I Suppose I Ought To Call It Symbolism

It is not for a lack of academic integrity that my comments will not be quite so thorough on the writings by Professor Quinby.  I can assure the reader that it is, indeed, the opposite (in a way) – I don’t wish to make presumptions about the author’s intent that I would otherwise feel at liberty to make, were that author not my professor (despite the fact that such critiques have been encouraged).  I will, however, comment briefly on a point or two that I made sure to mark off during the course of my readings.

The first such moment came on page 5, where it is suggested that Flint Sky may be “suggesting that fear is one of the things that leads to unwarranted violence, making one more likely to attack in advance without sufficient cause” (Quinby, 5).  I would, and indeed did, ask whether this was a comment on the Bush administration, where the doctrine of the preemptive strike came into existence.  Whether one agrees with that policy or not is not really of any importance here, and I will not get into that debate.  However, my question is moot, as the author moves on to showing the reader that Gibson was in fact making a commentary on the Bush administration by way of critiquing the war in Iraq.

The idea of the “co-savior”, first introduced on page 7 and revisited later on (at times using other terms) fascinated me, as I had not thought to look at these movies when I’d seen them in such depth.  I had seen the narratives, and they seemed to follow a formula, as discussed, albeit in a newly entertaining way.  Perhaps it was this juxtaposition of the traditional and “new,” as it were, in one silver screen for two hours (or, as I saw them, on my laptop while eating leftover Chinese food – both times, believe it or not) that made them “newly entertaining,” but further reflection leads me to know even less of what in particular was so attractive about either movie.  Anyway, to a coherent point: the idea of the co-savior is a very interesting and fascinating one, and I was glad to see it traced through the other movies; I will certainly be looking for such figures in movies that I see in the future.

With regards to Jaguar Paw’s children representing Cain and Able, are we to believe that humanity has no hope?  Perhaps these boys could be a new Cain and Able, as it were.  Yes, the imagery that tugs on our heartstrings is that which we already know – which would necessitate the narrative’s leaning towards a Cain and Able-type life for the brothers, though we don’t see the actual ending.  However, with the world beginning anew, could these brothers not be a new form of their Biblical counterparts – a pair of brothers not destined to end in tragedy?  Indeed, as the author notes, one must take into account the fate of their Mayan society – they are both to die, one might guess, at the hands of Spanish conquistadors who are bound to find them eventually.  This of course takes away the point of hoping for a new type of existence for the brothers, but at least in the moment we can feel full of the possibility of the moment.

Moving on, my biggest issue with Rosen’s epilogue comes on page 177, where we are told that “if it is true that we have a need for conclusive, meaningful ends, it is possible that the opposite is also true: that there is a corresponding need to avoid the discomfort that accompanies open-endedness.”  Truthfully, I don’t even disagree with her; I actually take what she’s saying to be true.  However, that’ s given that we avoid the walking-on-eggshells technique that Rosen seems to take in saying that such is a possibility: it seems to be a simple logical step to go from a need for conclusive ends to the need to avoid open-endedness.  This is not to say that all people will need to avoid such endings all the time; I can attest to the opposite for myself: despite being uncomfortable with not knowing the origin of a story nor it’s true end (the seemingly natural counterpart to one’s beginning), I will be intrigued rather than incensed if such an ending were to come at the end of a movie that has truly fascinated and entertained me (Inception, for example).  However, that’s not the point.  All I mean to say here is that Rosen ought to avoid treating what she’s presented here as a possibility and instead present it as a fact.

That paragraph is concluded by a question asking “if enough of us desire a conclusive ending, will we make it happen to satisfy that need?”  Though I have no actual basis for my answer, my gut instinct was a simple “no.”  In the context of story-telling, one might still see the world as needing an ending, but look at it as someone else’s role to provide that ending – “can’t someone else do it?”  The collective mindset, in such a case, does not need to look to the creation of these ends, as for the most part I believe they’ll simply wait out time until their ending comes.

Finally, there is the idea that with an apocalyptic mindset, as it were, we would have to fight against those who do not believe as we do, until we’ve brought about their destruction.  Not only does this seem to me to be a veiled criticism of Bush administration policies, but it also seems untrue as a whole.  While it is true that some may act this way, it seems to me that most would rather save and convert people to their way of thinking than have them serve as (potentially dangerous) enemies, thus providing a responsive argument to Rosen’s claim (177).

And that’s all, folks.  With regards to the title of this post, I honestly have no idea where it came from and am not sure it fits my post.  But to be frank, I could not think of a better title.

Thanks for taking the time to read!

Posted in Jon Rossi, November, November 30 | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

Nietzsche, Genealogy, and History

Foucault’s essay on truth and the rest.

http://www.scribd.com/full/4475734?access_key=key-24hst8cxmor75glhl95y

Posted in Sam Barnes | 1 Comment

Welcome to Rapture

Rick Moody’s “The Albertine Notes” presents a compelling look into a post-apocalyptic world in which a core of humanity survives, but is plagued by the hopelessness and degradation of their new environment. It only makes sense for a society in which all hope has departed, but all people have NOT to look toward the past in its attempt to make the present and the immediate future more inherently bearable. Iroically, while reading this short story, the stoy of the videogame ‘Bioshock’ was brought to mind. While bioshock doesn’t deal with the post-apocalypse per se, it does deal with a utopian vision gone wrong, in which what was once a gleaming city has been reduced to drug lords and thieves, all rats scrambling in an eternal race for power and survival. The world of Rick Moody’s Albertine is no different. It paints a picture of  druglords, prostitutes, and even a new generation of murderers thriving off of the mysterious precognitive powers of the drug.

It is a peculiar experiene to be able to relive one’s own memories as vividly as during their original occurance; and the novel suggests it is also a dangerous one since approximately half of all Albertine uses are likely not to go your way. In a way, the Albertine cartel which controls its supply, has become the overloard in this lawless new world. They issue mandates telling the public what to do and not do with the drug, how to use it to maximum effect, etc. This suggests that in a non-linear experience of time (which this is, if we consider that one is able to physically reside in the president, but experience the more suitable mental state of anywhere in their past), those who control the flow of time come out to be the winners. And they don’t only control the flow of time….Like any modern day mafia, they are essentially in control of everyday life, to the extent that life after the apocalypse deals with the goal of AVOIDING the new reality of everyday life. Those who want to live, but ‘not in the now’ are the perfect subject of this mafia’s reign. And in the end, isn’t that what the apocalypse is all about? That is, in a modernist perspective, changing reality to the point where it is so far removed from the original world-order, that it becomes impossible to continue living without something within you dying—in this case, not only hope, but progress and kairotic time along with it.

And what’s this about killing someone within a memory? Is this Inception all over again??

Posted in Andreas Apostolopoulos, November, November 23 | Leave a comment

The Walking Dead

There is a new show on AMC of a post-apocalyptic America dealing with a zombie invasion based on the comic books by the same name. It is a pretty good show. If you guys are interested, here is the website.

Posted in Grecia Huesca, November, November 23 | 1 Comment

Destroying the World, Minus the Amanda Peet Subplot

Check this out for a great take on the narcissistic excess of movies like 2012 – but it’s also pretty telling that this footage alone is incredibly entertaining.

In short, it’s an easy formula: take apocalyptic blockbuster, subtract what Hollywood (and the general public) will accept as “narrative,” and you have a delectable morsel of destruction.

source: io9’s 30 Awesome Disaster Movie Money Shots

Posted in Mac Warren | Tagged , , , , , | 1 Comment