.

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Welcome!

Dear Arts in New York City Students,
I look forward to meeting you all at our first class on Tuesday, August 28th in Room 4-180 of the Vertical Campus Building. I will also be attending the Brooklyn Museum Event on Monday night, August 27th. In addition to Egypt Reborn , Connecting Cultures and American Identities (exhibits that have already been recommended to you), I strongly suggest that you see Judy Chicago’s The Dinner Party. Perhaps you might like to focus on that exhibit for your Smart History Project.

Please give some thought to your own “definition” of a cultural encounter” –the theme of our class this semester. Our goal is to enlarge the definition so that it does not only include formal encounters in museums, galleries, theaters, and concert halls but also informal encounters on the subway, on the street, in class, and at home. Give some thought, too, in this election year, to the ways that culture and the arts becomes politicized –to the politics of culture.

Roslyn Bernstein

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About Faces

What is it about a face? Though a picture may be worth a thousand words, a face’s value cannot be reduced to a convenient cliché. Here we explore portraiture and self-representations by creating our own. Meet the authors of CHC/IDC 1001H.

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