The Prevalence of Paranoia

Out of this week’s readings, I found Bettina Muenster and David Lott’s “The Social Psychology of Humiliation and Revenge” to be the most engaging and insightful.  Instead of relying on hyper-theoretical language that cannot be proved empirically, the duo focuses on the implications of humiliation using explicit links between the determining factors that relate to control, rejection and social exclusion.

Particularly, I found it reassuring that the Surgeon General singles out social rejection as a more influential cause of violence than gang membership, poverty, or drug use.  Instead of placing blame on external forces, like the media, this viewpoint embraces a perceptive stance on the nature of violent acts.  Through cursory research in school shootings, and based on the chapter, it seems that out of many factors, social rejection links perpetrators of school shootings more directly together than any other element, like a shared preference for first-person shooters or a tendency for animal cruelty.  In light of the spate of media coverage in regards to several homosexual teens committing suicide, I believe that this dialogue is increasingly relevant.  Unfortunately, discourse on bullying and exclusion is often simplified or rejected for more sensational ponderings.  Ultimately, cliques and the inherently cruel social constructs of teens and preteens do far more to encourage misanthropic and violent reactions than any video game or television show, regardless of how much the Family Research Council and its reactionary ilk carelessly imply a causal connection.

David M. Terman’s approach to analyzing paranoia in “Fundamentalism and the Paranoid Gestalt” was also compelling, mostly due to his reliance on the concept’s foundation in neurobiology.  I feel that his reference to human’s fear of snakes, while concise, was far more appropriate than the jumbled, pretentious jargon of Melanie Klein, and to some extent, Freud.  Klein’s nonsensical meanderings about a “paranoid-schizoid position” and its link to “good” and “bad” breasts posed no conclusive statements or relevant material.  I literally did not understand the link between breasts, malevolence, sadism, and how those concepts pertain to paranoia.

Posted in Mac Warren, November, November 2 | Tagged , , , , , , , , , | 1 Comment

The Ring of Fire

Acceptance of the fundamentalist mindset requires that rage and paranoia be regarded as intrinsic psychological phenomena, present across many spectrums of personality and sociological order.  The group, however, is exempted from these categorizations. Though it is capable of unleashing great effect (and sometimes great harm) upon the individuals who compose it, it is devoid of all impulse and emotion. “The group does not have a psychological structure,” writes David Terman, “nor does it have some kind of individual nature.”  When acts of horror are perpetrated by groups guided by a fundamentalist psychology, it is the members’ will that was acted out – and not the will of the meta-entity they all belong to.  The individuals are left as both culpable perpetrators and victims of a poisoned social structure.  Paranoia (whatever its prehistoric uses for survival might be) is best served by a guru to a room of like-minded followers: rather than transference of this emotional archetype from individual to collective, the collective is often able to imbue each of its members with a thoroughly paranoid gestalt. Continue reading

Posted in November, November 2, Sam Barnes | Tagged , , , , | 1 Comment

Jesus Camp links

Here is Levi praying, about 5 months ago. More of the O’Brien’s ministry videos can be found at their YouTube Channel.

In my Googling I also found Becky Fischer’s YouTube channel. She uses Jesus Camp as a tool for proselytizing; here is a video in which a Mexican teen who has seen the film speaks back to the kids, thanking them for helping him become a better Christian.

Posted in Lindsey Freer (ITF), October, October 26 | Tagged | Leave a comment

Islamic Fundamentalism/ The Apocalyptic Subtext of Heavy METAL Culture

Research Paper Outline

Our class has focused on all aspects of eschatology and the apocalyptic; we have mined the treasures of literature, explored the depths of the history of endism, discussed the potent effects of apocalyptic media (and America’s apparent obsession with it), and diagnosed the fundamentalist mindset. This paper will build on the last of these topics; its goal will be to analyze the ‘apocalyptic elements of religious terrorism’ with a particular focus on the Islamic notion of Jihad. In class we have discussed and diagnosed the characteristics of the fundamentalist mindset (using Strozier’s book of the same title).

After a brief overview of the fundamentalist mindset (as it applies in general), the paper will discuss Islamic fundamentalism, its connection to the overall theme of the apocalypse, as well as its pernicious effects on Global society today. It’s nature as a threat to world peace and democracy will be examined through the examination of several Islamic radical groups which purport fundamentalist ideologies (Jihad and Sharia first and foremost among them). Recent terrorist events, the Mosque controversy, as well as dispersed events in European history will be cited as justification for increasing awareness of these aforementioned threats, as well as the need for education about the truth regarding the “Religion of Peace”.

Juergensmeyer’s “Terror in the mind of God” will be used to provide a rational analysis of the actions of those who terrorize in the name of religion. The justifications for and motives of Islamic terrorism will be dissected through entering the mind of the terrorist, and questions such as “How is religion used to justify terrorism?” will be answered using the help of the above referenced source.

Through the use of the work “Grand Jihad” by Andrew Mcarthy, and “While Europe Slept: How Radical Islam is Destroying the World From Within” by Bruce Bawer, the effects of Islamic Fundamentalism in creating a violent kulturkampf between the East and the West will be examined and analyzed. In this manner the true global reach, and incredibly pejorative effect of fundamentalism (in the case of Islam) will be brought to light. Possible actions against the spread of fundamentalism, in the face of an unyielding enemy, will also be discussed. Throughout all discussions emphasis will be placed on how an apocalyptic orientation, a notion of the end, or a psychosomatic sense of endism can promulgate the radical (and by today’s standard intolerable) notions of fundamentalism to otherwise civil members of society, as well as help foster (and justify) global terrorism.

Creative Project Outline

Moving away from the concept of the apocalypse in the form of religious terrorism, I now turn my attention towards something a lot more engaging (hopefully). As a metalhead for most of my life, I have constantly been exposed to apocalypse in the media in one form or another. It took this class to open my eyes to truly how much Heavy Metal culture borrows from apocalyptic style.  Tentatively titled, “The Apocalyptic Culture of Heavy Metal” my creative project aims to be a sort of film journal which will bring to light many instances of Apocalyptic themes in Heavy metal music, and will simultaneously investigate the culture of Heavy Metal—why it lends itself to the use of apocalyptic elements so easily, as well as the mindset and ideologies of those ‘headbangers’ who are its loyal patrons. Through the employment of a visual timeline of heavy metal, several interviews with metal-heads themselves (as well as my own), screenshots and footage from concerts, as well as a short power point presentation detailing an academic look into the strong cultural identity of the metal subculture, as well as its apocalyptic subtext—this project aims to bring to light how Heavy Metal is not only another form of apocalyptic media, but perhaps one of the most widespread and influential forms.  The book “Heavy Metal” by Deena Weinstein as well as “The Complete Headbanging History of Heavy Metal” by Ian Christe will be used in order to provide the proper academic context of this project. An emphasis will be placed throughout this project on particular song examples, as well as personal accounts and live footage in order for the viewer to gain a more intimate understanding of how the Metal Culture operates within its apocalyptic subtext.

Posted in Andreas Apostolopoulos, October, October 26, Project Statements | Tagged , , , | 2 Comments

Final Paper & Creative Project Proposal

As I near the close of my senior year, it’s becoming increasingly necessary for me to focus on my Honors Thesis.  By now I’ve known what I would write about for a year or so – Bruce Springsteen, but to this point the research I’ve done has not been scholarly research.  I blame myself for that – I had not yet begun to really focus my efforts with regards to what specifically I’d cover about him.  Then, of course, Senior year began and I was required to have a specific topic.  That’s where this course has come in handy[1] – I’ve come to realize what a significant portion of my thesis will be, and thus have come up with my final paper for this class.  My ultimate aim is to show that as Bruce has come to represent the American people, he has been allowed to do so in that this has become the common perception of him among the population.  Of course, I will not trap myself into saying that this must be the case; I’ll be doing a great deal of research and (hopefully) interviews throughout the American continent in order to get a better idea of what the common perception of Bruce Springsteen is, though, as I’ve said, I do believe he has a very powerful resonance in this country.  How else might one explain his success over the past three (nearly four) decades?

It is my belief that a great deal of this success and resonance stems from the imagery that he uses in his songs – imagery so typical of Americana and the American mindset that even though it may be done subtly (and perhaps even unconsciously by the artist himself – something I’ll examine in my paper).  But what makes up that oh-so-American image? The leather jacket? The Gibson guitar? The fast car flying down the open highway?  Certainly all of these serve as typical American imagery, and they will all be addressed in my thesis.  However, the imagery I’m looking at for this class is, perhaps, a subtler one – imagery derived from that found in the Book of Revelation.  Indeed, though he had problems with his Catholic School nuns as a child, Bruce has proven time and time again to be a devout Catholic, well-schooled in the many aspects of Christian imagery.[2]

As has been pointed out by Kirsch and others like him, the Book of Revelation has been one of the most effectual books of all time, playing a fundamental part in the formation of the fundamental mindset throughout the history of Christianity, though never more so than in America.  My aim is to trace Bruce’s use of said book’s imagery through his entire career, as shown not only in his lyrics, but also in things he’s said on stage or in the public eye, as it were.  With regards to lyrics, I’ll be looking at every song he’s ever released, giving special emphasis to The Rising – his album released after 9/11, an album I’ve written about previously and that is very much steeped in Revelation and redemption.  What’s more, I aim to show that his music has been used as a manner of escape from such imagery, doom and gloom – that by listening to Bruce’s music and singing along, those who would otherwise live in a world dominated by constant predictions of the world’s end can temporarily exist in a world separate from the one they ordinarily inhabit.  I find it interesting, however, that such could be the case when the music is, as I’ve already said, so steeped in that very same imagery they aim to escape.  The only explanation I can think of (for the moment) is that by using Revelation’s imagery in pop/rock songs and surrounding them with other fundamental signs of American culture, Bruce has created a comfort zone for our hopeful escapists; by providing subtle (or perhaps not so subtle) familiarity, he’s given them (and everyone else, too) something they can hold on to and make their own.

Having examined the comfort Bruce provides, my creative project will be demonstrative of what he provides protection from, as it were.  That is, my creative project will be a book of prophecies, each one of which (or most of which) will predict a different day/time for the world’s end, and be accompanied by a detailed explanation of how I came to that specific prophecy.  Though I’d love to create an actual book that looks as if it were thousands of years old, I’m not sure my creative abilities go that far.  Therefore, I’ll use a PowerPoint presentation as my book, with each slide serving as a “page” of prophecy.  For the most part, there will be a logical explanation for everything, and there are almost limitless logical possibilities.  For example, one might take the Mayan end of the world to be a correct prediction, in that that would be the day of the Rapture; I would continue to give a prediction based on that.  However, I may throw a random prophecy or two with no sound basis into the mix, simply to demonstrate the nature and earthly trustworthiness of such prophecy.

Those, dear reader, will be my final paper and creative project.


[1] Of course, this has NOT been the class’ only function – I have thoroughly enjoyed the class thus far and feel quite enriched.  Declaring what I’ve deemed the class’ handiness has been done strictly for the narrative of this proposal.

[2] His knowledge is not limited to Christianity; he’s well-versed in the various major religions of the world, in addition to his vast knowledge of American history, culturally and otherwise.  Proof of such claims will be made clear in the final paper.

Posted in Jon Rossi, October, October 26, Project Statements | Tagged , , , , , , , , , , , , , | Leave a comment