Final Creative Work: Everyday (12/21)

The accompanying video is a collage of found sound and found art. The pieces are familiar to me and may also be familiar to you. I’ve taken them from our previous assignments in which I have chronologed my everyday experiences. But, you may also recognize these pieces from your own everyday lives. With this class on arts in the city, I have learned to look at art in new ways and see that there is artistic potential in all things. Taking inspiration from the composer John Cage’s piece “4’33”” I used this piece to exhibit everyday sounds that I experience to complement my visual piece. I hope you all enjoy and see something in it that reminds you of a moment you have experienced.

I Attended the Biannual Observance of Baruch Finals (12/14)

I Attended Finals At Baruch College:

Going around, rushing back and forth from building to building the last two weeks of the semester can be described as chaotic for many a college student, especially those in their first year. The conglomerates we form in bustling spastic bunches, and slowly breathing piles of sleeping students creates a form; a creation of the institution of learning. It’s called music- “vibrating bodies” in the words of Professor Wollman who I interviewed for a freshman seminar assignment. The constant building up of tension as friction creates sparks as we pass each other in a rush to get to the end of our load. It’s like watching the ball drop or releasing a deep breath. The institution is a body and you interact with the performers by becoming one and getting lost in the tossing of papers and scrambling for seats in the library. Continue reading

Blurb #4

This artist’s perspective on visual literacy compares our intake of images and reproductions to seeing physical sculptures and paintings. As an artist himself, the writer of this essay gives an insightful view on how we are affected by the proliferation of flat images through advertising and the media. By juxtaposing such images with 3D sculptures as examples in this essay, Deborah Curtis we are able to physically see the difference between reproductions and actual pieces. Not art bashing, yet preserving the medium, Curtis favors authenticity to accessibility when it comes to art. And so, we get an artists perspective to tell us how art should truly be appreciated.

Blurb #3 Dave Mills Performing Langston Hughes

Writer/ Actor, Dave Mills breathes new life into the numerous works by Langston Hughes in his tribute performance to the renowned poet. Emphasizing the many voices expressed by the late poet, Mills also incorporates his own style into the well-known pieces. More than your average poetry reading, this presentation of works takes you into Hughes’ world and plays back his poems and narratives in a continuous flow to create a vivid story uniting the artist’s life’s work. David Mills does so in a constant stream of distinct character depictions, powering through dialogue after dialogue as a means of representing a general overview of Langston Hughes’ major pieces.

Illustrated Feature: Art Deco As Just Art

When the average person thinks of art, the question of function does not typically come to mind, other than the aesthetic pleasure one may gain from a piece.However, this traditional view of art is constantly being modified and in some cases tossed out the window all together. Both the Museum of Modern Art and the Metropolitan Museum of Art house works representative of this culture and yet pieces that can easily be mistaken for everyday, household objects. You may be wondering what makes a lamp, or a table a piece of art? And who decides such things? Exactly when did design take off to encompass the everyday so much so that we are able to look at anything and see it as a work of art? The change in perception that gave artists another platform to exhibit the unconventional began around the 1920s and progressed over the decades up through the present. Modern artists of today although given more mediums to work in, have the challenge of transforming the standard functional objects of yesterday into the innovative works of art of tomorrow while maintaining the functionality that defines their mediums. Continue reading