On Robert Mapplethorpe

When I started reading up on Robert Mapplethorpe, all sources pointed to the fact that this was one of the most controversial artists of the 20th century. It was when I started looking up his artwork that realized why: his highly stylized black and white photography bordered on graphic depictions of the human nude form. His portfolio ( selections of which are available at http://www.mapplethorpe.org/portfolios/ ) consisted of other types of photography, however. My personal favorite was his series on statues. One of them, I’m posting here! I highly encourage you guys to read up on Mapplethorpe, not because of his immense artistic impact, but simply because he’s such an interesting fellow.

Mapplethorpe, Skull and Crossbones, 1983

Mapplethorpe, Skull and Crossbones, 1983

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Mapplethorpe, Italian Devil, 1988

Books of Q88

Over the past few weeks, I feel as if I’m more aware of the diversity around me when I commute.

1.5 hour of daily commuting to class has tamed me to bring a book–any book, to spare myself from mental torture. Usually, I finish my homework between classes (4 hours. more than enough time), so I am almost always in dire need of brain stimulation. I carry around 2~3 books at a time, not because I enjoy reading, but because subway rides can become unbearable for someone like me.

When 7 train closed down on Saturday of the Macaulay museum meeting, I was forced to take Q88 to Woodhaven for the first time in my life. As soon as I claimed my seat on the back of the bus, I found my self sitting in front (because the seats of the bus allowed 4 people to face each other) of a hispanic man holding red “Sacra Biblia.” He had quite a tranquil look on him, as if he was going for a church meeting, or as if he is a deacon or an acolyte, giving a heavy impression of piety, not according to the definition of Euthyphro and Socrates, but by the definition engraved in our natural human-ness, in that one can imagine that the man is having a relationship with God on his ride to wherever he was going.

Next to him set an elderly lady, murmuring at a volume inaudible, holding a small crimson book. As she mouthed each word, I became curious to see the contents of the book, as the title written on the spine of the book was too faded out to be legible. Luckily, I was able to see the chapter title of the page, which read: “Sanctuary Spell.” That was a great brain stimulant. I started to think: is the “spell” the “spell” that I know? Like… Witchcraft? Sorcery? Magic? I hate to be rude, and if anyone is offended by this post, I will gladly apologize, but I just have to say: I loved the irony that the lady had to sit next to the man.

When I and Sam went to Book Culture to buy the required reading, I noticed that there were several sellers of books around the block.

How much longer would such things exist?

What if books become like scrolls; what if archaeologists in the years to come take my journals and notebooks and infer that humans of 21st century actually wrote things on a bundle of bound papers with ink and graphite?

 

Books are cool. We should love them.