Simon Beck’s Snow Art

Now is the season that allows snow to fall. In France, Simon Beck uses a fresh blanket of snow as his canvas. The art he produces is very unique. He just walks on top of a frozen lake covered in snow and his footprints look like a nice pattern in the snow from above. The pattern looks simple, but it takes a very long time to make. Since I have a short intension span, I find this kind of patience breathtaking. Here is the URL to see this guy’s works: http://www.weather.com/travel/news/incredible-snow-art-created-foot-photos-20131212

Sunken City

 

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As some of you may know, I travelled back to California for the holiday weekend. It was very nice and I enjoyed seeing my family and friends…but most of all the weather (it reached up to 80 degrees). During my short time their my friends and I went to a semi-secret spot we used to frequent called Sunken City. It actually used to be a row of houses which due to a landslide “sunk”, the sunken part of the neighborhood was fenced off but their are little holes in the fence where you can easily walk in. While it appears to be nothing more than graffitied slabs of scattered rocks, the view is amazing and you can find quality pieces of art. Each time I visit it looks a little different because the art is constantly being repainted and transformed

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Banksy

When Banksy was in NYC for a month, I visited his instagram, youtube channel, blog posts quite frequently. Just how Professor Drabik said that NYC is like a giant art gallery, this was exactly how Banksy treated the streets and people of NYC. He did many public performances, such as this one:

He plays with his fame in this public performance. All these people were unaware that they were buying the artworks of Banksy which could’ve been sold for thousands.

New York Festival of Lights

I really enjoy being from Brooklyn and representing this part of the New York City because sometimes Brooklyn gives a great show as well; especially DUMBO, which is essentially the center artistic expression in Brooklyn. As soon as I found out that the first New York Festival of Lights was happening at the tunnel under the Manhattan Bridge I was surely to attend this spectacle.

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On November 7th at 7PM I visited NYFOL. It was a completely free event, accompanied by a great DJ and a super interesting audience. Not too many people knew about this event and thus all the visitors were interested and knowledgeable.

I was mostly surprised by the fact that no where in this installation was thephoto 3 (1) artist(s) mentioned. Clearly someone had to create this masterpiece but the artist’s input was not recognized. Perhaps, the artist wanted his work to become of the people and he wanted the people to emphasize the work rather than him?The entire installation was very interactive and dependent on the audience rather than the artist; wherever one would stand, they would see the installation differently. Finally, viewers even got a chance to put input in the installation by signing a scratch board.

In general, this was a very interesting and enjoyable installation despite the fact that it was really cold that day. I am very proud of Brooklyn for staging such events!

-Angelika

Who Can Create Art?

I believe that the film Wasteland answers an important question that was brought up in class: “Who can actually create art?” Of course there is the stereotypical answer that anybody can create art. However, I believe that question can be refined to focus on the creation of influential and lasting art. I believe that the answer to that question comes down to artistic privilege. In other words, only those who are artistically skilled enough to incur change, cause disruption, or gain precedence (politically, socially or even economically) can create influential art. I believe that is the reason why certain pieces of public art are cherished over others. This is why childish graffiti is painted over by the city and why The Charging Bull is still standing. It is also why Vik Muniz’s art, portraying the catadores, became globally famous.

Muniz said something that stood out to me. He claimed that he reached a point in his career where he’d like to give back to his roots. The only way he knew how to do that was through his art. This statement depicts his great understanding of art and the artistic process. He realizes that he has the ability to cause social change via his own artwork. By depicting the catadores in an unconventional piece of art, portraying them via the same garbage that makes up their livelihoods, Muniz was able to make them known worldwide. Muniz himself commented on the extent of his artistic skill and privilege. He notes that he wants to focus on a modern twist on art, and break away from the contemporary, depicting his confidence in his skill.

Pulitzer Fountain – Anthony Cacchione and Elyssa Sur

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The Pulitzer Fountain is located in Grand Army Plaza, at the edge of Central Park. The Fountain is named after Joseph Pulitzer, who donated $50,000 for the creation of this impressive monument. The entire piece is 22 feet high, including the larger than life-size sculpture of the Roman goddess, Pomona, on top.

The fountain’s location is actually something that the architect and sculptor worked very hard to accomplish. While it was always intended to be in Grand Army Plaza, they made it symmetrical with this monument inside, but in order to do this, they had to move the William Tecumseh Sherman monument 16 feet West, in order to line it up with the Pulitzer Fountain. By doing this, they were able to line up the two most significant monuments of Grand Army Plaza.

As you can see from the photograph, there are 6 basins that hold water in this fountain. This complex design requires a constant and intricate flow of water. That is exactly what this monument gives us, as you can hear the water cascade down to each level. The powerful flow of water results in a beautiful waterfall from the sixth basin, which sits high above the rest, down to the fifth basin. The water then flows down each level by spouts that get larger and more elaborate as the water flows to the next level.

On top of the 6 basins of the fountain, stands the sculpture of the Roman goddess, Pomona. This bronze sculpture displays Pomona carrying a basket of fruits, which refers to her being the goddess of fruitful abundance. Looking at Pomona’s pose in the statue, it appears she is in a state of motion, as she is turning her head back to the right while also lifting her left leg. It looks as if she is turning to look at something behind her, but it is unclear what she could be looking at. Regardless of what she is looking back towards, the movement in this sculpture connects with the rest of the monument, as the entire piece of art has a sense of constant motion about it. Pomona is stuck in a state of motion, while the fountain constantly has water flowing from one basin to the next.

The sculpture’s presence is what brings the entire piece together. As we mentioned above, Pomona is the Roman goddess of fruitful abundance and this sense of abundance is carried, not only throughout the rest of the monument, but also throughout the surrounding area. The fountain, with its 6 basins of increasing size and detail, certainly displays an incredible level of abundance. However, the surrounding area emanates a similar level of wealth, as the Plaza Hotel and General Motors Building are both located around Grand Army Plaza.

This fountain was built in 1916 with the “City Beautiful Movement” in mind. The “City Beautiful Movement” began at the end of the 19th Century, as cities began to become overcrowded. In an attempt to deal with the poor city infrastructures, poverty, corruption and prostitution, this movement began. It involved a systematic planning and beautification of cities. Supporters of the movement believed that well designed buildings and public monuments would help keep the urban populations under control. They also argued that public art with classical style and technique would improve the aesthetic tastes of the urban populations. One of the main components of this movement was creating sculptures that would improve the morals of people by portraying uplifting and inspiring subject matter. This monument certainly accomplishes that, as it provides a feeling of wealth to anyone that gazes upon it.

Banksy Art: Graffiti

After today’s class I went and looked up some of Banksy’s pieces on Google. I found one that particularly stuck with me:

A photo taken of Banksy street art in London. Found at: http://streetartlondon.co.uk/blog/2011/04/26/banksy-street-art-clipstone-street-fitzrovia/

A photo taken of Banksy street art in London. Found at: http://streetartlondon.co.uk/blog/2011/04/26/banksy-street-art-clipstone-street-fitzrovia/

I feel like this piece is particularly powerful because of its blatant contradictions.

“If graffiti changed anything, it would be illegal.”

Obviously, graffiti is illegal. Thus, Banksy’s point is made clearly through this painting: Graffiti does have the power to change things and that is why people in power don’t want it to exist.

It reminded me of the conversation we had today about what kind of art is allowed in public space, who dictates it, and of course the tearing down of 5Pointz.

I feel like graffiti is so powerful because it is raw. It portrays a viewpoint of a generally voiceless community. Sam commented on one of my last posts something along the lines of this: graffiti is the only outlet that some people have, so we have to let their voices be heard. If we do, it can have the power to change everything.

St. Patrick’s Cathedral- Christopher Chong, Justin Roach, Lucius Seo

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There exists in this era, for thoughts written in stone, a privilege absolutely comparable to our current freedom of the press. It is the freedom of architecture.”

-Victor Hugo, Notre Dame de Paris

Some people say that the cathedral is built large so that we can feel the great distance between God and us. Some people say that the cathedral is built so beautifully to show the political power of the Catholic church. Some people say many things in front of the cathedral, watching the edifice in fear, like the way the Romans would mutter their quibbles at profanum, lurking around the boundary between what they hope to be sacred and what they hope to be vulgar.

Cathedral tells a story. It is not built magnificent to drive away people who, as Socrates would put it, speak as they do in the marketplace. Back in the time when not everyone had the privilege to learn, cathedral was a great building which told stories to the illiterates. It is an experiment ground on which many things can happen; the very first of all civil rights movements and one of the greatest petitions for freedom.

The beauty of all cathedrals that broke the boundary between the vulgar and sacred, common and noble, rich and poor, is also seen in the story of St. Patrick. Although he was once captured and enslaved in Ireland, he chose to come back to the so-called barbarians. He did not force the people into belief through violence; he took the shamrock, which was a sacred plant to the people who lived there, and explained the concept of Trinity.

St. Patrick's Cathedral 2St. Patrick’s Cathedral, in that sense, is exemplary. It was a shelter for the Catholics in New York. Its foundation is the same as that of America: freedom, equality, coexistence, harmony, and all traits thought to be admirable and American. The true art of St. Patrick’s Cathedral is not from the aesthetics, but from the value and motive, which still lives today.

Taking a look at the Cathedral’s architecture, the building has a neo-Gothic style structure. The Cathedral started it’s construction in 1858, but didn’t finish building until 1878, which was in part due to the Civil War. Today, the church is open to public visits daily, except when mass is being held. It is located on 5th avenue, between 50th and 51st street at the heart of Midtown Manhattan.

We really believe that a visit to St. Patrick’s is worth anyone’s time. Currently it is under a massive 5-year renovation project, but it is still open. If you ever take a stroll through midtown and have the time, do go visit.

 

~Christopher Chong, Justin Roach, Lucius Seo

The Irish Hunger Memorial – Joshua Chu, Tony Chu & Chris Pun

Irish Hunger Memorial - Rear View

The Irish Hunger Memorial was created by architect Brian Tolle and landscape designer Gail Wittwer-Laird. They envisioned the hilly landscape of rural Ireland and transferred it to the flat NYC Financial District through the ingenious use of stone pillars and concrete overhangs.

Its main purpose is to remind viewers of the experiences of many Irish farmers in the Great Famine of Ireland, and that purpose is evident in the design of the structure. The viewer sees what the impoverished farmer sees.

The elevated concrete platform holds the cottage, grassy hill, path and stones present in that era. The pillars that hold up the platform are striped with backlit words that tell the tales of all the survivors of the Famine. The structure provides a view of the Statue of Liberty beyond the treetops–a symbol of an Irish potato farmer’s sight on freedom.

The words that wrap around the pillars tell powerful stories of the suffering that the Irish went through so they cannot forget: The viewer reads about the horrific events of the Famine and feels what the impoverished farmer feels.

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Mr. William Gregory, MP rose to propose the following Clause: And be it further Enacted, That no person who shall be in the occupation, whether under lease or agreement, or as Tenant-at-will, or from year to year, or in any other matter whatsoever, of any land of greater extent than the quarter of a statute acre, shall be deemed and taken to be a destitute poor person under the provision of this Act, or of any former Act of Parliament; nor shall it be lawful for any board of guardians to grant any relief whatever in or out of the workhouse, to any such occupier, his wife, or children.
The Poor Relief Bill: The Gregory Clause. House of Commons. 29 March 1847

When paraphrased, this Act of Parliament says, ‘No one who has more than 0.25 acres of land can be considered a poor person and no one is permitted to help this person in any way whatsoever.’ That is both disgusting and memorable.

This memorial impales the viewer’s senses with sights and words that make him see if he hasn’t yet seen and makes him remember while he hasn’t completely forgotten the horrors of the Great Famine. It is art just as poems and memorials about 9/11 are art, maybe even more so because of the magnitude of the tragedy it describes.

The Trump Globe: Global Unity – Shahrouk Reza and Daniel Seo

The steel globe is located in Manhattan, Columbus Circle at the intersection of 8th avenue, Broadway, Central Park South and Central Park West in front of the Trump International Hotel. The globe was built in 1997, during the revamping of the Trump Tower and sometimes called the Monument to the World, Its structure shows the world made up of steel and it is at least 30 feet wide and is held by one huge chromium column. The Globe is surrounded by three rings orbiting it. In front of the globe, there are large crowds trying to take the subway and get to their destination.

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The Unisphere, located at Flushing Meadows, inspired the Globe. Because of that, it is a symbol of global interdependence and community. The Globe symbolizes the coming together of people from all over the world to achieve a common goal and to share in a common purpose. Its rings memorialize the tracks of Yuri Gagarin (First man in space), John Glenn (First American in Space) and the first communications satellite. Man’s ascension into the space was only accomplished through a myriad of collaborative efforts.

However, because of its location in NYC, the Globe takes on a different meaning entirely. Lying in the heart of the city, the Monument to the World is representative of New York City itself. Because of New York’s intense diversity, the world that the Globe symbolizes can be found within the confines of this great city. Within its boundaries, people from every corner of the globe can be found. As such , we chose the steel Globe because it represents the diversity of NYC and the intermingling of dozens of cultures that happen in the city every day, to create a truly global community.

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The Trump Globe’s 12 Story High inspiration.

The Charging Bull

The Charging Bull, positioned at Broadway and Morris Street, by Bowling Green has a very strange and interesting history.  The sculpture created by Arturo Di Modica is only one of many of this man’s great works.  An immigrant from Sicily, Di Modica, has always been fascinated with the art of sculpture.  Even from a young age his work has been well known locally.   He had attended the Academia Del Nudo Libero for only two years before he opened up his own studio in Florence, Italy.  In Florence he mainly did work with bronze and other metals however he sometimes also used marble in his works.  After 12 years of living and working in Italy he moved to NYC and opened up a new studio in SoHo.  Di Modica was just as acclaimed in NYC as he was back in Italy, thanks largely to his marble sculptures at Rockefeller Center.  It was not until 1989 did he complete one of his most recognizable pieces though, the Charging Bull.

The Charging Bull weighted 7000 pounds and took Di Modica two years to complete.  In order to place it where he had wanted it, which violated city permits, Di Modica and colleagues staked out the area in front of the NYSE on the night of December 14th to find the interval of time between different police patrols.  He and his colleagues returned the next night with the bull to place it however found that a Christmas tree was set up in the exact location he had wanted to leave the bull.  With his path obstructed, Di Modica had left the massive 2.5 ton bull under the Christmas tree for all of the world to see and instantly overnight the bull had reached great acclaim.  Although the bull was quickly removed under the authority of the NYSE the bull had found a new home where it is now by the Parks Commissioner Henry Stern.Charging Bull, New York City

Like many of Di Modica’s works the Charging Bull had been made with a great attention to detail.  Although many pieces of art are usually used to show a static image, Di Modica’s works are created in very dynamic states.  In his “Charging Bull” the bull is in a stance ready to charge forward.  Also like many of Di Modica’s other works, the “Charging Bull” is thought to bring good luck, prosperity and success.  Due to its initial location, the Charging Bull could have been very symbolic of the coming prosperity of the economy since the bull in itself is symbolic of an upward trending progression (bull market).

When visiting the “Charging Bull” there were always tourists swarming around it, taking pictures with it and posing in many different ways.  Many do it to find this good luck that the “Charging Bull” is supposed to bring while others do it because they find it fun to pose cupping the massive scrotum of the bull.  Either way the Charging Bull is very iconic of the city and attracts the attention of millions of tourists.  In fact the sculpture is so popular, the NYPD always keeps officers near it because of the sheer number of people that surround the bull.  If you want to see the bull but do not want to make it into a tedious commute you can watch it livestream through this link, but nothing compares to seeing it in person!

http://chargingbull.com/video.html

-Kevin Call, Adrian Horczak

The Metronome – Jillian Panagakos, Manjekar Budhai, Samantha Dauer

In 1999, artists Kristin Jones and Andrew Ginzel had installed The Metronome in Union Square. The art installation is comprised of 3 pieces, the first being a centerpiece comprised of rippling, concentric circles adorned by a gold, halo-like embellishment around an opening in the wall and a slab of rock. The second is an LED display with 15 digits. The first 7 digits represent the amount of time that has passed since midnight, in hours (2 digits), minutes (2 digits), seconds (2 digits) and tenths of a second (1 digit). The final 7 digits follow a similar format, except they are in reverse order and represent the amount of time left in the day. The 3 digits in the middle, measuring tenths of a second, are meant to be mind-bogglingly fast and represent the fleetingness of time, along with the fast-pace of New York City. The final piece of the installment is a half-sphere that is part gold and part black and that mimics the phases of the moon.

The LED clock from The Metronome installation.

The LED clock from The Metronome installation.

The entire installment deals with conceptions of time and utilizes symbolism to do so. The slab of rock, for example, is meant to represent geological passing of time. The opening in the wall emits smoke and sound at midnight and noon each day, to mark significant times. The sphere, of course, represents the lunar phases and passing of time on that level. The most intricate piece, however, must be the LED clock, which has matching halves that increase or decrease accordingly. They perfectly fit together, measuring the amount of time since the last midnight and the amount of time until the next midnight, functioning almost as a “modern-day hourglass” as described by Atlas Obscura. The installment as a whole is one of the most confusing public pieces in the city.

 

The centerpiece of The Metronome in Union Square.

The centerpiece of The Metronome in Union Square.

Ultimately, our group chose to research The Metronome because its complex symbolism and links to mankind’s conception of and obsession with time. Humanity, as a whole, has a tendency to constantly need to understand time: how much of it has passed, how much we have left, and (especially for New Yorkers) how little we have to spare. The clock captures this idea perfectly, as the viewer is initially drawn to the 3 center digits, changing exceptionally fast, that connect how much time has passed with how much time is left. Literally and symbolically, you are stuck between past and future, quickly changing from each moment that is considered to be the “present”.

La Casa Azul: A Place of Creativity

The La Casa Azul Bookstore is a Hispanic bookstore in East Harlem that started 2 years ago. It is the only bookstore in East Harlem and the only Hispanic bookstore in NYC. It was inspired by Frida Kahlo’s home in Mexico. It’s really a creative space that mainly sells books written by Latino and Afro-latino writers. It features book clubs, book readings, open mics, dance classes, cooking classes, exhibits, and a lot more. The current exhibit “A Ribbon Around A Bomb: Who Am I Being + Becoming In This Space” portrays photographs of young women in the day and age, with their personal reflections of what makes them the lively and brilliant women that they are. All reflections started with “I am powerful because…”

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one of the photographs from the “Ribbon Around A Bomb” exhibit

This place is such a rarity. I was amazed to find it in the first place. I love the individuality and flair it has as a book store. It gives a platform to voices that aren’t heard often. It’s just a beautiful, bright place.

L Train 8th Avenue Station Statues

If you guys ever take the L train, there are these adorable statues all over the 8th Avenue stop. There are a whole lot of variations on them and I took a picture of one because I thought some of you might enjoy it! This one looks like he’s working with a partner to saw down the pole. Other’s were wheelbarrowing supplies or trying to patch in pieces of the station. I thought they were really cute and I hope you guys like them! 20141008_193256