“Best of…” – various options

This actually emerged during some earlier discussion  in class regarding options for the website. I don’t remember who – Manjekar? Sharouk?Justin?… – but someone suggested for everyone to complete the sentence “The best of the Arts in New York for me  was/is…”

Everyone could just choose a specific moment which they really enjoyed, or something new they discovered – in the city or about the arts, or their favorite outing as a class, or which performance they remember the most, or what they liked about poems or about having working artists visiting the class, or… Some would write something serious, some not-so-serious, anything goes. All responses should short.  We might get quite an interesting mixture of “best impressions.”

Once you have the responses you need to organize them –  put them together as a string of responses? A long list?  A kind of collage? Perhaps accompanied by a slide show? Add music? Add your comments? Add beautiful aroma? O.K., I am kidding …  (We have lots of goodies on the blog – e. g. all the students’ photos for the “Public Art” assignment. Perhaps you could use some of these riches.)

Right now three people volunteered to organize & coordinate this part:  Adrian, Lucius & Kevin. Good. That’s already serious manpower. Of course you can still add a couple more colleagues to help you conceptualize it or to perform specific tasks. You might want to consult Chris too.

As far as I am concerned, anything you decide is fine with me. Just do something nice.

 

A special song for this “kindness week”

I’ve just read the missive from “Division of Student Affairs” that Nov. 10th – 14th is celebrated as “World Kindness Week.” Never mind that this kind week is defined a bit short (10th-14th?), we welcome kindness whenever we find it, right?

So here is a special song, in two versions (Lou Reed by himself & then with a full cast of top characters). Have your own perfect day!

 

Continuing in this “tragedy or comedy” (or “absurdities”?) track

Perhaps both at the same time, as intended by Pirandello: tragedy  (the story of the messy family drama Six Characters are trying to relate) and comedy (the story of a rehearsal unexpectedly interrupted by those 6Ch.).

The play (not the play-within-the play, but the Six Characters in Search of an Author strikes me as extraordinarily clear-headed & logical, in fact even cool in its detached observations of us, humans – in life not very apt at logic and often not aware of our weaknesses & emotional tangles.

And perhaps our confusions here (yes, in plural – as evidenced by your numerous, great posts: rich in observations, right in the impulse to question!), vis-a-vis this play, are not due to the complexity of the play itself, but exactly to our human uncertainties and paradoxes.

Pirandello’s play

Here is the text of the play of  Six Characters in Search of an Author, by Luigi Pirandellotrans. from the Italian by Edward Storer

http://www.planetmonk.com/dramageeks/scripts/sixcharacters.pdf

And a review by Robert Hurwitt in the San Francisco Chronicle (Nov. 8, 2014), with two good photos, of the performance we saw (by the troupe Théâtre de la Ville, dir. by Emmanuel Demarcy-Mota), but performed already in California:

http://www.sfgate.com/performance/article/Theater-review-Pirandello-from-Paris-to-Cal-5880375.php

Tragedy or comedy?

Ah, now that I see some signs of life on the blog, let’s try a couple of questions:

1. You know, of course, of two main kinds of drama: tragedy, where there is blood flowing and things end badly (Oedipus the King, Mackbeth, Romeo & Juliet…) and comedy, where we laugh & rejoice at happy ending of troubles (Le nozze di Figaro, Shakuntala, Midsummer NIght’s Dream…)

So, did we watch on Thursday a tragedy or comedy?

 

more photos & some questions

What kind of dance did we see that evening? How were the companies different? similar? Did they try to tell a story? Did they try to shock you or, to the contrary, to enchant? Was any of the pieces intentionally controversial? Did any of the choreographers appeal, perhaps, more to your intellectual understanding than sensual pleasure?

Here, a few more photos.

Ohad Naharin's Minus 16, photo by Christopher Duggan

Ohad Naharin, ‘Minus 16’ (1999), photo by Christopher Duggan

 

William Forsythe, 'Neue Suite' (2012)

William Forsythe, ‘Neue Suite’ (2012), photo by Costin Radu

'AP15' (2010), photo by Coolbox

‘AP15’ (2010), photo by Coolbox