Tail! Spin! Reaction

The political satire Tail!Spin! was much more lighthearted than the other shows we saw, although it was just as clever and eye opening. The genius of the performance comes in the script, entirely put together with quotes from disgraced politicians throughout our country. The actors easily manage to make fun of representatives such as Anthony Weiner, Mark Sanford, Larry Craig, and Mark Foley all while using the politician’s own speeches, tweets, text messages, and interviews. I really couldn’t believe what I was watching, as the comedy was so jarring simply because the politicians did not need much help in making themselves look like fools. However, the perfect juxtaposition of their promises to the public and the things that they say, tweet, and text in private left me questioning whether all of our politicians are this disparate between their supposed policies and their actual beliefs. For the most part, I appreciated Tail!Spin! because of its entertainment factor. However, the reason that it works so well is because the politicians portrayed are ultimately making fun of themselves, and that idea makes me pretty scared for our political system.

Disgraced Reaction

Ayad Akhtar’s Pulitzer Prize winning play Disgraced opens up one of the most significant questions that can be discussed in our current society: to what extent are we truly an open and accepting culture? As the show specifically deals with Islamophobia in New York City, it toys with the ideas of underlying resentment toward Muslims and general xenophobia in one of the world’s most progressive societies. The show particularly stuck with me because of the more radical ideas that it presented, many of which are both anti-American and anti-Muslim. I left that night vastly disgusted with the points of view presented and could not imagine why someone would create a play to spread such viewpoints. However, the show left me thinking. I realize now that such radical ideas were included purposefully; they were not meant to be agreeable, but rather to present to the audience underlying issues in our own society and make us question our own beliefs and ideals. I loved Disgraced for more than just its depth of characters and enthralling storyline, but for the conversation it opened up which our society desperately needs to have.

Tail! Spin!

Sorry for the late post about the performance Tail! Spin!, but my computer was acting weird. I’ll keep this post short, and save the bulk for our new website.

Tail! Spin! is an incredibly hilarious and well thought-out play. It satires the theme of political sex scandals, focusing around the four elected officials Mark Foley, Larry Craig, Mark Sanford, and Anthony Weiner. The outstanding bit about Tail! Spin! is that writer Mario Correa utilizes only the texts, speeches, Tweets, and Facebook messages of these “esteemed” officials. Correa beautifully puts a spin on them, creating a hysterical script. At the end of the play, you cannot help but laugh to yourself thinking, “Did they really say that?” The entire cast only consist of five actors/actresses, the four government officials plus SNL star Rachel Dratch, who acts as the women who were part of the scandals.

Tail! Spin! is an off broadway play, and stays true to the off broadway culture (an obscure theme, performed by a small cast, in a small theater, for a small audience). I do recommend going an seeing it!

 

 

The Christmas Spectacle starring The Rocketts

It is that time of the year again when one feels the desire to talk about Christmas (ironically my favorite time of the year as a skier, as well.) In New York City, Christmas is clearly a big Deal! From decorations, shows and holidays shopping, Christmas transforms New Yorkers into characters from cliche Christmas movies. Indeed, the Holidays are an essential part of the city and they turn our wonderful city even more charming and magical.

The Rocketts

The Rocketts dancing to “Rudolf the Red-Nosed Reindeer”

In order to experience a bit more Christmas spirit, Nabila, Sophia and I went to see The Rocketts. We were very surprised to see a full house at Radio City because it was not nearly even Thanksgiving yet. Essentially, I believe that the Christmas Spectacular is so popular because it prepares the city for the Holiday season. The intent of the show is to entertain the audience, but also to sparkle some love, happiness and magic into the atmosphere. After the show, everyone felt incredibly elated. It was a very lighthearted show that transported us into a different dimension, Santa-land, leaving behind our troubles.

The Nutcracker performed by The Rocketts

The Nutcracker performed by The Rocketts

The show was highly led by distinct dance numbers from The Rocketts ranging from traditional ballet, tap dancing and even ice skating. While every dance number was wonderful, The Nutcracker performance was my favorite because it took a completely different twist on the traditional story. In this act, the dancers wore oversized costumes, yet still managed to appear completely gracious. It was a humorous act and Tchaikovsky’s music made it even more wonderful.

Everything in the show sparkled some magic over the audience, even the fake snow at the end of the show. I recommend that everyone sees this show because one can experience such innocent, childish happiness while watching it.

-Angelika

P.S. Happy Holidays!

P.S.S. 

Straight White Men

Straight White Men is Lee’s powerful social commentary on privilege and manages to address several topics all in one piece–homosexuality, race, and gender. These categories through history have all been determinants of status and privilege in society. The play itself was at times crude (the intro music) and comical (the playfulness of the brothers). Although it began as a less serious piece with the family just hanging out and acting like typical guys/brothers the play to a turn and became a very earnest portrayal of the power of privilege. While the two brothers exhibited member of society who have privilege and the advantages of being straight, white, men who abuse their privilege and take it for granted the eldest brother continues to be conflicted by the ease of privilege and his urge to earn his way in this world. It was a very interesting way to address these topics.

Straight White Men

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This post is a little late, however, this play is too good to not be posted. First of all, as soon as I went into the theater, the irrelevant  music caught my attention. I expected a smooth and a calm music for the crowd to settle in. However, that was not the case, since it was a very loud and electronic music. However, when the show started, the mood changed.

The overall story line was great, filled with suspense and humor. There was a great shift in mood in the second part of the play. The ending, however, did confuse me since I expected an additional scene. It felt as if something was missing, and I left the building confused and not satisfied. However, the fact that this play only used four characters and one setting to create such an amazing product, was shocking. In addition, I found it really interesting that when the scenes ended, the lights turned off, and when the lights turned back on, the staffs were moving all the props back to where it was originally and when they left, the characters came back in again, and continued to the next scene. That was something that I have not seen previously.

Privilege- Straight White Men Reactions

As Tony and Chloe have mentioned in their reactions to “Straight White Men”, the music as people entered the theatre is not what you would expect. I was laughing as we (Anthony, Lucius, and I) entered the theatre. The music was very pumped, very vulgar, and for me, it didn’t seem to fit the audience, which was predominantly old white folks, with some college students like us. A few people were very into the music though, bumping and enjoying it.

The performance starts of very comical, especially with the two younger brothers playing around, annoying each other. Yet at the end of the performance, it was very serious, and only the eldest brother was left on the stage, contemplating by himself. The main point that the play was trying to convey was how certain people have it very well in life, namely, men who are white and straight. The two younger brothers, Jake and Drew, were able to see this and use it, while Matt, the oldest one, can’t seem to accept it. The father and two younger brothers strive to help him, pay for his loans, give him mock interviews, yet he resists their attempt, and wants to earn his way in life by himself.

Young Jean Lee attempts to convey this message using certain topics that we often avoid talking about, and even titles the performance “Straight White Men”, which gives an emphasis on what she wants people to see from the play. If you haven’t seen the play, you really should go. The performance strives to be comical and hilarious, but it also brings up certain sensitive issues that our society often avoids.

P.S. For some reason the setting and feel of “Straight White Men” reminded me of the show “Three’s Company”.

 

~Christopher Chong

Straight White Men

This one performance was able to effectively compile several touchy subjects that most people are afraid of confronting directly, into a perspective that we could all relate to in some way and understand. It addressed racism, sexism, sexual orientation, white privilege, and what entails each one.

During the performance, two of the actors (the two younger brothers) began playing a game called “Privilege”, (which I thought was subtly powerful, but powerful nonetheless) which was not only meant to be a joke, but it also put privilege into the perspective of a reality. This act also foreshadowed the fact that only the two younger brothers had grown up using their privilege whereas the oldest brother felt like he didn’t deserve it, and had to earn it instead.

It was definitely interesting to see how they presented different views of privilege through each actor in the family and how each one ultimately decided to take advantage of it if they did at all. I also thought it was powerful how one by one, each of Matt’s (the oldest brother) family members, left him because of the fact that he didn’t know what to do with his life and with his privilege, but he knew for sure that he didn’t want to use and abuse it like his brothers had.

“Straight White Men”

I was forewarned of the interesting music that would be playing as we entered the theater, but I was still surprised. I thought we were walking into some club or DJ performance, and it did feel out of place for a bit, but after 5 minutes Erica, Daniel and I were starting to enjoy the beat of the music until Daniel pointed out some of the lyrics and Erica started to translate them quite fluently, which was a huge surprise.

Throughout the play and even afterwards when the same music started to play, I understood why the music was playing. The play was addressing issues that everybody seems to be tiptoeing around in society, and just how the rap song made the audience feel uncomfortable, it was a foreshadowing of the actual play. Young Jean Lee aims to make certain crowds uncomfortable and tries to pull people out of their comfort zones by addressing issues that are taboo head on.

“Straight White Men” Reaction

I am going to keep this relatively short, so that my group has plenty of new information to present to the class. I really enjoyed this performance because it commented on many hot topics such as racism, sexism, sexual orientation and the privileges or disadvantages associated with where you stand on these issues. The title speaks to this, as “Straight White Men” are the most privileged of all people. It appeared to me as though the play took two avenues to convey their message, as they used comedy through the first half of the play and then it took on a much more serious tone in the second half. As I mentioned in class, I usually prefer comedy, especially for topics like this, but the actors were able to pull off both the comedic part and the dramatic part. The biggest issue of the play was tat one brother has failed to live up to his potential because he is unable to accept the advantages that he has because he is a straight white man. The other brothers and his father attempt to dispel his concerns, each in their own way, but do not appear to be successful. Definitely a play worth seeing, as it sends a meaningful message and does so in a very entertaining way.

SWM (Thoughts and Reactions)

The first thing that catches one’s attention as you walk into the auditorium is the music. I for one was expecting some “elevator-like” music, a soft tune that’s repetitive; something one can listen to while waiting on an event to happen. What was playing in place of that soft and soothing music was outrageous. The auditorium was blasting rap music that covered the topics of many vulgar things. The funny thing about this was that the audience consisted of elderly people who probably have no idea what the slang words meant!Thankfully the music was stifled when the play started.

As for the play itself, it started off really light. The latter half of the play was not. The play began with the brothers goofing off, fighting with each other, and catching up on each other’s lives. When the last 30 minutes of the play hit, The issue of privilege came through and was argued back and forth. The play ended with one of the brothers left alone.

The actors weren’t the best. From my point of view, if one was to be in character, they would talk normally as if having a normal conversation. One of the actors kept over-emphasizing words as if he was a 5th grader reading lines off a manuscript. Another actor had his crying feel really awkward and out of place. There were some more irregularities, but who am I to criticize. I am no actor and I barely watch plays.

For the part of the play that covered privilege, I have to admit that it was very hard to digest what each viewpoint on privilege each brother has. All in all, the message was clear and I honestly think the play was worth the $25 and the attention.

 

Complexions Contemporary Ballet at Joyce Theater (Adrian)

On Tuesday, Joshua, Kevin, and I went to Joyce Theater to see a dance because we had enjoyed watching Fall for Dance. Thus, we were looking forward to watching this dance performance.

The building was similar to BAM Harvey Theater because the walls were old and made of bricks. It was around for a while, so the outer walls remained unchanged, but inside everything was renewed/replaced.

Outside it was cold and everyone had a lot of clothes on, while during the performers in the theater had very little clothing. In the first dance, the men were basically only wearing matching underwear and the women wore one piece bathing suits. The dancers performed ballet usually in pairs and sometimes in larger groups with about 20 performers on stage at the same time. They were all synchronized and switched partners often. In their groups, the dancers moved together and came really close to one another (something I would not do if people had barely any clothes on). They relied on one another for support and balance. Something common was a woman raping herself loosely around a man, while he spun around at the proper speed to make sure she did not fall.

Part of the music was recorded and some of it was live. I noticed that the two violin players that performed live at the ballet made the sounds of their violins compliment one another. If I did not watch both of the people playing the instruments, I would not have known that there were two violin players. Just like the dancers, they made their music (instead of dance) combine to make a single, proper functioning system. The recorded music played at the ballet would normally make me want to dance slowly, but the dancers were dancing really quickly to the retarded rhythm.

One thing that I remember well from the performance was that a dancer fell when he was running on the stage to his position. He had gotten back up in the blink of an eye and continued performing. This blunder demonstrates that people always make mistakes, which cannot be avoided even in a synchronized, well-performed ballet. Moreover, I was never expecting anyone to slip in a professional performance, so I guess that anything can happen.

Complexions Contemporary Ballet Reactions (Joshua)

First, here’s a bit of history on the theater.

Joyce Theater was originally a movie theater, built in 1941 and at that time called Elgin Theater. The theater was a popular venue for moviegoers until 1978—by that time it had begun to show less-than-savory movies and was forced to close by the community.

There was a renovation period between ’78 and ’82 when the theater’s interior was gutted and redesigned as a space for dance.

Once this period was over, the theater reopened as Joyce Theater.

The dance program consisted of three dances and excerpts of two more:

  • Head Space
  • Igual
  • Testament (excerpt)
  • What Come, Thereafter (excerpt)
  • The Groove

I don’t presume to have much experience on the language of ballet, and perhaps I would have benefited from choosing another performance. However, I have learned much about the language through this experience.

In these dances, the performers wore leotards ranging from ample coverage to a very scant amount of material.

Head Space exhibited a confused man in a crowd of couples who were all intimately dancing together. This man took a while to find his way to a woman of similar sentiment. Much of the dance focused on confusion and hesitation, the man unsure of whom he could be intimate with in the midst of so many already-established couples. After he found his partner, the dance focused on their closeness, ignoring all of the other coupes.

Igual: I didn’t understand this one.

Testament was quite weird as it was performed to a seriously curtailed version of “Amazing Grace”, changing the hymn’s meaning by omitting many of the words. It emphasizes how the woman saved the confused man or vice versa. It was an interesting piece.

The text quoted below is the whole hymn as written by John Newton; highlighted in yellow is what was sung during the dance.

Amazing grace! (how sweet the sound)
That sav’d a wretch like me!
I once was lost, but now am found,
Was blind, but now I see.

Twas grace that taught my heart to fear,
And grace my fears reliev’d;
How precious did that grace appear
The hour I first believ’d!

Thro’ many dangers, toils, and snares,
I have already come;
‘Tis grace hath brought me safe thus far,
And grace will lead me home.

The Lord has promis’d good to me,
His word my hope secures;
He will my shield and portion be
As long as life endures.

Yes, when this flesh and heart shall fail,
And mortal life shall cease;
I shall possess, within the veil,
A life of joy and peace.

The earth shall soon dissolve like snow,
The sun forbear to shine;
But God, who call’d me here below,
Will be forever mine.

 

John Newton, Olney Hymns, 1779

 

What Come, Thereafter: I didn’t understand this one.

The Groove is a view of the House music scene in Chicago of the 1980s. The dancers were more scantily clad here than in any other dance. One line of one of the songs caught my attention and stuck: “If only fools are satisfied, take my sanity away.” That conditional statement heavily underscores the human desire (and perhaps need) to be satisfied.

Group Joshua, Adrian, and Kevin